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IN THE WOODS presents two mysteries and only one is resolved, so much of the reaction revolved around whether there will be a sequel. Tana French has written a second book from the perspective of Cassie, one of the detectives who helps to solve the murder in the forest, but she leaves Rob Ryan's childhood trauma open to interpretation.
Ryan does not find out what happened to his missing friends, and this annoyed some of you. But I would argue that these doubts make In the Woods a better book. Readers must fill in the gaps and construct their own theories. Anthony Holden mailed to say that he might reread the novel to make sure he has not missed any clues. Certainly, Ryan's personality is moulded by a terrible ordeal, even if he cannot remember the details.
Even frustrated readers praised French's style and dialogue. She writes with spark, wit and pace. Ivor Mason was surprised how quickly he finished the novel; but it pulls you in with a mixture of ghostly reminiscence and the gory present.
The Likeness by Tana French is out on August 21
Star letter
This is a tale of missed opportunities, missed chances and a missing childhood. The characters were well drawn, if not necessarily sympathetic, and the story was engrossing. The picture of Ireland portrayed both in flashback and in the present was vivid, almost touchable at times.
Although I found the novel ultimately frustrating with too many plot devices and felt that it trailed off toward the end, it is definitely worth reading.
If there is a sequel then I will be in the queue to get a copy.
C. Horne, London
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January 10, 2008
How does an actress and self-confesed dreamer get into the mind of a damaged, cynical detective?
Tana French trained as an actor at Trinity College Dublin and is a member of PurpleHeart Theatre Company. In the past couple of years she has focused on writing.
Why did you opt to write in the voice of a male character?
When I had the basic idea for In the Woods the character of the narrator came with it: intelligent, proud, secretive, too badly damaged to be honest either with himself or with his readers - and male. I've always had a lot of good male friends, so I think that made it easier. And, after all, as soon as you create any character, you're writing from the perspective of someone else.
Did you draw on your theatrical background to help create the characters?
Definitely. The book is first-person — everything is seen through Rob Ryan's eyes, filtered through his perceptions and described in his voice. That was my job for years: to create a character and bring an audience into her world.
Which detective writers do you most admire and did they influence you?
Donna Tartt, Josephine Tey, Dennis Lehane, Sophie Hannah; they've all influenced me - maybe not in direct ways, but in their willingness to walk those fine lines at the edge of the conventions.
Knocknaree - is this an imaginary place?
Imaginary, but unfortunately there are a lot of places in Ireland that fit the general description: hugely important archaeological sites destroyed by development. Ireland's at a very strange point - over the past ten years the economic boom has hit us with decades' worth of changes, and we're still trying to assimilate them and find a way to balance past, present and future.
Will readers be divided over Rob Ryan?
As I said, he's intelligent, sarcastic, self-deprecating, arrogant - but above all, he's damaged. What happened in his childhood cracked his mind straight across: he's not capable of trusting anything either around him or within him. A lot of readers love him; others have asked me if he's a killer, or even a psychopath. What means most to me is that they talk about him like he's someone they know.
Did you begin with a clear idea of the story?
When I started writing I didn't have a clue what I was doing. I knew the basic premise - three children run into a wood to play, only one comes out, he has no memory of what happened, and 20 years later he's a detective on a murder case that draws him back to that wood. And I had a very clear sense of the narrator; but that was it. I didn't even know whodunnit until I was about a third of the way through. I've just finished the second book [The Likeness, with Cassie as the narrator] and I wrote this one the same way: dived into it blind. I'm deeply envious of writers who have full outlines in place before they start.
Is the book to be made into a film?
There's been some talk, but nothing concrete.
How much of you is Cassie?
She's someone I'd love to know, but she's definitely not me. Cassie's a murder detective; she's chosen a career that involves being very practical, very down-to-earth, very focused. Me, on the other hand, I chose a career that involves huge amounts of daydreaming. She deals in high-stakes reality; I make stuff up for a living. She has to come face to face, without flinching, with the worst evils our society has to offer; me, there are days when I can barely stand watching the news.
Did you make a conscious effort to produce a detective story that would break new ground?
It didn't even occur to me that that was what I was doing! On the most basic level, In the Woods sticks to the genre boundaries: a little girl is murdered at the beginning, and over the course of the book Rob and Cassie find out who killed her. In some ways, though, it does push at the conventions. My favourite mystery books are the ones that do exactly that. Books set on the jagged edge where conventions meet reality - a reality in which people are flawed and complicated, justice isn't always done, truth isn't as simple as it seems, and the search for answers doesn't always have a happy ending.
THE KEY QUESTIONS
Is Tana French convincing as the voice of a male detective?
How successfully does she “bend the formula” of the detective story?
French is an actress; does this influence her writing?
Is the ending satisfactory?
Is this good enough to recommend to someone not keen on murder mysteries?
December 14, 2008
A boy suffers a trauma in a forest ... years later he must return there to
investigate a murder
This is a real treat for Christmas. In the Woods is a classic murder mystery
with plenty of twists and macabre detail. Adam Ryan is found in the woods
near Dublin, with his shoes full of blood. But the blood is not his and it
seems that the shoes were filled with it, then placed on his feet. His two
friends are missing, but he cannot remember what happened. His family
changes his name to Rob and sends him to boarding school so that he can
escape his past and the questions he cannot answer. Ryan becomes a detective
and his past resurfaces when he is sent to investigate a body found 24 years
later in the same forest.
It is that of 12-year-old Katherine Devlin, who was about to go to ballet
school. Ryan and his partner, Detective Cassie Maddox, are immediately
suspicious of the girl's family. The father says that he has received
threatening phone calls, he and his wife do not console each other, their
eldest daughter seems nervous and Ryan is stunned to see the victim on the
stairs — Katherine has a twin.
This is Tana French's debut and is startlingly accomplished. Many detective
stories are described as “superior” to differentiate them from the many lazy
and predictable thrillers out there — but this really is. French writes
beautifully and is far from lazy when it comes to sprinkling clues and red
herrings and developing the characters. Ryan convinces Cassie that he can
handle the case even though his own mystery may be linked to Katherine's
murder, but he begins to crack as his memory starts to return.
In the Woods by Tana French
Hodder, £6.99, 608pp
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I thought this book was wonderfully written and an outstanding mystery - I truly enjoyed every page. However, I too was left with the feeling that I had missed something. We never found out what happened to Ryan and his friends. Perhaps there is a sequel to this and Ms. French did this on purpose
Anita, East Meadow,
I've just completed the book and like everyone else, am very frustrated by the ending. This is a cruel trick to play on the reader. I love to read who done its and your suppose to know who done it at the end. What more can I say.
Sherry, Spring Mount, USA
Me too on the ending. I was sure it would be revealed that Rosalind had in fact been fathered by the other pyschopath Cathal Mills, & he had killed the other 2 kids. Perhaps in book 2 the motorway bulldozers will finally dig up the woods and find their bodies?
Jenny, wellington, new zealand
I read this book whilst on holiday and I was sorely disappointed with the ending. I was sure that the case of the missing children would be solved, however, as I came to the last few pages, it became apparent that I was going to be left none the wiser as to what happened to Ryan's friends.
Ruth, ardrossan, Ayrshire, SCOTLAND
Pamela M
No you weren't the only one!
After reading this brilliant (until the end!) page turner I have just finished the book and am beside myself with frustration - as you said I was far more interested in the older case. I feel as if I have beent he victim of a cruel trick, giving my total committment to the story under false pretences.
Having said that all the positive comments about the book I agree with and I may be tempted to read the next book if only in the vain hope that eventually there will be an answer!
Andrea D, UK
Andrea, WSM, UK
This is an incredible book. I can't seem to get the characters and story out of my mind. I have two thoughts about the jagged piece of metal. Ryan sees a faint outline of a stag/man on the metal and it could have been used in the sacrifices made on the altar stone. It also could have been used in the killing of his friends and the slashing of his shirt. Or, it could be representative of the spirit that kept manifesting itself in the woods, in the distortion of reality that occurred to Ryan and the teenagers. The Ryan/Maddox/Sam trio seemed a recreation of the Adam/Jamie/Peter, with,again,two leaving and one remaining and grieving. Fabulous book and gifted author.
Paula H., cleveland, ohio,USA
I loved this book. Couldn't put it down, in fact. But the ending was SO disappointing. What did I miss?? What was the metal thing found during the bulldozing of the woods at the end? Was it a clue to the older case? Why didn't we find out what actually happened 20 years ago? I was more curious about that than about the recent case. Am I the only one who feels this way?
Pamela M. , Mountain View, CA
I was impressed by Tana French's first novel. What a tangled web she weaves! As the narrative unfolded I was drawn into this murder mystery, held fast and still reading at 3 a.m. She is skilled in describing memories of happy childhood as well as evidence of gruesome murder. If I have any criticism it is that sometimes too much background detail slows the pace. Characters are finely drawn - the Devlins, archaeologists, police. In spite of his arrogance I found Ryan sympathetic; the psychological damage of childhood meant I did not judge him too harshly. I was fascinated by the Ryan-Maddox relationship and the humour these two generated as a double act. The many twists in the plot added to the suspense and excitement. If you like classic detective stories written in less lyrical, more concise prose, perhaps this book is not for you. However, if you prefer a mystery 'set on the jagged edge where convention meets reality', then read In the Woods. Tana French 'bends the formula' superbly.
Jean Marshall, Bushey, Hertfordshire
I enjoy crime fiction and now Tana French is on my list of favourite authors. Oh, what a tangled web she weaves! As the narrative unfolded I was drawn into this murder mystery and held fastâ¦and still reading at 3 a.m. She is skilled in describing the memories of a happy childhood as well as the evidence of a gruesome murder. If I have any criticism it is that sometimes there is too much background detail and this slows the pace of the thriller. The characters are finely drawn â the Devlins, the archaeologists, the police. In spite of his arrogance I found Rob Ryan sympathetic; the psychological damage he suffered as a child meant I did not judge him too harshly. I was fascinated by the Ryan-Maddox relationship and loved the humour they generated as a double act. The many twists in the plot added to the suspense and excitement. If you like classic detective stories written in less lyrical, more concise prose, then perhaps this book is not for you. However, if you prefer a mystery âset on the jagged edge where convention meets realityâ (to quote the author), then read In the Woods. Tana French âbends the formulaâ superbly.
Jean Marshall, Bushey, Hertfordshire
Tana French has a good literary style and I enjoyed reading this book although murder mysteries are not my favourite genre. Nevertheless I would recommend "In The Woods" to any fan of this style. I do feel that Rob Ryan is rather feminised and that perhaps it would have been more credible if Cassie had been the narrator. However because of the odd unmasculine quality to Ryan's personality he is a dubious character and a possible suspect. Therefore he could be a psychopathic killer and this creates suspence. The solution of the case was as expected but it was disappointing that the old case gets filed away.
A good read.
Karen Bucks
Karen, High wycombe,
I hated this book.
I was taken in by the cover,which is fantastic,but found it dull,unrealistic and over long with a total anti climax at the end.
Dont bother buying it.
eve gaffney, cambridge, uk
Not very impressed, I'm afraid. I just could not believe in the main character, Rob Ryan, because no man, however traumatised by past events, would ever spend so much time exploring his own feelings and emotions.
Ken Cox, York,
Although I felt this was a good read, I realised early on why the little girl had been murdered, and was very disappointed that the other mystery is not explained. Thinking about it, though, I wonder if there are clues.
Does Ryan's relationship with his two police colleagues mirror his childhood relationship with Jamie and Peter? Does the way his relationship with Cassie falls apart hint in any way at what happened in the wood?
I might go back and re-read this.
Anthony Holden, Brighton,
This is a tale of missed opportunities, missed chances and a missing childhood. The characters were well drawn, if not necessarily sympathetic, and the story was engrossing. The picture of Ireland portrayed both in flashback and in the present was vivid, almost touchable at times.
Although I found the novel ultimately frustrating with too many plot devices and felt that it trailed off toward the end, it is definitely worth reading.
If there is a sequel then I will be in the queue to get a copy.
C Horne, London,
An outstanding first novel. I measure my enjoyment and captivation by how long it takes me to finish a book; in this case three days, two of which I was at work and only reading at night. Progressively more emotional, the ending, largely a tale of failure at all levels, left me drained and disappointed on behalf of the main characters. Those characters were painted boldly but with genuine compassion throughout. I suspect that the failure to bring one major storyline to conclusion, means that a sequel can be expected. Recommended.
Ivor Mason, Tonbridge, Kent
I am not a great fan of crime fiction, because its conventions seem by definition to restrict creativity.
This book reminded me of my problems with the genre. At the start, I felt there was a little too much telling rather than showing (that may be to do with the need to explain the Irish context to a non-Irish audience). After that, however, there is genuine flair in the dialogue and that leads to convincing portrayal of character, but all in all the suspension of disbelief demanded was too much for me. As in any other crime novel, however, the major problem comes with the reveal.
The tension is sustained brilliantly up to that climactic moment; it may have been as well to finish the book there and then, because the rest of the book eschews the deliberate untidiness of what has gone before to tie up all the loose ends, bar that which really matters (what really happened in the woods 20 years ago). I can only think that is left open to allow for some sort of sequel.
Glyn Haggett, Milton Keynes, Buckinghamshire