Dalya Alberge, Arts Correspondent
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A list of the best children’s books of the past 70 years has divided the critics by snubbing some of the best-known and most successful children’s writers of the era.
The Top Ten, put together by an expert panel and published today, does not include C. S. Lewis, Arthur Ransome or Walter De La Mare. Enid Blyton, J. K. Rowling and Jacqueline Wilson are also notable by their absence. Instead, the selection includes contemporary novels such as Melvin Burgess’s Junk, which realistically depicts the lives of young heroin users.
The list was compiled by the organisers of the Carnegie Medal, the annual children’s literature prize which is open to English-language books published in Britain. Although there is no cash reward, the award is coveted by children’s writers because of its unique judging process. Most literary awards seek submissions from publishers and agents, and invite celebrities to join judging panels. By contrast, the Carnegie’s selection process is rooted in the professional expertise of librarians across the country who alone can nominate titles.
The “Carnegie of Carnegies” list includes some expected titles, notably Mary Norton’s The Borrowers, the endearing classic about a family of tiny people who live beneath the floor, and Philip Pullman’s Northern Lights, which is “now universally revered as one of the most imaginative works in the English language, and a thought-provoking reflection on the human condition”, the Carnegie said.
Blyton, Rowling and Wilson were not among the Top Ten because they have never won the Carnegie prize.
The list split critics yesterday. Expressing surprise at Ransome’s omission, Penelope Lively, the novelist who won the Carnegie in 1973 with The Ghost of Thomas Kempe, said: “It seems rather heavily weighted towards more recent winners.”
Another author, who declined to be named, condemned the selection as a sad reflection of dwindling standards. “When the level of children’s literature sinks as low as it has, and so few teachers read critically and so few children’s librarians were offered the option of serious study of how to evaluate literature when at library school, any list like this has to be deeply suspect.”
The novelist A. S. Byatt had mixed views, describing five of the books as first-rate novels. “ The Family from One End Street I was completely entranced by as a child,” she said. “Alan Garner is a great writer. It isn’t a bad list.”
Jonathan Douglas, director of the National Literacy Trust and a member of the Carnegie expert panel, defended the selections. “We wanted it to be controversial,” he said. “The best of literature should arouse the deepest of passions.”
The public is being invited to vote online (at www.ckg.org.uk) whether the panel’s choices are right and the results will be announced at a ceremony at the British Library in June.
Voters are also being invited to decide “the Greenaway of Greenaways”, the favourite winner of the Kate Greenaway Medal, Britain’s oldest award for children’s book illustration.
Carnegie
Skellig David Almond 1998
Junk Melvin Burgess 1996
Storm Kevin Crossley-Holland 1985
A Gathering Light Jennifer Donnelly 2003
The Owl Service Alan Garner 1967
The Family from One End Street Eve Garnett 1937
The Borrowers Mary Norton 1952
Tom’s Midnight Garden Philippa Pearce 1958
Northern Lights Philip Pullman 1995
The Machine-Gunners Robert Westall 1981
Greenaway
Each Peach Pear Plum Janet Ahlberg 1978
Tim All Alone Edward Ardizzone 1956
Mr Magnolia Quentin Blake 1980
Father Christmas Raymond Briggs 1973
Gorilla Anthony Browne 1983
Borka John Burningham 1963
I Will Never Not Ever Eat a Tomato Lauren Child 2000
Dogger Shirley Hughes 1977
The Highwayman Charles Keeping 1981
Alice in Wonderland Helen Oxenbury 1999
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The list is based on what was voted for in all the years of these awards. As such it reflects trends in reading in the UK over a 70 year period.
That it doesn't include favourites of various readers should not be a surprise. If you read the website about the awards it explains the history, what won when, and so what the list was that the experts chose from. Consequently, it shows what the limits were in terms of what judges had to choose from, given historical choices.
I actually think it is a strong list, reflecting current trends and controversies about reading and childhood, whilst staying true to the spirit of the award and avoiding nostalgia.
I would also add that arguing that this is a 'neo-liberal' list denies the history of the awards. You are not speaking of a single organisation with a single voice here, but a number of organisations, individuals and professionals across an entire country and over time, who are truly diverse in their views and attitude.
Melanie Gibson, Newcastle,
The list is based on what was voted for in all the years of these awards. As such it reflects trends in reading in the UK over a 70 year period.
That it doesn't include favourites of various readers should not be a surprise. If you read the website about the awards it explains the history, what won when, and so what the list was that the experts chose from. Consequently, it shows what the limits were in terms of what judges had to choose from, given historical choices.
I actually think it is a strong list, reflecting current trends and controversies about reading and childhood, whilst staying true to the spirit of the award and avoiding nostalgia.
I would also add that arguing that this is a 'neo-liberal' list denies the history of the awards. You are not speaking of a single organisation with a single voice here, but a number of organisations, individuals and professionals across an entire country and over time, who are truly diverse in their views and attitude.
Melanie Gibson, Newcastle, UK
Where is Berlie Doherty, twice Carnegie winner? Her excellent writing is full of compassion and she can write `for' all ages. Where is Anne Fine? Where is Aidan Chamber's `Postcards from No Man's Land' ?
Caroline Pitcher, Derbyshire, United Kingdom
This article is ridiculous. It makes a big deal out of which writers are 'snubbed', before only pointing out halfway down that it is the best of the Carnegie, not children's fiction in general. Even more ridiculous are the posts, which seem to be following the well-tested "if I haven't heard of it, it must be rubbish" line of argument. Paul Phillips says, "I can safely say i have not heard of half of these people, but give me Lewis, Tolkien, the unparalleled Blyton, Ransome and Wilson anyday"- in other words, I haven't read them, I just know they're no good. Carys Matthews says, "Maybe they ... prefer a story about heroin addicts because that is a world they inhabit and understand"- never mind that that analysis refers to one book, Junk, and that the oldest book is from 1937, that several are fantasy, that The Machine-Gunners is set in the war. No wonder so many children are put off reading if their parents are so ready to condemn anything they didn't have access to as a child.
Kate, Cambridge,
Enid Blyton's realistic stories were OK, but her elves, goblins and (especially) witches damaged my childhood. It was insidious stuff, calculated to fill the young mind with doubts and fears. I'm pleased she's not on the lists - and the same goes for the unspeakable Rowling. Give me "Treasure Island" any day.
alan, cologne,
As long as the children are reading, does it really matter what they're reading? As a child, I read anything and everything I could lay my hands on - Blyton, Dickens, Achebe, Dan Fulani. Even as a child in the 1980s, I felt it difficult to relate to alot of Blyton's work because it came from a very different era. I was entertained, but not enthralled. I found myself more entranced by works of authors my own age- there was a series of books about a community of vegetables in a garden written by a 10-year old girl which particularly impressed. I was inspired to write my own books on the back of that.
Just because children today enjoy a different set of literature does not degrade the standard of writing. Today's children are more mature, more aware than we were at their age. Testament to that is the success of children's literature sold to adults. Maybe they don't need a Blyton and would prefer a story about heroin addicts because that is a world they inhabit and understand.
Carys Mathews, Chester, UK
Currently putting together a School Library Policy, our research shows us that young people just aren't reading as much any more, so to see some new interesting titles might capture the imagination of young people today. The way that books help young people to make sense of the world around them, means that the books they can relate to change over time, as the world we live in changes so dramatically. I am personally enthused by the idea that topic such as drugs are being explored in childrens literature, as these issues, ideas and topics need to be addressed in current literature for children. As a young person I was bored by the 'classics' as they didn't relate to the world I lived in and at 27 have only just rediscovered the joy of reading. Year after year booklist of the same books are churned out, its about time we had some direction towards something different and challenging.
Sarah, Belfast,
No doubt Helen Oxenbury's illustrations of Alice in Wonderland are delightful, but would it not be appropriate to acknowledge the author of the words?
Paul Kellaway, London,
I would add Paul Gallico's "Jennie" to the list of best children's books. I consider it one of the most beautiful, haunting stories I read as a child. I decided to reread it a year or two ago to see if it was as good as I remembered it, and was amazed by the depth and subtlety of the story.
Maire Crowley, Philadelphia, Pennsylvania, USA
Anyone who recommends Pullman to kids is guilty of child abuse. Let them read Nietzsche when they're old enough to question - don't infiltrate the poison through demonic fairy tales, or you're breeding a generation primed for fascism.
Anthony Faulkner, Bellingen, Australia
What? No Diana Wynne Jones, Enid Blyton, Arthur Ransome, Kenneth Grahame, A A Milne, Tove Jansson, JRR Tolkien, Roald Dahl, Nina Bawden, C S Lewis, William Nicholson. Unbelievable.
Pamela, Nottingham,
Ruth Manning-Sanders needs to be on this list. .. In a delightful and vibrant way, she kept the centuries-old art of fairy-tale storytelling alive in the second half of the 20th century. Her dozens of volumes will stand the test of time.
Chris, York, PA
I reckon this Carnegie Medal organisation would like so many other modern neo liberal organisations, rather put their ideology ahead of reality, commonsense and popularity.
We ignorant boars obviously dont know what we enjoy, we need to be told what is good even if it is awful. My mother turned me into an avid reader both as a child and still am as an adult and I can safely say i have not heard of half of these people, but give me Lewis, Tolkien, the unparalleled Blyton, Ransome and Wilson anyday.
Paul Phillips, London,