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After watching James Mangold’s thoroughly enjoyable old-school western, 3:10 to Yuma, two questions come to mind. First, why has the western been so terminally unfashionable for so long? And secondly, will the current small-scale revival of the genre, of which Yuma is part, sate the audience’s appetite for westerns or increase it? I hope the latter is the case – more films like this would be no bad thing. It’s a thrill-filled ride across a flyblown dustbowl where the heroes are iconic, unwashed and deadly. They spit out killer lines like bullets.
The golden age of the western played out against a very different American socio-political landscape. It was a simpler time, when people talked about pioneer spirit and cowboys and Indians. Perceived as an anachronism, no wonder the western fell from popularity. It’s interesting then that, rather than an updated or a revisionist take on the genre, Mangold’s film is respectfully traditional. A remake of a 1957 movie starring Glenn Ford, Yuma’s pacing may owe something to the contemporary action movie, but the themes are age-old: redemption, morality and the lure of the lawless wilderness and of the killers who call it home.
The film follows a battle of wills between two men from either side of the law. Russell Crowe plays Ben Wade, the boss of a gang of reprobates so dissolute that even he describes them as animals. Christian Bale plays Dan Evans, an impoverished rancher who signs up to help guard the captured Wade and to escort him on to the train to Yuma, where he will stand trial. Crowe’s Wade is a deadly charmer with a wit as quick as a rattlesnake. Bale’s Evans is a taciturn tough guy who has taken the job to earn back the respect of his sons and the love of his wife. It’s a screen partnership that crackles with animosity, suspicion and grudging respect, despite the fact that Crowe looks a little cuddly for an outlaw. And a special mention must go to Ben Foster as Wade’s right-hand man – with his whiplash of a temper and grime-coat- ed leer, it’s a scene-stealing turn in a film full of top-notch performances.
15, 122mins

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I loved the movie. Ben's actions at the end, getting on the train, are his way of saving William from becoming just like him.
Michele, Texarkana, USA
this movie was a joke, Fonda get shot in the chest, a vet takes the bullet out....next scene he is back on his horse! Another Russel Crowe shot 4 guys while they have their guns out!
Just not realistic!
George, huntington beach, CA
This is indeed one of the great films of our times. A character study par excellence, and I agree with Jan Maguire, this is a moral struggle like few films have been in recent times. Forget High Noon, forget Rio Bravo, this achieves newer and deeper ground.
It is fascinating to know what indeed is going on inside of Evan. What is he driven by? Does he even think he can redeem himself, in his own eyes. Does he think that he believes in his inability? The sequence during the climax, when he utters those lines to Ben Wade, about his war time experience is touching first, and then in a way disturbing.
I have reviewed the film below -
http://movie-place.blogspot.com/2008/01/310-to-yuma-movie-review.html
Satish Naidu, Pune, India/Maharashtra
People who think this film is 'simplistic' have missed so much of what the film was about.
My family talked about the film for hours after. Not about the shoot-outs, not the obvious western motifs.....but about the many shades of grey and overlaps between the two main characters.
Is the rancher Dan Evans motivated by the moral high ground of seeing Wade brought to justice? Or is he driven by ego. Does his own self-righteousness tilt over to self-indulgence and selfishness? And is Ben Wade a bad man or simply a man who has come to terms with survival in a bad world?
A fasinating study of morality and moral codes .
Jan Maguire, Cheadle, Staffs, UK
Hmmm, the part I loved most was that Crowe had such charm. The best of the bad guys have to have that quality. They convince each person that only "they" have bonded, seen the soft center of the bad guy--and that's what enables them to keep getting away, to keep leading their "animal pack." If they were just tough, another animal would finally come along to take them down. The fact that the charm hides the heart of the beast is what's fascinating about the criminal and makes him multi-dimensional.
Gail, Texas
Gail Giles, The Woodlands, Texas
'There is nothing new, except, that, which has been forgotten'.
Another remake set to win an oscar?
prudence eely bond mcguire , Herne Hill,London, England
This was one of the most boring films I've ever seen. Simplistic, slow and way too long. Avoid at all costs.
stu, vancouver , canada
Russell Crowe as Ben Wade is just attractive enough to show how the outlaw can win over friends and influence people. That's how he gets what he needs. On the other hand, I do have to draw the line at seeing Brad Pitt try to convince us he's Jesse James with his modern pretty-boy looks and hair style. Put him on the cover of GQ, not in a Jesse James movie. Thanks.
Lana, Rancho Bernardo, California
"Crowe looks a little cuddly for an outlaw" Oh? What must an outlaw look like? The beauty of his utterly compelling portrayal is that he goes against conventional stereotypes. Crowe's Ben Wade has used his charm and intelligence to deadly purpose. It's how he's survived in a lawless frontier, lacking the options of someone with a more conventional upbringing.
I would argue that Bale's Dan is not a "taciturn tough guy", but a beaten man who also takes advantage of a situation for his gain and survival, He finds his strength only from interaction with the outlaw.
In any case, I've seen the film twice and highly recommend it.
Sunny, San Antonio, Texas, USA
I'm 68 and this is the best Western I have ever seen. I've never heard the sound of gunshots as it's captured in the file. Academy Awards here for a great Film.
Gary, Golden, USA Colorado