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MANGA ONCE MEANT COMICS produced exclusively in Japan, where they still cater to every age group and interest, accounting for up to 40 per cent of all publishing. But now they have invaded the UK: this year manga versions of Shakespeare and the Bible have been produced by British publishers, and next weekend British manga artists will discuss their work at Comica, the London International Comics Festival.
Even the Japanese Government recognises that manga can come from anywhere. In 2006 the Japanese Foreign Minister, Taro Aso, a passionate manga reader, launched an International Manga Award for a foreign artist who had best helped to spread the form. Entrants came from 25 countries, including Britain, and the winner was Lee Chi Ching, from Hong Kong. As Chigusa Ogino from the Tokyo manga agency Tuttle-Mori said: “You don't have to have a Japanese passport to do manga.”
Many British youngsters first see manga styles and stories through Pokémon-type cards, computer games and anime (Japanese animation) in the form of television cartoons such as Naruto and Oscar-winning movies such as Spirited Away. Then they discover that bookshop and library shelves are heaving with manga paperbacks. These are often printed with “authentic” right-to-left, back-to-front reading directions, baffling adults, but captivating kids.
And you don't just collect manga, you can make your own. “How to Draw Manga” manuals have become the biggest growth area in art-instruction publishing. British mangaka (comics authors) are self-publishing as fanzines or print-on-demand graphic novels and posting them on the internet. The prime mover in this scene is Sweatdrop Studios. Two of its members, Emma Vieceli and Sonia Leong, won talent searches, and landed the job of illustrating the first of the publisher SelfMadeHero's manga adaptations of Shakespeare. The text-adaptor, Richard Appignanesi, edits Shakespeare's language to fit the balloons and captions while staying faithful to the original. But the locations have been reimagined, with Romeo and Juliet transported to a modern Tokyo of rock stars and yakuza gangs or Hamlet to a cyberpunk future.
Out this month are Paul Duffield's The Tempest, set after an energy crisis has plunged humanity into a second Dark Age, and Patrick Warren's Richard III, rooted in a darkly gothic medieval England. Across 200 pages, these artists demonstrate how vividly manga techniques and pacing can convey motion and emotion.
SelfMadeHero's goal is to make Shakespeare accessible to as wide a readership as possible, and it seems to be succeeding in Britain — the launch titles were reprinted within six months — and also in Japan.
Emma Hayley, the publisher, and two artists received a warm welcome at symposia in Kyoto, Tokyo and Nagoya. “Our books are being used at Japanese universities and I have had many educational institutions there expressing interest in our Manga Shakespeare workshops,” she says.
The Bible has been adapted into comic form before, but the portrayals, especially of Jesus, in Hodder & Stoughton's The Manga Bible are worlds away from traditional Sunday school imagery and, as the Archbishop of Canterbury, Rowan Williams, says, “convey the shock and freshness of the Bible in a unique way”. The artist responsible is Siku, who fuses Japanese influences with experience on the science-fiction weekly 2000AD, home of Judge Dredd,
These are only the most high-profile examples of made-in-Britain manga. The boldest example must be The Mammoth Book of Best New Manga, two volumes of more than 500 pages each of impressively diverse work, from as far afield as Sweden and Thailand. Its editor, Ilya, praises contributors for creating “neither fake manga, nor a pale imitation but something entirely original”.
The appetite for manga culture in Britain shows no signs of abating. Starting next weekend, manga are spotlighted at the ICA's Comica festival, involving 14 young talents from across Asia and Europe.
Comics were mass-marketed by America in the early 20th century, stimulating imitations everywhere, including Japan. A century later, a Japanese export has become the template for the future of comics.
Manga reading list
Manga Shakespeare SelfMadeHero, £7.99 each
Growing series of dramatic comic-book adaptations. selfmadehero.com
The Manga Bible: Raw
Hodder, £8.99
The full Bible in manga form — dual text versions are also available. www.themangabible.com
The Mammoth Book of Best New Manga vols 1 and 2
Constable & Robinson
Seminal international anthologies. bestnewmanga.com

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I have been reading manga for about 5 years. I'm a college student and I have to agree with a few of the comments above, many recent manga titles have been slaking and the idea of trying to adapt Shakepspeare into manga! Why? If you read manga you want Mangka like Kouta Hirano or Takeshi Obata.
Lyndon White, Burnley, England
I really love manga, but I do notice that my mother doesnt have a clue how to read them! I suppose, everybody finds interest in different things, but it does seem that anyone over thirty (I'm 11) completly loses the ability to read anything other than normal books! Ha ha!
Freya, Fife, Scotland
My GOD not more Naruto fans!!!! it's one of the most boring mangas and animes ever created, look into authors such as CLAMP and Ken Akamatsu and Shirow Masamune they're the ones who create the best stuff
Dave Ross, Whitehaven, England
My fav Manga is Naruto,Lucky star and Mew Mew.I think they should have more Manga and more Manga shops in Britain!
Becca Collins, Dunbar, Scotland
Sorry, but you all sound like a bunch of stuffy so and so's who seem to have very little tolerance for any other form of expression. Shame on you all. I do agree with Ruji though, its great stuff meant to relax etc, just like any book is supposed to do.
Darren, Eastleigh, England
my fav manga are naruto, bleach and lucky star. britain should read manga its fun and unwinding........arigato
ruji, stoke, england
agreed. sketchy black and white artwork, abridged plays - romeo and juliet set in japan. Why?? Nice for the kids/cult shelf at a push, but of no visual or intellectual value at all.
andrea kelly, cardiff, wales
I agree with Jay Mandal, and I have been a die hard manga fan for over ten years. I have been turned off by it in the past couple of years due to the level of saturation it has reached in this country. The written word is suffering terribly from the mainstreaming of genre such as manga which used to cater for fans but has now become nothing more than a money-making machine, which has been proven by the fact that eight out of twenty titles in Amazon's list are manga titles.
And why would I want to read manga such The Manga Bible and Manga Shakespeare, which really are nothing more than heavilly abridged versions of existing titles? With certain titles produced in the UK, they offer a poor representation of what is supposed to be original manga art in comparison to other original manga which are produced by Western artists in other European countries.
The UK is lagging behind the rest of the west in standards of publications and has not had a chance to develop naturally.
Mim, Canterbury,
Today when I looked up one of Amazon UKâs fiction lists to see how my book, The Dandelion Clock, was doing, I found that eight of the top twenty consisted of manga items.
Is this the future of the novel in general? Should I forget about word count and take a course in illustration? Whatâs next? A manga novel winning the Man Booker?
Jay Mandal, Camberley,