Peter Kemp
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NOVEL OF THE YEAR
On Chesil Beach by Ian McEwan
Chatto £12.99
Focusing with high-fidelity acuteness on a fateful couple of hours in the honeymoon suite of a genteel Dorset hotel in 1962, this brilliant short novel is a triumph of finesse and nuance. Capturing with unerring authenticity the look and sound of a buttoned-up era about to be swept aside by the liberties of a gaudier time, McEwan shows how its ethos of verbal, physical and emotional restraint stifles a relationship. Where damage in his previous works was wreaked by violence, malice or disturbance, here it is brought about by decency, consideration and responsibility. As a period piece, the book shimmers with semi-satiric irony. As a story of two admirable young adults kept apart by inhibitions and the pressure of their pasts, it is deeply affecting: elegantly structured, subtly written and brimming with imaginative sympathy.
FIRE IN THE BLOOD by Irène Némirovsky. Translated by Sandra Smith
A superlative novella that, like Némirovsky’s masterpiece, Suite Française, has recently been retrieved from the miraculously surviving manuscripts of this prodigiously gifted author who died in Auschwitz in 1942. Set deep in the Burgundy countryside among acquisitive, distrustful landowners, it chronicles the unrolling of a terrible nemesis as hidden secrets come to light. Seasonal and agricultural rhythms governing its characters’ lives are atmospherically conveyed. Sensuous, tense and resonant, the book endows its closed-in community with wider significance, too, by turning it into a memorable emblem of time’s inexorable deadening of youth and vitality.
MISTER PIP by Lloyd Jones
J Murray £12.99
Initially, this seems a charming curiosity. On a tropic island in Papua New Guinea in the early 1990s, schoolchildren (and their families) listen enthralled as their village’s only white man retells the story of Great Expectations. When the civil war that has been raging in the distance closes in, Jones’s novel expertly clenches into something more fearful, and Dickens’s themes – orphanhood, loss of home, patronage, deceptiveness – take on urgent relevance. A haunting tour de force.
THE YACOUBIAN BUILDING by Alaa Al Aswany. Translated by Humphrey Davies
HarperPerennial £7.99
A controversial bestseller in the Arab world after its publication there in 2002, Al Aswany’s swarming, colourful account of people living in and around a once swanky, now dilipidated apartment block in Cairo scathingly indicts a society riddled with corruption and torn between state brutality and Islamist fanaticism. As chockablock with vivid characters, diverse storylines and moral and social indignation as a Victorian novel, it is as readable as it is courageous.
LIFE CLASS by Pat Barker
Hamish Hamilton £16.99
In this first novel of a projected sequence that looks likely to parallel her acclaimed Regeneration trilogy, Barker returns to fictional territory she has made her own: the first world war. This time, her central figures are young artists studying at the Slade. The impact of the western front and its abbatoir atrocities on them, their work and their relationships is explored with veteran expertise in a work alive with informed intelligence, psychological acuteness and a fascinated and fascinating concern with the ethics and aesthetics of depicting war damage.
THE GHOST by Robert Harris
Hutchinson £18.99
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Pam in St Petersburg - Came across Nora Johnson's The De Clerambault Code by chance on Amazon and happen to live in the part of London where it's set.
Though the character development starts slowly, this only adds to the disturbing plot line as the reader is continually wrong footed.
If you're fed up with boring mainstream bestsellers and are interested in urban settings and other people's lives, try this psychological novel.
Liz, London, UK
Pam from St Petersburg- Try Nicola Barker's "Darkmans"- completely original and multi dimensional, even though it was on the fairly mainstream Booker shortlist this year.
Nicola, London,
Just finished reading Ghost. Liked it. Thought the ending was a little weak and out of character for the main character. Would read more of Harris' novels.
Jim, Roscoe, USA
I wonder how anyone can get hold of non-mainstream fiction, if there is any on offer. Last summer & autumn I waded through many pages of Julian Barnes, MacEwan, Alexander MacCall Smith and some other household names & found all of them completely boring & one-demensional. It looks as if either I hit on the wrong books or something is profoundly wrong with the world of letters. Now, whenever I see "best-seller" - I tend to suspect that the book is a complete trash (literally). I wonder where are the writers who actually write dense, complex prose and actually go into trouble of developing characters rather than
pushing shallow tabloid-like stuff on readers.
Pam, St.Petersburg,