Attend an evening with Andre Agassi
Isabel Dalhousie’s debut in Alexander McCall Smith’s The Sunday Philosophy
Club means that present-day Edinburgh now has a pair of rival sleuths, whose
stamping grounds are as different as the city’s Old Town and New Town, yet
largely occupy the same space. The genteel, rarefied world of McCall Smith’s
new heroine, an amateur investigator who inherited considerable wealth,
consists of concert halls, lecture theatres, art galleries, drinks parties
and the delicatessen run by her niece Cat; whereas the city Ian Rankin’s
veteran DI John Rebus moves through in Fleshmarket Close consists of pubs,
police stations, a rundown housing estate, a detention centre for
asylum-seekers, a gangster’s pad and the so-called “pubic triangle”, which
is home to prostitutes and a lapdancing club. Only when Rebus visits the
university, seeking a Senegalese student who reported a murder, do their
respective spheres briefly touch.
Normally occupied with editing an academic journal, planning meetings of the
eponymous club (which never meets in the course of the novel, despite the
title) and brooding on Kant and ethical dilemmas such as whether to tell Cat
her current boyfriend is odious, Dalhousie turns detective on seeing a young
man fall to his death from the circle at a concert. Unconvinced that this
was an accident — and feeling that the “moral proximity” of being an
eyewitness makes it her duty — she first quizzes his flatmates, then
explores whether he was involved in a financial scandal.
McCall Smith’s Mma Ramotswe is clearly Miss Marple transplanted to
contemporary Botswana, and here too he looks back to pre-1939 detective
fiction, with Dalhousie recalling Lord Peter Wimsey in her exaggeratedly
privileged lifestyle, and Father Brown in mixing sleuthing and metaphysics.
She too believes “people had lost their moral compass”, and that she
exemplifies a life of altruism and civility that is becoming rare.
But while Precious tends merely to sigh over the ways of the world, Isabel
(who can be seen as a mask from behind which the author voices his own
aversions) seethes with dislikes ranging from Stockhausen to press
intrusiveness. By no means just a tweedy old stick, however, she fantasises
about sleeping with Cat’s former boyfriend Jamie (but realises “such
thoughts were unacceptable”), so as to add sexual coaching to her tips to
him on how to regain her niece.
Her charm is undeniable, and those for whom the elementary plots and small
casts are part of the retro appeal of the No 1 Ladies’ Detective Agency
stories will relish the similar lack of clutter here. But the new series
lacks the novelty of the Botswana mysteries’ setting, standing or falling by
whether you find the inside of Dalhousie’s head an enjoyable place to spend
an entire novel; and in The Sunday Philosophy Club it comes to feel at once
airless and exhausting, with McCall Smith’s donnish heroine prone to turn
every experience into a cue for either fogeyish grouching or a philosophical
pensée.
Rankin has often uncovered venality and latent violence behind the Dr
Jekyll-like respectable façade of Edinburgh’s professional classes, as
Dalhousie does in her first outing, but in Fleshmarket Close he concentrates
instead on the city’s social underbelly. Rebus is part of a team hunting for
whoever stabbed a Kurdish journalist to death, and his characteristically
semi-detached investigation takes in a racket combining people-smuggling
with illicit subletting of council flats, cockle-pickers at nearby Cramond,
inflammatory tabloid journalism, prickly encounters with an immigration
officer and regular visits to an Immigration Removal Centre.
These chapters display Rankin at his best, recalling Dickens both in the
vigour and ambition of their social portraiture and in their campaigning
thrust. Like much of his recent work, however, Fleshmarket Close jumps to
and fro between Rebus and his protégée DS Siobhan Clarke, who searches for a
rape victim’s missing sister and is later involved in a murder inquiry. Such
is the strength of the sections on refugees that you soon find yourself
resenting this second plot as an irksome distraction; a humdrum crime novel,
it’s hard not to feel, has been needlessly spliced into an outstanding one.
THE SUNDAY PHILOSOPHY CLUB by Alexander McCall
Smith Little, Brown £14.99 pp281
FLESHMARKET CLOSE by Ian Rankin
Orion £17.99 pp416
Available at the Sunday Times Books First price of £11.99 and £14.39 (Rankin) plus £2.25 p&p on 0870 165 8585

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