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Totalitarianism is not over. It survives as residues, some of them all the more virulent because they are no longer hemmed in by borders; and some of them are within our own borders. Liberal democracy deserved, and still deserves, to prevail, but in both components of liberal democracy’s name there are opportunities for the ideologist: in the first component lies inspiration for the blind devotee of economic determinism, and in the second for the dogmatic egalitarian.
From within as well as without, the Procrustean enemies of our provokingly multifarious free society are bound to come, sometimes merely to preach obscurantist doctrine in our universities, at other times to fly our airliners into towers of commerce.
What they hate is the bewildering complexity of civilised life, which we will find hard to defend if we share the same aversion. We shouldn’t. There is too much to appreciate. If it can’t be sorted into satisfactory categories, that should make us take heart: it wouldn’t be the work of human beings if it could.
Does culture, then, provide the ultimate rejoinder to totalitarianism? There was never a time like now to be a lover of the arts. Mozart never heard most of Bach. We can hear everything by both of them. Brahms was so bowled over by Carmen that he saw 20 performances, but he had to buy 20 opera tickets to do so. Manet never saw all his paintings in one place: we can. While Darcey Bussell dances at Covent Garden, the next Darcey Bussell can watch her from Alice Springs.
Technology not only has given us a permanent present, but has given it the furniture of eternity. We can cocoon ourselves, if we wish, in a new provincialism more powerful than any of the past empires. English is this new world’s lingua franca, not because it was once spoken in the British Empire but because it is spoken now in the American international cultural hegemony. Born to speak it, we can view the whole world as a dubbed movie, and not even have to bother with subtitles.
Should we wish, we can even savour the tang of alien tongues: a translation will be provided on a separate page, to be dialled up at a touch. We can be world citizens without leaving home. If that seems too static, we can travel without leaving home. The world is prepared to receive us, with all its fruits laid out for our consumption and wrapped in clingfilm to meet our sanitary standards. Gresham’s law, that the bad drives out the good, has acquired a counterlaw, that the bad draws in the good: there are British football hooligans who can sing
Puccini’s Nessun dorma. It would be a desirable and enviable existence just to earn a decent wage at a worthwhile job and spend all one’s leisure hours improving one’s aesthetic appreciation. There is so much to appreciate, and it is all available for peanuts. It has always been part of the definition of humanism that true learning has no end in view except its own furtherance.
In the 19th century, in the time of the great philologist Ernest Renan, and despite the contrary evidence already provided by the French Revolution, Studia humanitatis was still thought of as an unmixed blessing. If the 18th century had meant to usher in the age of reason, the 19th century, with the cold snick of the guillotine ringing in its ears, meant to supply some of the regrettable deficiencies of reason by the addition of science.
Apart from the prophets — Dickens, despite his inborn optimism, was one of them — few people with any aspirations to a philosophical view doubted that the extension of human knowledge would, in Renan’s typically generous phrase, élargir la grande famille: produce a race of the enlightened to lead a life of mathematically calculable justice. By now, after the 20th century has done its cruel work, that is exactly what we doubt.
The future of science, Renan’s cherished avenir de la science, can be assessed from our past, in which it flattened cities and gassed innocent children: whatever we don’t yet know about it, one thing we already know is that it is not necessarily benevolent. But somewhere within the total field of human knowledge, humanism still beckons to us as our best reason for having minds at all.
That beckoning, however, grows increasingly feeble. The arts and their attendant scholarship are everywhere — imperishable consumer goods which a self-selecting elite can possess while priding itself as being beyond materialism; they have a glamour unprecedented in history — but humanism is hard to find. For that, science is one of the culprits: not the actual achievement of science but the language of science, which, clumsily imitated by the proponents of cultural studies, has helped to make real culture unapproachable for exactly those students who might otherwise have been most attracted to it, and has simultaneously furthered the emergence and consolidation of an international cargo cult whose witch doctors have nothing in mind beyond their own advancement.
By putting the humanities to careerist use, they set a bad example even to those who still love what they study. Learned books are published by the thousand, yet learning was never less trusted as something to be pursued for its own sake. Too often used for ill, it is now asked about its use for good, and usually on the assumption that any goodwill be measurable on a
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Having just heard Clive James at Hay on Wye, reading from Cultural Amnesia, and re reading my notes and the extracts printed from the book, I feel a sense of unease. The ideas are large (too large?) the manner of telling dense and over referenced. It is impossible to follow the train of thought, because sentences begin in one place, veer wildly towards myriad references and often end in a personal observation. Too many stylistic choices, too dense, too hard to follow coherently.
Brenda Fitzgerald, Guildford Surrey, UK