James Christopher
Enter our Snapshots of Summer photography competition


On Monday I thought Cloverfield was a brand of butter, or a mock-Tudor retirement home in South Wales. The film is actually an old-fashioned monster movie that has been retuned into an unexpected - sometimes unwatchable - sensation. Cloverfield is a reality-TV chiller, written by Drew Goddard, who cut his teeth on Buffy, Alias and Lost, about the most ferocious monster attack on New York since King Kong slipped his chains in 1933. It is also the first horror film that has given me motion sickness.
An hour in I started to sweat. I couldn't look at the grim stroboscopic lighting effects in the final reel, and I nearly threw up trying to make sense of the increasingly chaotic and frightening scenes of the gripping climax. On a giant cinema screen like that of the Empire in Leicester Square the discomfort is rude and disorientating.
Matt Reeves's apocalyptic thriller is a genuine scare. The film begins with a stuttering romance between a young city hunk (Michael Stahl-David), and his shapely squeeze (Odette Yustman). It then plummets into an appalling piece of chaos when an earthquake buries plans for sex in heaps of dust and rubble.
The real stroke of genius is the visceral sense of increasing panic. There is no warning of just how demonic this flesh-eating monster actually is when it is glimpsed by drunks from the balcony of the hero's flat.
The film is recorded like a diary piece on Stahl-David's camcorder. The luckless cameraman is a fabulously useless jock called Hud (T.J. Miller). It is Hud's precarious forefinger on the “record” button that makes the footage of this film such a stop-and-start marvel.
The horror begins with tremors in central Manhattan. The expensive and jaw-dropping stunts that are carved into this cheap camera are extraordinary. This is horror unplugged. A monster is trashing New York - God knows why - but it's one of those films where you feel obliged to suspend every ounce of disbelief.
The devastation looks like a fireworks display. Skyscrapers and bridges are shredded. The torpedo might of the US Air Force merely eggs the monster on. The severed head of the Statue of Liberty is tossed down the street. The young heroes seek refuge in underground stations crawling with spidery, flesh-eating aliens. This is almost a biblical interpretation of 9/11.
The panic is exquisite. The unnerving novelty about Cloverfield is the quality of shock. Fantastic.

Win a luxury weekend to Newcastle and its neighbour Gateshead, find out more here
Risk, resilience and embracing new technology
Industry sectors news at a glance. Interactive heatmap, video and podcast
Discover the collective power of smart thinking. Submit a solution and be in with a chance to win a Flip MinoHD Camcorder
The inside track on current trends in the charity, not for profit and social enterprise sectors
Everything the Business Traveller needs to know to make a better trip
Make the most of the summer and enter our fabulous photographic competition, you could win a £5000 holiday
Corsica is an island of beauty and contrast, an ideal holiday destination
Enjoy further reading from Travel to Fashion, Business to Sport, discover more
Shortcuts to help you find sections and articles
The clever way to lease a new car is with Car leasing made simple™
2009
42,945
2008
71,450
Car Insurance
Not Specified
MI6
UK-based
£60,000
The Environment Agency
Bristol
Up to £90K
Boots
Midlands
OTE £85k
Credit Protection Association
Nationwide Opportunities
Completely London
Luxury Condo's in Manhattan with NYC views
The best new homes in Wimbledon?
Nationwide
Save up to £1,000 per couple with Elite Vacations at the five-star Constance Lemuria Resort
and do the British Isles this Summer.
Save up to 60% with Oxford Hotels and Inns
Try our inspiring luxury holidays to the Indian Subcontinent and South East Asia.
Great offers available
8 fabulous Canadian cities ...you won’t find cheaper
Contact our advertising team for advertising and sponsorship in Times Online, The Times and The Sunday Times, or place your advertisement.
Times Online Services: Dating | Jobs | Property Search | Used Cars | Holidays | Births, Marriages, Deaths | Subscriptions | E-paper
News International associated websites: Globrix Property Search | Property Finder | Milkround
Copyright 2009 Times Newspapers Ltd.
This service is provided on Times Newspapers' standard Terms and Conditions. Please read our Privacy Policy.To inquire about a licence to reproduce material from Times Online, The Times or The Sunday Times, click here.This website is published by a member of the News International Group. News International Limited, 1 Virginia St, London E98 1XY, is the holding company for the News International group and is registered in England No 81701. VAT number GB 243 8054 69.
Really good movie, I think its a good and interesting effect, the camerawork, the feeling of actually being in the film. That has been the point of moves all the time, the audience wants to forget their real lives and live in a fantasy.
Louise, Nærbø, Norway
I suppose we can say that Cloverfield is an attempt -- but it falls seriously short of success, and so Goddard forgot -- that we as an audience come to see a film; we don't want to be in it
Juan Flores, Tarpon, usa
By far the worst movie ever made. Absolutely horrible. No story, bad camera work. Perfect if you need to throw up and feel sick.
Alex French, Derby, UK
read the reviews, seem to be mostly in favour of the film, and about to watch it on BT Vision... here goes!... will post what I think later.
Steve, Weston-super-Mare, England
Enjoyed it, very atmospheric and gripping but I couldnt help thinking "would you really keep on filming with all this going on around you" - I dont think so
Dave Penman, Derby, Derbyshite
"1) There are no aliens: the small crablike creatures are parasites that became dislodged from the big monster. All came from deep under the ocean..."
Stuart, Spain
In response: check out the last shot of the film. Look in the top right corner over the ocean. Cool eh? =P
Geb, Milton Keynes, England
i just saw the movie and i didn't see the point in making it. the film was absolutely terrible. if only someone had told me that it was a shaky, unprofessional alien movie i would have saved myself the trouble of wasting my time to watch it. i was very disappointed especially with JJ Abrams.
Raj Singh, cambridge, uk
I thought the chief innovation of the film is the disguise of it: seemingly an update of a Japanese horror flick when it's an urban, apocalyptic morality tale with the devil himself making an appearence to ravage civilization.
Other than that, the camera work, though justified, could have been a tad steadier... And the movie itself seemed short--the truncated ending after all a way of saying, 'sorry... no more ideas.'
Elan Durham, Santa Monica, CA/US
So much for the success of its viral marketing campaign! It seems that the reviewer and every single poster was not aware of the meta-story (much if which is still unexplained - but various "clues" have been provided along the way).
A couple of points:
1) There are no aliens: the small crablike creatures are parasites that became dislodged from the big monster. All came from deep under the ocean. How they all came about is the real-story here and perhaps will be further explored in a sequal or a continuation of the viral marketing campaign.
2) The guy who came up with the story is JJ Abrams, also creator of Lost. He likes complex mysteries and, as such, this one may run and run.
Stuart, Benalmadena Costa, Spain
A novel take, using a hand held video camera. Worked well for half the film, then became overcooked, using the technique beyond what was needed and becoming a bit chaotic and shallow. I felt the introduction of aliens spoilt it for me as it changed the reality of the performance. Some kind of attack by conventional weapons would have fitted better into the story. The giant head flying down the street was terrific...but then the camera movement got too much. I don't think this technique will catch on, just another gimmick l feel.
Alan Bond, Zambales, Philippines
anodyne substanceless characters one couldn't care less about.
Justin Meiland, Epsom, England
OBTW, as far as I know the torpedo remains a weapon used exclusively by the NAVY, not the Air Force. The Air Force gets to play with guns, rockets and bombs, but has no "torpedo might". I have long since lost any claim to omniscience so I will accept corrections on this matter gracefully.
Philip Rodgers, Myersville, Maryland, USA
Just come back from seeing Cloverfield with my husband. We both thought it was great camera work. I suffer from motion sickness and I'm still suffering from the headache brought on by the filming. But I managed to sit throught the film despite feeling sick and glad I did as really enjoyed it.
WT, Shrewsbury,
moronic and laughable. are we supposed to take this film seriously? it is one of the most pitiful attempts at drama i have seen in a long time. i spent half the film wanting the "scary" creature to squish the annoying, bleating New Yorkers so that i could go home. The dialogue is atrocious and the painful attempt to wedge a love story into the chaos made me laugh out loud... avoid, avoid, avoid. See "Juno" instead.
Al Morrell, Essex, UK
Myself and my Wife went to see this last night.When we got the tickets,there was a small 'Warning' saying in no uncertain words that this movie might make you throw-up.I loved it !,a great old fashioned monster movie,I agree that some of the dialog was a wee bit cheesy,but what do you expect from Hollywood. The camera work was a bit OTT and my missus felt a bit sicky,having said that I thought it was a really good movie,most enjoyable....New York distroyed again.......Great film..9/10.......
Dave Griffiths, Swadlincote, UK
Just been to see Cloverfield. What a fantastic film.... Yes the camera work may make you feel sick (although i never once felt sick) and you don't get any answers at the end.
But, given the "real feel" of the film and the fact that you are seeing it from the characters point of view, they didn't know what was going on. Likewise we didn't.
That to me, adds to the tension and the whole experience. It also opens it up for a sequel....
DP, Leicester, Leics
From the start of the film the characters bore you with their one dimensional attitudes and at times unbelievable stupidity. A timid love drunk hunk? on his quest to land a babe before he moves abroad, a moronic and sheep like best friend with a handle for a name, and a widow in high heels traipsing through Manhattan in a cocktail dress after aliens. I'm not sure what made me more sick the unending camera shots of people's feet and ceiling as the camera jolted about around the action, or the sheer laughable scenes of them exploring underground lines, army barracks set up around Manhattan in record time and other back streets as some alien spits out smaller ones around town causing a general nuisance to the brave if not gun ho marines around town. Oh and not forgetting to keep recording with the latest equipped camcorder with night vision and head lamps for those awkward aliens are coming situations. Best left as a dare for jackass to watch on a boat in rough sea and vomiting for fun.
Lloyd, Chester,
Great fun, matinee-popcorn style. With regard to the camera man Hud, has no one mentioned that HUD is video gamer shorthand for Heads-Up Display, the graphics in a first-person shooter's point of view screen that lets you know how much life you have left? Appropriate handle, that.
Joe, Portland, Maine, USA
A very stylish, well planned genre buster. Excellent innovative film making without your stock standard Hollywood ending. Great soundtrack! (It doesn't have one - which adds to the vibe) Highly recommended
Raym, Byron Bay, Australia
Having suffered from motion sickness all my life - even in planes - I knew what was happening when I began to be sick while watching "Into the Wild". I was physically sick in the cinema (into a bag) and then had to leave, missing the end of the film. I am sure I am not alone in suffering from hand-held cams.
Pauline Jordan, Southwell, UK
1992's HUSBANDS AND WIVES by Woody Allen was far more stomach churning with all the revolving steady-cam crap. So much so that I walked out on it. CLOVERFIELD however is a work of genius in the vein of BLAIR WITCH PROJECT. It sucks you in and keeps you there until it's done with you. This film rocks!!!
David Kopelman, Memphis, TN, USA
My husband and I loved it. The movie may be too much like real life for some. The plot line provides information in a disjointed way, just like real life does. Also like real life there are no answers at the end. This is not the typical American plot where all is sewed up neatly. Cloverfield is in the nouveau roman style. May there be many more.
Dana Howell, Dothan AL, USA
I had seen the movie when it initially opened here in N.Y. The shaking hand held camera syndrome did take a little getting used to, but after the slow party start (20 of the 85 minutes), the anticipation of what was going on overtook all other sensations. It was a 100MPH after that, and really didn't stop. And the best part at the end was not really knowing how it ended! I think we have found our "Aliens" replacement! And I would be curious about those bemoaning their dizziness, if it was the same as drinking a pint too much and rolling around in the bunk? And to think, you paid for that too! Hmmm.
Kokomo Joe, Oceanside, New York
Fortunately I saw this without paying, needless, to say I watched a badly filmed movie of a badly filmed movie.
If you like motion sickness and droll badly delivered dialogue then knock yourself out.
boris nightingale, London,
No, I'm sorry. When I saw it people (rightly) booed. And for me it ranks up there with the worst movies ever made. It takes forever to get going, and makes one so physically disoriented that one has to keep looking at the floor not to be sick all over the person in front of you. Not to mention no answers are given at the end. Really, truly, awful.
Mary, Ny Expat,