Cosmo Landesman
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12a, 140 mins

Watching Olivier Dahan’s film about the life of Edith Piaf, it occurred to me that if you’ve seen the life of one tragic artiste, you’ve seen ’em all. At various points in this film, the life of Piaf (Marion Cotillard) seems to melt into the lives of other biopic subjects such as Ray Charles (they shared a passion for the needle), Frida Kahlo (both had traffic accidents) and Billie Holiday (poverty-stricken childhood). She even has a touch of Robbie Williams (the need to check into rehab). In short, this is another showbiz saga starring a tormented artist.
For the French, Edith Piaf was the Vera Lynn of the lachrymose – a national icon of suffering. She was what they call a chan-teuse, what people in pop call a diva and what normal people call a right pain in the arse.
Dahan says that one of the reasons he wanted to make this film is to show what it is that “drives an artist”. His answer could fit neatly on a postcard: pain. It’s the ultimate cultural cliché to draw a link between torment and talent. Here, the connection is literally made when we see a collapsed and exhausted Piaf crawling back to the stage and giving her all. Her pain is the audience’s gain.
La Vie En Rose is one of those biopics that likes to think it is not a biopic, simply because it eschews the conventional chronological narrative that begins at birth and ends in death. You can always tell when a film is in biopic denial – it keeps leaping back and forth through time. Here, we begin on stage in New York in 1959 and go back to Edith’s childhood in Paris in 1918. Then we’re in the early 1960s, then back to God knows where. Not even Doctor Who does this much time-travelling. At one point, it seems we have Piaf the child, Piaf the struggling singer, Piaf the star and Piaf the old woman, all competing for our attention.
Anyway, poor Piaf is dumped by her mad mum with her neglectful granny; she is then left in a brothel by her dad, to be raised by hookers with hearts of gold. She goes blind – for a bit. Dad comes back and she ends up in the circus.
Dad deserts her and the 20-year-old Piaf is on the streets, singing for her supper and sharing the proceeds with a pimp. She is discovered by a night-club owner, Louis Leplée (Gerard Depardieu) – and, just as she’s about to hit the big time, he is killed and she is at the bottom again. Another mentor comes and takes her to the big time. She finds love with a handsome French boxer, but more tragedy comes her way. It’s a miracle Dahan doesn’t go into the cancer that finally killed her.
His film panders to our modern taste for tales of human suffering, be it childhood poverty or adult tragedy. These days, bookshops are full of best-sellers featuring the sorry sagas of people who aren’t even famous. But this film seems to suggest that the suffering of an artist is somehow more interesting or worthy of our sympathy than that of a mere mortal. It expects us to be more impressed by the suffering of Piaf the woman than by the songs of Piaf the artist.
The trouble is that Piaf the woman is not an endearing character. She was a tyrannical diva who was forever barking orders at friends and employees. Of course, the modern biopic gives us celebrity lives warts and all – I can’t help feeling that, unintentionally, here we’ve been given all the warts. There’s nothing likeable or admirable about this Piaf.
As for Piaf the singer, well, a little Edith goes a long way, and this is a long film. There are whole scenes that could have been removed, such as a boxing sequence featuring her lover, Marcel Cerdan (Jean-Pierre Martins). Her big song, with which the film ends, is Je Ne Regrette Rien, a My Wayish anthem. We’re meant to admire her defiance, but only a very self-satisfied person would have no regrets about their life.
La Vie En Rose is a film that pays great attention to period detail and getting the look and sounds of the time just right. And yes, it has a kind of French sumptuousness to it, but something is missing. Here is a woman who really did live, love and lose – yet it all seems so lifeless.
The thing about biopics is that they always end up as showcases for the performer, not the person. In other words, Ray Charles and Johnny Cash were upstaged by Jamie Foxx and Joaquin Phoenix. The same is true of Marion Cotillard’s performance.
The fact that a young beauty like Cotillard has managed such a realistic transformation is a thing of wonder in itself. As the young Piaf, she stares out of haunted eyes, a child afraid of a scolding; as the old Piaf, she seems to have physically shrunk inward. It’s a technically accomplished performance, but I can’t help feeling that we never really get to the soul of its subject.

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15.12.08. Just seen this film and can only say that St Theresa didn't do too well and neither did our heroines teeth or eyebrows. What a LONG, LONG film, and what a fairly unpleasant person Piaf was. Never liked her much but like her even less now, though the girl who played her was AMAZING.
R Williams, Ipswich, UK
It's nearly too much only if you can't bear the feelings this film emerges. Live your life to the moment. Exceptional acting, atmosphere and music, a film filled with passion.
Christos Satlas, Athens, Greece
I wish had one. I live in Bucks/Beds area and cannot find a cinema showing it. My friend who lives on a sheep farm in Australia is going to see it! Can anyone tell me where I can see this film in this area? Alternatively, will the DVD be out soon. J'adore Edith Piaf.
ann faris, Bedford, United Kingdom
What an odd idea, that one must 'like' the character to appreciate a good film. Presumably the reviewer didn't rate 'Downfall' [Der Untergang] because Adolf Hitler wasn't very 'likeable'.
Lincon Zinn, Chester, UK
I saw this film three times and if I had the time, I'd see it more. My first impression was like it was a great painting that you could see so much into. I just loved being overwhelmed by the sound and the imagery and of course that great actress. I absolutely loved the movie and want the DVD. THis film did not pander to the audience; if you were not up to letting yourself go to enjoy it completely, go and see some Holloywood movie meant to fill the theaters.
RitaSue Siegel, New York, New York, USA
This HP totally threw me I have no idea what was going on and I have read all books so I was expecting more from this movie. They chop out too much from the book I know they couldnât use every thing from the book but it should and could have been better. This is the worst HP ever made they should get that guy that made the first two to do the others. Everyone who is a true fan should go out and see it and make up there own minds. I am still a big fan nothing can change that.
Nadine Clover, Brantford, Canada
I completely agree with the reviewer; though Marion Cotillard is undeniably brilliant in this role, Edith Piaf is written to be so unredeemable that it's nearly impossible to sympathize with her at all. It seems that they simply took every terrible thing that happened to her and shoved it into 2 1/2 hours, and considering that her personality was considerably larger than most, so were her problems. The thing that I found most upsetting though, was that they completely ignored her involvement in the French resistance. She once charmed Nazi soldiers into takeing her to see the French POW's, where she took pictures with them and used the photographs to make illegal passports that saved many lives. Had a story like this been in the film, I think it would have improved it enormously and given us at least something to admire in her. With so few highs, it quickly becomes hard to appreciate the film's treatment of the innumerable lows.
Anne, Richmond, USA
I'm afraid I have to agree with Ms Howerska. If this is how the movie hit this critic, he's out of touch with the great majority of audiences on this one -- certainly all the people I know who have seen it.
Mantha Stoirmeil, New York, NY
were you watching the same film as I was?
A great theatrical performance of a great theatrical life and brillantly acted by Marion Cotillard. I think you must have been half asleep judging by your comments, although I don't know how you could have been with Piaf's strong vocals to keep you riveted. I think you should see more of the dreadful films that are around at present, half-baked rubbish catering for the 14 year old boy audience, then perhaps you would appreciate this type of genre film more. Perhaps it was wasted on you, i.e. not that the film was not good but that you were not a worthy viewer of the film.
J wheeler, newport beach, USA
This is a mean-spirited review, full of cynicism that misses the point of triumph over adversity, of more accurately, how peopl struggle internally when they do, for brief moments, navigate a path through unimaginabel obstacles. Full of hope and towering performances, the film is simply wonderful.
julie howerska, York, UK
Marion Cottillard is on a par with Helen Mirren in The Queen. Like her, she doesn't simply ACT Edith Piaf, she becomes her.
Like Mirren, she deserves the Oscar, and like her she is the sole reason for seeing this film.....her acting alone is worth the price of a ticket.
Whatever you think of Piaf as a singer or woman, whatever you think of the way this film is made, I defy you not to be moved and impressed by Mlle. Cotillard's superb performance as Piaf.
Simon Cooper, London, England
just a minor point, but I think 'chanteuse' simply means 'female singer', not 'diva'
Katie, York, UK
I could not agree more. In spite of all the praise I'd heard about this picture, I was not able to enjoy it. All the unneccessary shifts in time and circumstance made me sit and actively wonder about where we were in the story rather than being moved by all the horrible events. And the boxing scenes!, You'd think the film was about a fighter!. It was a chaotic and unclear tale and did nothing for Edith Piaf's name.
Personally, I have always found her voice and her chansons fantastic. After seeing the picture, I find I like her less.
S. T. Leithe, Alesund, Norway
I could not agree more. In spite of all the praise I'd heard about this picture, I was not able to enjoy it. All the unneccessary shifts in time and circumstance made me sit and actively wonder about where we were in the story rather than being moved by all the horrible events. And the boxing scenes!, You'd think the film was about a fighter!. It was a chaotic and unclear tale and did nothing for Edith Piaf's name. Personally, I have always found her voice fantastic, After seeing her biopic, I find I like her less.
S. T. Leithe, Alesund, Norway