Jeremy Austin
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Wannabe JK Rowlings face at least a decade of hardship, struggling to make enough money to survive, according to new research.
Young British writers aged between 24 and 35 will typically bring home £5,000 a year, with the first ten years the toughest of all, according to research commissioned by the Authors’ Licensing & Collecting Society. That is less than half the average salary for a hairdresser, a waiter or bar staff and a third less than that earned by their German counterparts.
Even after establishing himself or herself, the typical UK author can expect to earn 33 percent of the national average wage of £28,000 and almost two-thirds need another job to supplement their income, the research concludes.
Rowling turned 32 in 1997, the year the first Harry Potter book was published, and is now worth $1 billion, according to the latest Forbes magazine rich list. The top 10 percent of British writers bring in 50 per cent of the total income earned.
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Are authors underpaid? Or does talent out?
As an independent author I am all to well aware of the difficulties in making a living from writing alone. The drive for celebrity biographies and for small selections of cut price top sellers results in a very thin market for everyone else.
Having tried to break through into the mainstream for a few years and, in general, being told that my writing was good but that there was no market for fantasy, I finally decided to go down the digital PoD (print on demand) route. This method only brings in 'pocket money' but at least I have the pleasure of continual sales and some great feedback from my readers.
Perhaps as ebooks become more popular some of this will change but I have the feeling that the 'big' players will start to dominate this media too.
Taff Lovesey, Bourne, Lincs
It's no surprise that authors are living on the poverty line when bookstores takes 40% of the retail price & supermarkets to slash prices of a paperback to around £3 leaving an mainstream author earning 10% royalties of 30p for each copy sold, yet they still got to pay an advance back to their publisher. Is it any wonder as a result that more authors are opting to be independently published, with bigger royalties & to fix their own prices to minimise the poverty of writing. In a recent media poll, it showed that independent authors are increasingly taking a larger share of the book buying market.
Mark Radford, Portsmouth, Hampshire
Certain chains of bookstores must bear some responsibility for this, surely? If a book isn't on a the 3 for 2 offer or similar, nobody is ever going to see it, let alone buy it. How many would-be readers bother going past the special offers to the back of the store where the interesting stuff moulders away? It's only the bookseller that benefits from mass sales of a few titles, certainly not the reader or writer.
Vicky Mills, Exeter, UK
I think Eric's view is too simplistic. Being a well-paid writer (or at least one earning enough to live on) is not as simple as being good at writing. It also means being recognised as being good at writing. Unfortunately, getting the requisite publicity is not easy. There are many cases of 'good' writers who have neither money nor recognition but that doesn't make them any less good.
The opposite applies too. You can be a not so good writer (when compared to your peers) yet still be successful. Some argue that Rowling's writing is not as good as say Dianna Wynne Jones yet Rowling is the more widely recognised.
Antony Davis, Bloomsbury, London
I'm afraid I must disagree with Eric from Harrogate. I am a struggling writer - as my spelling attests - and the end of my days as a waiter was seen a golden moment for the British service sector.
Neil Merrett, Montpellier, France,
It is simple economics: too much available labour pushes wages down. Every Thomas, Richard and Harold is sitting on a novel, and everyone thinks it's easy. Part of this is authors representing themselves as hip, cool, or bohemian, no doubt to compensate themselves for their empty wallets. Universities churn out hundreds and thousands of English Literature graduates who, totally unqualified for anyhting practical, no doubt turn their hand to the literary life, only to find it barely worth their while. And besides: Who actually reads nowadays anyway?
KJ Keir, Aberdeen, Scotland
Writing is the same as hairdressing or any other job. If you're any good at it people will pay you for it. If you're not they'll pay someone else. Writers get what they deserve - and most would make better waiters anyway.
eric, harrogate, uk