Dalya Alberge, Arts Correspondent
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The actor cast as the arch-villain in the new James Bond film revealed yesterday that he is modelling his portrayal of evil on the smile of Tony Blair and the eyes of Nicholas Sarkozy.
Mathieu Amalric, the acclaimed French actor whose films include Steven Spielberg’s Munich, said that he was turning to the former British Prime Minister and the French President for inspiration because the director of the 22nd Bond movie did not want him to rely on gimmicks.
“He doesn’t have a metal jaw or an eye that bleeds,” Amalric said of his baddie. “Instead, I have to look inside myself.” In exploring the nature of evil, the subtle undercurrent of villainy that lies beneath the surface, he joked: “I am looking at the smile of Tony Blair and the crazy eyes of Nicholas Sarkozy.”
Daniel Craig, who is returning as James Bond after proving himself in Casino Royale, said of Amalric: “He’s bringing a deeply psychological approach to the role. He will be a psychotic human being.” 007’s mission yesterday was to face an army of photographers at Pinewood Studios and reveal the closely-guarded secret of the title of the next 007 film. Quantum of Solace comes from a short story by the super-spy’s creator, Ian Fleming.
Craig said the title refers to “that bit of comfort” in the darkest hour when a relationship breaks down: “It ties into an important plot point.” Quantum of Solace takes up where the last film left off, literally an hour later.
While Casino Royale told the story of how Bond got his first 007 mission, to vanquish Le Chiffre, banker to the world’s terrorist organisations, its sequel will explore the turmoil suffered by Bond over his betrayal by the woman he loved.
The next instalment in the longest-running franchise in cinema history is being made in the centenary of the author’s birth and more than 40 years after Sean Connery made the first Bond film, Dr No.
Under the direction of Marc Forster, it will have the trademark guns, gadgets and glamorous girls.
But it will be more realistic and more psychological than any of its 21 predecessors, the actors revealed yesterday during a break from filming at the sprawling Buckinghamshire studios.
The film is once again produced by Barbara Broccoli and Michael G. Wilson, who said that choosing a title with words by Fleming was particularly important to them. Olga Kurylenko, a Ukranian model turned actress, will be the Bond girl, Camille. Asked about the popularity of Bond, she said: “He is an icon, a man we all dream to have. You don’t meet men like that every day”.
Dame Judi Dench returns as M. She said: “The thing about Bond is that it appeals to an incredible cross-section of people. The appeal for my grandson’s friends is fantastic, and probably their fathers too.”
While the shoot will extend to Latin America and the historic Tuscan hill town of Siena, interior shots are being filmed at Pinewood on the 007 stage, reconstructed since it was destroyed by fire last year. Quantum of Solace is due for release on November 7.

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Daniel Craig brought a lethality to Bond that had been missing since Connery left. But he also exhibited a humanity that Connery never demonstrated and in that sense it reminded me Lazenby's interpretation of the character. Casino Royale rates as one of the best Bond movies. I enjoyed the story and the last of gimmicks and gadgets. I look forward to the next installment.
Roger H. Werner, Stockton, California
I liked Casino Royale because it had some edginess to it. Moore was too much tongue in cheek, for my taste. It's a good franchise for Bond fans and the producers as well. No one will surpass Ursala Andres and Connery as the premiere actors. From Russia with Love was edgy.
ken lusk, clayton, USA/ Georgia
Sorry but I thought Daniel Craig is OK but a bit stiff as new Bond; I thought the script dull. In fact I thought the whole movie dull. A shallow uncreative screenplay (even after 40 years, I would rather watch a Connery Bond film instead of Craigs). The Bond films faltered a bit after Connery/Moore, although Pierce was great some of the scripts were unimaginative, tosh; but Goldeneye was a true Bond film. Craigs Casino Royale was a definitive dive off the board. If the film makers want to keep Bond at the top they need to stop taking the scripts, the cinema goers and Bond for granted.
Jack Sprat, Bristol, UK
Casino Royale is one of the most intelligent live-action-franchise thrillers to come along in ages--(along with The Bourne Supremacy), and I thought Eva Green and Daniel Green were nothing short of brilliant. It takes a certain calibur of actor to communicate the glamour (which is period--regardless of it being set in the present), the danger, and the kind of weltanschauung the Bond world captures...which both actors communicated perfectly. Haggis did a fabulous job directing. I really look forward to the sequel.
Elan Durham, Santa Monica, CA/USA
From The Daily Express website comments page 10-01-08
http://www.express.co.uk/posts/view/31029/Bond-girls-are-forever
I can't say I agree at all with Allan Hunter's opinion of Bond Girl Halle Berry or the film in which she appeared. 2002's 'Die Another Day' was one of the dumbest and daftest 007 movies ever made, and Berryâs role as Jinx was embarrassing to say the least! Poor Pierce Brosnan was ill-served with the screenplay for his premature final outing as James Bond and the script was more akin to a Carry-On effort with explosions rather than the taught superbly crafted Bond films of the Sixties and Daniel Craig's reinvigorating debut as 007 in 'Casino Royale' (2006).
The best Bond Girls that linger long in the memory are usually those from the strongest films in the series, which is why Eva Green's performance as the ill-fated Vesper Lynd in âCasino Royaleâ will remain a high point of the 007 series for some time to come, while most of the actresses appearing from 1971 to 2002 will meld into one amorphous conglomerate of feminine pulchritude, with one hardly recognizable from the other.
Continuing the casting style of 2006âs âCasino Royaleâ, returning once again to their Sixtiesâ policy of featuring relative unknowns in the key roles of the new presently untitled âBOND 22â, the Bond filmmakers immediately create a more believable screen story and which also re-establishes the Bond producers as innovators rather than followers of contemporary cinema trends, a policy welcomed and applauded by this author, and by Bond fans around the world.
With all the major Ian Fleming James Bond book titles exhausted it also remains to be seen what the final screen title of âBOND 22â will be. Only four Fleming/Bond short story titles remain unused: âQuantum of Solaceâ, âRisicoâ, âThe Hildebrand Rarityâ, and âThe Property of a Ladyâ.
If I were a betting man my money would be on âQuantum of Solaceâ.
Graham Rye
Editor & Publisher
007 MAGAZINE
www.007magazine.co.uk
Graham, Weybridge, UK