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THANKS TO HANS Christian Andersen, Denmark has always held a prominent place in British children’s literature, but we tend to associate it with tailless mermaids and Viking Danegeld rather than a people’s moral courage. The story of how the Danish, uniquely, stood up to the Nazi invasion of their country by smuggling out virtually their entire population of Jews, thus saving them from the gas chambers, is one that should be better-known. The broadcaster and comedienne Sandi Toksvig, who is half Danish, was inspired by the tales her father told her about the occupation of Copenhagen.
Bamse is the third child of a famous Danish actress and an artist father. The world of the theatre, which Bamse loves, wraps the family in a comforting embrace of thespian fantasy while also making them particularly alert to anti-Semitism. His Mama’s ancient, adoring gay dresser Thomas (who later proves the most heroic person in the story) is Jewish, as is her hat-maker, and Bamse’s exciting, excitable best friend, Anton.
Both the boys and Bamse’s big brother, Orlando, are soon organising sabotage for the resistance. But this is not a simple, black-and-white tale of good Danes and bad Germans; as Toksvig says in her afterword: “There were just some good people and some bad people and it wasn’t always easy to tell the difference.” Bamse’s own Uncle Johann, for instance, who saved his brother from being burnt alive in a barn, wavers between old-fashioned prejudice and grudging respect for the individual Jews he encounters; his sister, Masha, is in love with a terrified young Nazi soldier; and another German naval officer, looking down into the hold in which Jewish refugees are hidden, calls out: “Not many fish in here,” and lets them continue on their voyage to Sweden.
There does seem to have been something unique in the spirit of this brave country, in which there has never been a ghetto — Denmark was the first state to grant the Jews full, unconditional emancipation. As Bamse’s father tells him: “There are large Danes, small Danes, lazy Danes, hard-working Danes, even Great Danes . . . but we are all Danish. That’s all.”
Despite the comedy of a car run on cow-dung, Bamse’s family suffer for their courage and ingenuity (which includes building a false wall in their apartment behind which ten Jews hide while the flat is searched by Nazis), with his beloved mother becoming a morphine addict by the end. The tale is told mostly in dialogue and with its many charming line drawings the book is less grim than most war books but no less moving.
There are not many classic children’s novels about the Second World War but this is one of them. Toksvig’s enchanting and inspiring tale reminds us of how even the smallest people made a difference.
Doubleday, £8.99; 209pp
£7.64 (p&p 99p)
0870 1608080
www.timesonline.co.uk/booksfirst
What’s more . . .
THE DIARY OF A YOUNG GIRL
by Anne Frank (10+)
The years have not blunted this real-life diary’s harrowing impact. Her account of a Jewish family going into hiding from the Nazis is also a record of spiritual growth and intellectual development in the darkest days of the war.
THE SILVER SWORD
by Ian Serraillier (9+)
How three children, left behind in war-torn Europe by their parents, learn to survive with the help of an indomitable thief and trickster. They cling on to the little silver paper-knife given by their father as a symbol of hope. Old-fashioned storytelling about courage at its best.
MAUS
by Art Spiegelman (8+)
All the characters are depicted as animals — mice for the Jews, cats for the Germans and pigs for the Polish. The tiny pictures are overwhelmingly moving, and the cruelty of the Nazis made unbearably vivid.
LAST TRAIN FROM KUMMERSDORF
by Leslie Wilson (12+)
Powerful novel about the last days of the war as endured by ordinary Germans, in which civilisation breaks down. Brutal, but beautifully written.

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