Cosmo Landesman
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to The Sunday Times


For more on Scorsese’s Stones movie, go to timesonline.co.uk/shinealight
The first film about the Rolling Stones, a documentary called Charlie Is My Darling, came out in 1966. Back then it was assumed that pop groups were ephemeral sensations: here today and gone tomorrow. Well, here we are, 42 years and six Rolling Stones films later, and the band are still together. The question Martin Scorsese’s new film never asks, but can’t help provoking, is this: are the Rolling Stones still “the world’s greatest rock’n’roll band” or are they a bunch of musically defunct and decrepit dinosaurs?
Transferring the energy and excitement of a live rock’n’roll concert to a film is the most difficult of artistic translations. Shine a Light starts with Marty – as everyone calls him – anxious about this challenge. The needs of film and the demands of live rock’n’roll seem destined to clash. Mick is worried that Marty’s cameras will get in the way of his performance; Marty is worried their performance will get in the way of his cameras. Scorsese comes across as an anxious Napoleon, as played by Woody Allen, who doesn’t know where to place his great army of 15 camera operators.
This promising theme of rock v film is dropped as soon as the Stones hit the stage. Unlike other film-makers who have portrayed the Stones – Jean-Luc Godard, the Maysles brothers – Scorsese has stripped them of their dark, druggie, rock’n’roll past. He gives us the Rolling Stones as a venerable and beloved institution: Uncle Mick and the boys as the first family of rock’n’roll. We even see the former president Bill Clinton embracing Keith Richards – but not inhaling.
Shine a Light covers two concerts at New York’s Beacon Theatre. There is no stadium grandeur, no big tongues or dazzling light shows for the band to hide behind here. It all looks so real and honest; here are the Stones unplugged from the seduction of spectacle. Only the strategic placement of pretty young girls up in the front rows seems fake. Where are the real Stones fans? There is not a single sagging, white, middle-aged boogying buttock in sight.
This is a great rock’n’roll film – but it’s a shame it stars a band who are no longer great. Scorsese has managed to get up close and personal with the Stones in a way no other film-maker ever has. Instead of taking the band to the viewer, he takes the viewer to the band and dumps you right between the crouching Richards and the leaping Jagger. The director and his invisible army of cameramen swoop and swirl around their subjects, providing a visual energy that makes up for the musical entropy on stage.
It’s easy to mock the Stones for being old and rich, and to complain that they are the house band of corporate entertainment. But what can a rich grandad do, ’cept sing for a rock’n’roll band? We are meant to admire the way Richards has blossomed into a beautiful wreck, while Jagger remains in such trim, athletic shape – and sexy, too. Call me ageist, but there is a moment when Jagger is dancing, and his little black T-shirt rises above his flat belly and he gives a little salacious wiggle of the hips, and you think: “Yuck, leave it out, grandad.”
What is really disappointing about this film is the very thing it wants to celebrate: the music. This is a band who are creatively dead and past their musical prime, but who have enough slick professionalism to maintain their popularity as a live act. After the rousing start of Jumpin’ Jack Flash, the music quickly droops into a series of greatest hits and not-so-great album tracks. They all blur into a bland melting pot of whiteboy blues and Motown funk.
I never appreciated what a limited guitarist Keith Richards is until I saw this film. He just crouches there, churning out the same honky-tonk riffs and arthritic power chords, over and over. And will someone explain to me what is the point of Ron Wood? For my money, Charlie Watts is the only Stone who is actually cool.
Having lost his beauty, his menacing sexuality and mesmerising stage presence, Mick Jagger pouts and prances before us, a vocalist of breathtaking mediocrity. He has no idea about phrasing or a sense of nuance (listen to how he murders a beautiful song like Just My Imagination). The truth is, Jagger can’t carry a tune. He doesn’t sing, he imitates singing. Yes, he can do a good impression of a country-and-western drawl and fake the laid-back languor of Delta blues, but he can’t sing. Worse still, he has no soul, unlike his guest Chris-tina Aguilera, who really can sing.
So, thank you, Marty Scorsese, your love letter to the Rolling Stones is the first film ever to reveal the sad truth about “the world’s greatest rock’n’roll band”.
Shine a Light
12a, 122 mins

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Get over it, people. The Stones made one good album. That was 'Aftermath' (either the UK or US version, both are fine). The rest of the time, they were just a step away from becoming the mediocrity they now are.
Thomas, London,
I can't believe what I've just read. The review seems to be a venting of frustration against something the author fails to grasp. I bet there are thousands of people who would challenge his views on Jagger, Woods and Richards, musicians and general public alike. I would also like to refer to the review of this film as posted in Classic Rock magazine. It is full of praise for the way this film is shot and portrays the Stones in depth. I would like to think therefore that this magazine would be far more accurate due to the fact that this sort of thing is their speciality. Overall there are many more points in Mr. Landesman's review which I find ridiculous however, I shall end with one question. If the Stones are not a great band, then how have they survived through the generations and still manage to win new fans? Scorcese obviously felt they merited this film, as have others in the past. And why? Because they are Heroes, Legends and Icons to people of all ages. That is greatness.
Alex, Ashill, Norfolk
As the original review does, it's important to differentitate between the film, the performance, and the band. The film is superb. This performance is not. As Landesman perceptively states, this does prompt some rather pointed questions about the band themselves.
Having seen them live three times in the last five years, I would suggest that while musically they're waning - Mick's voice in particular is a shadow of its former self - no-one comes close to a big stadium Stones gig for pure entertainment and showmanship. While some might call them "unadventurous" or "artistically dead", personally I commend the Stones for playing what the audience wants to hear.
Scorcese clearly did not want to make just another concert dvd, he wanted to make a movie. The 60s documentary footage he sprinkles throughout the gig alludes to the point of the film, if not the point of the band themselves these days: they're old now, and real, but they're still going, half a century after they began.
James, Leeds, UK
Holy smoke. I cannot believe we saw the same film. Despite having experienced the Stones live numerous times, I still came away from this experience stunned and overwhelmed as never before by the sheer, uncanny power, beauty, and energy of these remarkable musicians and performers. They are a force of nature and they project more vitality and relevance than many, many "younger" artists. And Scorcese's gorgeous filmmaking puts that beautiful vision and sound right in our faces in a way that just floors us. Don't let this sour review, which wholly misses the point, deter you from going to see this extraordinary performance if you haven't already.
shane, poughkeepsie, new york
The Stones are a great band because of the sound that they manage to create together, and not as individuals. Keith and Ron can throw riffs at each other and sound as tight as ever, they make it look fun and sound great. Charlie Watts keeps the whole act together. Its the simple stuff played from the heart that makes this band last forever.
JC, Malta, Malta
I have heard the Stones play better than they did at the concert filmed for this movie, but still they played well and I admire the swagger and panache the band displays at this point in the game. I did wish for more camera time for the supplemental musicians the band employs as they are all excellent and well-known to their fellow musicians (but not at all to the general audience). There are some details only other players will notice or care about, such as Ron's use of a Gibson Firebird (a guitar associated with Brian Jones) and Darryl Jones playing a Fender Mustang bass ( an instrument associated with Bill Wyman) on a few of the songs. Really, this is a film for Rolling Stones fans, and if you are not it won't convert you to one. Speaking of current appeal, in 1972 I had to be in a lottery just to be permitted to buy tickets for their Madison Square Garden show; for the screening of this film my friend and I were the only two in attendance. Very enjoyable film!
James McGirr, Portland, ME
I'm not even a fan of the Stones, but saw the film on Sunday and enjoyed almost every minute! It is not often that I can say that about any film. When Cosmo tells us that Aguilera can really sing, I realise that he is clueless about the rock/pop business.
The greatest and most iconic artists are not necessarily the best singers. Presley and Dylan are prime examples of this.
Why no mention of Buddy Guy Mr Landesman? His contribution was a thousand times better than Aguilera's.
Brian Lockyer, Exeter, England
Regarding Mr Landesman's incisive review of Shine A Light, Keith Richards has always been sparse with his riffs. In the words of Ludwig, the architect not composer, Mies Van Der Rohe, "Less is more".
Philip Clayton, Fotheringhay, Great Britain
So, Cosmo says Mick can't sing, that's hardly the point is it. Mick would probably agree, but since when was rock music about being able to sing. I would't count myself amongst them but some people would argue that Bob Dylan, Tom Waits, Leonard Cohen, Van Morrison etc. can't sing. Their voices like Mick's are unique and instantly recognisable adding to pleasure of listening to their songs. Personally I can't say the same for Christina Aguileras nerve grating whine.
As for Keith Richard churning out the same old riffs and chords, well when I went to see the Stones at Slane last summer that is exactly what I went to hear, surely the same for entire audience judging by the reception for Satisfaction. Also, whilst watching them it is almost impossible to take your eyes off Jagger, the definition of a mesmerising stage presence. Perhaps that doesn't come across on the close inspection of film, I shall go see Shine a Light and judge for myself.
Drew McIlveen, Lisburn,
Cosmo who?
alex seymour, chichester, sussex
mick's singing is more theatrical than soulful but that is the dimension he has added to his blues roots.it is nonsense to say he can't sing ;he is in particularly good voice on this occasion and the musicianship around him is joyous and inventive for the genre.you certainly are ageist.leave it out grandad!
i'm a jazz fiend without a stones album but i would recommend this movie wholeheartedly.an exuberant couple of hours.
brian cole, london,
So Cosmo Landesman the world famous guiarist who has sold over 300 million albums thinks that Keith Richards is a limited guitarist. Who among us mire mortals could possibly disagree with that statement. It is well known to everybody in the music industry that Cosmo, who plays regulary to sell out crowds around the world and has been a member of one the most successful bands in the history of music for over 46 years, is a guitar genious. He is also known as the human riff for the various numbers of songs he wrote for the band.
O dear, wait a minute that isn't you Cosmo is it? thats Keith with Mick, Ron and Charlie ie The Rolling Stones. Not some jumped up hack that is not fit to lick their boots.
You state in your review ( God forgive me for using that phrase) that the music in the Film is of their greatest hits and not so great album tracks. You have obviosly never listened to any Stones albums, or you would have known that the songs are from some of their biggest selling ever
Jim Bolton, Dublin, R.O. I
The Bigger Yawn. Millionaire rock.
Philipo, Padova, Italia
What a very sad thing to write! Nobody could suggest that the Stones are as good a band as they once were but they are still a phenomenal live act and the energy in the Shine A Light performance is exceptional.
The one comment in the review that really made me believe that the author is totally clueless is "what is the point of Ron Wood". While Ron has had his troubles over recent years he is currently back on track and playing the best guitar that he has played for a long time. I would agree that Keith is nowhere near the guitarist that he was previously, mostly caused be his own ill health (arthritus), and that is why Ron Wood in my opinion is currently carrying the band. His guitar work on Shine A Light is excellent, he really shows what an outstanding guitarist he is.
So Cosmo, perhaps you should go and watch the movie again and then write based on reality rather than churning out a review that you had quite obviously mostly written and made your mind up about beforehand!
Skelly, Glasgow,
I totally disagree. I took my 15- year-old son and 8-year-old daughter to see this. We saw The Stones last year at the Isle of Wight Festival and then at O2. They were excellent on both occasions and my children became enamoured. Both children are avid music fans and are highly critical, having seen a large number of bands play live. We all loved the film. My son commented the next morning that he almost felt that he had been to a Stones gig the previous night, such was the impact of the film. It had a great atmosphere and gave an insight of what being onstage with them is really like and the tremendous energy required. It was also very funny. As for Jagger losing his stage presence etc. - complete rubbish. The other guys are just as valuable - they are real characters, which is what makes for a great band. Did this guy really watch the film or was he in the bar?
Langley Fisher, St. Albans, UK
Dem Krazy Stones Boys STILL upsetting the over 30s brigade. Rock On Boys.
Andrew, Dundalk, Ireland
A perfectly spot on assessment of the Stones and of Keith Richards. Thank you Cosmo for having the guts ( I don't envy the letters you are going to get) to speak the truth about these so-called rock icons. The last time I saw them was in 2003 and I left in the middle of the show. The band was tired, uninspired, and Keith was out of tune most of the night and couldn't hit a lick. I thought about going to the Bigger Bang show, but when the set lists came out and I realized they didn't have the bollocks to play more than two songs from the new CD, that is when I realized they had become musically gutless and lacked artistic integrity. And yes, Mick does look like an fool when he does that little hip shake thing.
David Holler, Fallbrook, USA/CA
You are mean and have no clue...but I do agree that the movie was not up to par. No need to criticize the band. Shame on you.
Linda, Revere, MA
Hello
Everybody has an opinion. Unfortunately I do not agree with you opinion about Shine A Light. The film itself is awsome and I think that Marty as usual has done a great job of capturing the action and vibe pf the performance. With respects to the Stones being past any sort of prime you refer too, he is the real story. I'll concede the Stones have had numerous levels of success and creative moments throughout a wonderful past. But the real story is that the Sones have remained relative for almost 50 years! Lets see where all the cool bands of today end up in 42 years, will they be relative to the times or will they be all but forgotten. You make it sound like any band that wants to be active for 42 years can do what the Stones have done.....you know just cruise and rely on reputation mostly. But the fact is there are tons of people that feel your way off base considering the Stones level of popularity. I believe you made up your mind even before you saw the film.
Francesco Rizzuto, Calgary, Canada