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R.E.M. returned to Hyde Park on Saturday for the final show of their marathon
world tour. It was not the triumphal occasion it might have been. The
concert, which had been postponed by a week because of the London bomb
attacks, followed the group’s appearance on the same stage as part of the
Live 8 concert. The euphoria of setting the world to rights so abruptly
dissipated by subsequent events, it was back to business as usual as the
band piled into the opening number: “It’s been a bad day/please don’t take a
picture,” Michael Stipe sang on a blissful summer evening.
His eyes buried in the band of blue warpaint that has been his public image in
recent months, Stipe resembled a particularly camp Batman villain as he
pranced and posed. The bass player, Mike Mills, and guitarist Peter Buck put
in workmanlike performances while various session players, including the
drummer Bill Rieflin, discreetly fleshed out the sound as they forged on
with a muscular What’s the Frequency, Kenneth? and a rousing
version of The One I Love.
The tall screens either side of the stage gave an unusually artistic
representation of the show, involving complicated vision mixing which worked
particularly well during The Outsiders, when Stipe’s blackened eyes
were repeatedly frozen to eerie effect. But although R.E.M. have clearly got
the experience to cope with these enormous venues, they are not an
instinctively large-scale theatrical group and compared with recent shows by
U2 and the Rolling Stones this was a tame presentation.
The band was joined by Patti Smith for a performance of E-Bow the Letter.
As usual in these situations, Smith contributed more to the sense of
occasion than to the song. Clasping Stipe’s hand like a lifeline, she
occasionally mumbled while Stipe was left to navigate the rich, Dylanesque
wordplay.
The vague pieties of the anti-war song Final Straw gave way to the best
moment of the set when they played Orange Crush. The stage was bathed
in orange light, prompting the audience to raise a sea of mobile phone
cameras. Then the band were on to the home straight with favourites such as Losing
My Religion and Nightswimming. They shook off the chains of
nostalgia and performed a new song, I’m Gonna DJ, before
wrapping up a professional show with Man on the Moon.
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