Kate Muir: the first review
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With a final “expelliarmus” this chest-crusher of a book ends the Harry Potter series with a bang, and the inevitable epic duel between good and evil. The fascination of the latest unfolding of J. K. Rowling’s work lies in the layers of grey that she reveals between dark and light. Characters are deeply probed and eviscerated, and even Dumbledore and Snape are not what they seemed previously. The plot — hatched over 17 years of writing — clicks into place, loose ends interlocking, all as complex as a magical lock at Hogwarts Castle.
Hogwarts, itself always a character, is almost sidelined until it becomes a backdrop for the final devastating battle. As Harry says, “This is war,” and Harry Potter and the Deathly Hallows is more of an outlaw adventure than a boarding-school tale.
The days of the simple pleasures of Bertie Bott’s Beans and the Weasley Twins’ Wizard Wheezes are forgotten, for these are dark and bloody times. Long-treasured characters die at the hands of Voldemort and his Death Eaters; schoolchildren are scarred; an ear is lost; and torture in the form of the gruesome Cruciatus curse becomes worryingly commonplace. This is by far the most adult of the books, perhaps reflecting our war-scarred times.
Following Harry's 17th birthday, and the end of the magical charm that protected him until his coming of wizard age, Ron, Hermione and Harry are on the run across England from the avenging Voldemort. You-Know-Who (and at last we discover a good reason for not using his name) has taken over the Ministry of Magic, and is crushing the opposition with an iron hand. Aided by the usual suspects — the Malfoys, Bellatrix, Umbridge, the persecutor-in-pink, plus posses of Dementors — Voldemort is also engaged in hunting down and destroying Mudbloods, those without magical parents.
There are all sorts of more sophisticated references here, from Arthurian to Greek myths. Shadows of the Holocaust hang over Voldemort’s compulsory Register of Muggle-Borns, the subsequent (Kafkaesque) trial and punishment of those with “contaminated” blood, and his decoration of the Ministry of Magic with a black statue of a pure-blood witch and wizard, atop a stone pile of the dead, naked bodies of Muggles.
All is not lost, however, and straightaway — for those of us speed-reading the book — the frontispiece quoting Aeschylus, the Greek playwright, offers a clue: It begins with “the grinding scream of death” and ends “bless the children, give them triumph now”.
The children are now really adults, but it seems strange that Harry is tall enough to bump his head on low ceilings and to receive a magic razor for his birthday, along with Ron’s present: “Twelve Fail-Safe Ways To Charm Witches”. Harry is so busy fighting evil that he hardly has time to reprise his panting pursuit of Ginny Weasley.
Harry goes on a quest to find and destroy the Horcruxes, objects that contain part of Voldemort’s soul, and also discovers the existence of the Deathly Hallows, three magical items that give power over death. Nothing is simple here, and indeed there are overlong passages, particularly those concerning Dumbledore’s past, that are a bit of a snooze unless you are a Potter-junkie.
The action scenes are fantastic, however, and the reader is aware that Rowling is writing with the big screen in mind. A panoramic battle in the night skies above 4 Privet Drive, in which Harry roars off on Hagrid’s motorbike pursued by Death Eaters, while magic spells flash by, will make a great opener in the final film. A fight with Voldermort’s snake-familiar, the anaconda-sized Nagini, will also look impressive in the cinema. Specialeffects departments will be celebrating the prodigious use of Polyjuice potion, which changes appearances instantly.
Much of the book takes place inside Harry/Voldemort’s head. The connection between the two becomes ever-stronger, as Harry grows wiser, and Voldemort more maniacal. Obviously we can discuss this no further in public: it is enough to say there seem to be two endings to the book.
The Deathly Hallows is a must-read, even for those who have not ploughed through every single novel in the series. Generation Potter — the children who grew up with the boy wizard — needs closure. Plus Rowling should be congratulated for her persistence, and for inadvertently doing more for literacy among schoolchildren than any government.

'I was weeping like a teenager'
When I was 15 and borrowing Harry Potter and the Philosopher’s Stone from my best friend’s little brother, I would no more have cried over it than I would have started a pension (Alice Fordham writes). But now, at 24, having waited years for this final book, I wept and laughed, and was truly stirred. As ever with Rowling, the real joy comes from the explanation of details you had forgotten from the previous books. Dumbledore’s brother and his fondness for goats become vital to the plot. Although minor criticisms will keep the chat rooms busy for years, this is a fine resolution.

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It should be very nice for J.K to fly over many experienced writers.Although the first book of H.Potter's series is not exciting as others,i think she may be very proud of herself to publish such books that many kinds of people from all over the world read to escape or forget difficulties of modern life.
Onur Bilge, İstanbul, Turkey
"What's the big deal? It's only a book."
Which you probably never read and never will. Your reaction shows that you aren't a bookworm. I can only pity you.
Gabor, Budapest, Hungary
I don't think that the fact that the book was in some way predictable detracts from it. It's a typical adventure - the mission is to find the horcruxes and defeat Voldemort at the end: it's difficult to make that unpredictable. (And there were some surprises: I would be very impressed if anyone was able to predict the insight into Snape's character.)
Also, I think there was actually a reason for Ginny being sidelined, rather than JKR just overlooking it. Harry had strong feelings for her and yet was on a mission that was more important than anything he had ever done. Her lack of appearance in the book reflects the way that Harry was trying to push her out of his head because he couldn't afford to let himself think about her.
I think the book is fantastic. Yes, there are always going to minor flaws (I have never thought JKR's style of prose particularly breathtaking) but I don't expect her to be perfect, and prefer to enjoy the books for what they are than pick out the faults
Claudia, Chester,
What's the big deal? It's only a book.
Heather, London,
"Iam really wondering why Herry poter is so popular,is this miracal of publicity?or magic of new technology? If both are true then future of serious literature is in danger. book`s real worth will decide by T.V. Internet.they will judge which book to publish and which is not. I think we are happyly giving our freedom to new monsters. We are puppit dancing on tune of new ditactiors. From renancance time we fought many war for fredom of speech write some time we got success some time falure, but today we are gladly surrendering our fundamental right to new technoloy"
I fear that you're concerns regarding Harry Potter are ridiculous and unfounded, bearing in mind that J.K. Rowling was rejected by several publishers before she took her manuscript to Bloomsbury for "Philosopher's Stone" . Sounds more like fear mongering.
I suggest sir that you relax and read the books for yourself.
D.Manthravadi, Manchester,
I have been reading these books since I was 12 and am now 22 and the feeling of loss is still with me. I have found myself mourning for the end of the series that has lit up the last 10 years of my life and also for my own childhood.
I thought it was exciting, sad and very dark but I had expected more key characters to die. The best bit for me was Neville, finally he got a chance to shine and prove himself.
I hope she give in to pressure and force out a few more books because I think that she would ruin and devalue the series.
Johanna Lowe, London, UK
Iam really wondering why Herry poter is so popular,is this miracal of publicity?or magic of new technology? If both are true then future of serious literature is in danger. book`s real worth will decide by T.V. Internet.they will judge which book to publish and which is not. I think we are happyly giving our freedom to new monsters.
We are puppit dancing on tune of new ditactiors. From renancance time we fought many war for fredom of speech write some time we got success some time falure, but today we are gladly surrendering our fundamental right to new technoloy
Ramesh Raghuvanshi, Pune, maharastra[India]
Oh dear...JK 'bottled' it !
None of the 'deaths' seemed relevant to the plot and in the end as she listed more of them they lost their impact.
Young readers have 'grown-up' with these books and would have been able 'handle' major character deaths providing they had either gone out 'in a blaze of glory' or in true 'sacrifice for the sake of the world' tradition!
These kids had so much 'get up and go' so much 'heart', 'bravery' and 'loyalty' we needed to know that their futures, after 'Hogwarts', would influence future generations of young wizards - this opportunity was lost in the 'cheesy' unconvincing epilogue.
Having spent all day Saturday reading it, this will probably be the only book of the series, to now remain untouched on the bookshelf, as opposed to being read and re-read multiple times, as the others have been!
Emerald Green, London, England
This book was all I expected and more. Rowling's wrote this book with a clear end in mind, beautifully tying in the previous six books. I felt that she left no stone unturned in regards to the plot, thoroughly explaining and rehashing events to make things work. The writing was dark and many narrow escapes and sad deaths ensued but that is to be expected when the wizarding community is at war. All in all it is easy to say that I have journeyed the 7 year path of Harry Potter and have happily reached the end.
Meg Latimer, Ponoka, Canada
I'm sorry to say that the last book of the potter series did not really hit my nerve. It ist, from the beginning on, absolut predictable and surprise is something very rare as is a good sense of humor.
I could easily deal with JKR's attitude to kill characters at will, but since the middle of the book it gets only boring. I trapped myself thinking "Oh yeah, another death - okay, who cares?" more than one time.
Aside from abasing some characters to mere statists (especially Ginny) book 7 isn't really able to deploy some depth to some of the main chars. I think that i expected much more and i have the urge feeling that some chapters were fixed with a hot needle. Sorry, for this part of the story, i'm not really satisfied.
But there is something great about the deathly hallows that must be mentioned. Well, in fact it's somehow despicable for the book but great for the upcoming movie. We can expect an action thriller movie with brilliance, at least on the opening and in the end.
Kaiserdrache, Düsseldorf, Germany
prepare yourself a moment like a death in the family after you finish. the emptiness is such an unexpected experience, you read one of the best books you'll ever read, and then a moment like your childhood being rip from you occurs. as you read the book all the loose ends that get tied are plausable, you never fell well she rushed this part, you can understand the few early deaths as a writing device to free J.k. but you simply accept them without questioning. i would say the book was near perfect, but the epilouge which seemed simply for the shippers irritated me, as a person who did not care about shipping i felt a lot more information should've been given, cos j.k. is gonna have a whole load of new quesions, that will need there own book to anwser. i have little doubt that in 10-20 years we will get new books about the wizarding work not about Harry though.
Marvin Sackey, London, United Kingdom
Spolier Alert!
I must say I was a bit disappointed in this final book. Rowling has clearly "sold out.". The Hollywood style dance routine was interesting enough, but the car chase scenes - with two workmen conveniently carrrying a large sheet of glass - is a funny sight gag, but far too cliche for my tastes.
However, the hostage crisis subplot and resulting negotiatiions with the surprisingly articularte space aliens should make for a magnificent final film.
Paul Nicholas Boylan, Dorking, England
Hi, what a wonderful book. I'm 21 years old. I was enchanted by the quality of ilumination that J. K. has. When I have children, I'll make sure they have these on the bookshelve to read.
Darwin, Bronx, US, New York City