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Click on the film titles below to watch original promotional trailers
The 39 Steps (1935)
Robert Donat gallops across the Highlands to prove his innocence as fiendish
spies and intrepid coppers try to nail him.
Rebecca (1940)
Hitch’s first Hollywood film, based on Daphne du Maurier’s novel, won the
Oscar for Best Picture. Joan Fontaine plays the shy second wife of Laurence
Olivier’s wintry aristocratic. But the hostile servants on his lonely estate
and the mystery of his first wife’s death turn their marriage to ice.
Notorious
(1946)
Ingrid Bergman is the daughter of a convicted spy, Cary Grant an
American agent trying to expose a Nazi ring in South America. Their affair
is a sickening tango of distrust and need as Grant uses Bergman to close in
on his victim (Claude Rains). Powerful.
Rope (1948)
A neat, withering satire on the arrogance of youth. Two privileged philosophy
students murder their friend, stuff him in a trunk, and invite James
Stewart’s professor to dine over the corpse.
Strangers on a
Train (1951)
Two complete strangers (Farley Granger and Robert Walker) meet on a
train and admit how wonderfully convenient it would be if they murdered the
most annoying person in the other’s life. The horror kicks in when one of
them follows through, and blackmails the other.
Rear Window (1954)
Wheelchair-bound James Stewart watches the couplings of strangers in
the windows opposite, and becomes convinced that one of them has murdered
his wife. Grace Kelly, does the dangerous leg-work.
Vertigo (1958)
Few Hitchcock films are more revealing about the director than this
cynical and brilliant obsession with a murdered woman.
North by Northwest
(1959)
Hitchcock throws everything into this helter-skelter thriller about a New York
advertising executive forced to assume another man’s identity. Freudian
nightmare of a conspiracy.
Psycho (1960)
The most famous horror film ever made. The shocks are now universal
staples: the sexually damaged serial killer, the beauty ruthlessly erased in
the first reel, and the kindly serial killer with Oedipal hang-ups.
The Birds (1963)
A plague of birds terrorises a small town. The avian attacks are brutal and
shocking.

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I cannot belive Shadow of a Doubt is not listed. This was his first-big American set film and is critically always viewed as one of his best.
Phil, Manchester, UK
The Lady Vanishes is my favorite Hitchcock. Humor, peril, sexual tension between two attractive leads (one a witty Michael Redgrave), evil villains in a pre-war central European train setting with lovely comic stereotypical characters and Hitchcock's miniature sets of a snowbound station village!
Karen near Seattle, Washington State, US of A
Easily his best and the one he devoted most time to was
Verigo.It delineates a character's obsession with his ideal
female(and Hitch's) but done like a thriller.The way he designed his sets and his colour-coding are brilliant.Specially written for him by Frenchmen.Kovac and
Stewart at their best
John Sharman, Rugby, Warws.
All Hitch fans should spend good time with "Blackmail," the first (at least partial) "talkie" that Hitch re-shot when sound came into being. You can see the "knife!" scene where Hitch plays with sound, as well as (now) familiar motifs such as staircases, etc. Well worth a look.
stephen sloane, Lake Arrowhead, USA
Vertigo is the greatest of HItch's films and he knew it. It was the only one he insisted be promoted in ads as "Alfred Hitchcock's masterpiece." PS -- Tourists still ask to see the non-existent portrait of "Carlotta Valdez" in the real Legion of Honor museum.
MaryJ, San Francisco, USA