James Christopher
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You will feel utterly numb after the screening of The Dark Knight. The film is bleak and brilliant. Batman is Hamlet and Heath Ledger is a sensation as the Joker. The late legend doesn’t just steal the film, he murders it in style.
Watch how this cartoon serial killer comes to life. Look at the slithery reptilian tongue. Why the garish slap, the pasty white face and sloppy red lipstick? Aahh. It frames the extra inches of smile that his father carved into his face once upon a time. You may never see an actor assemble a more unhinged desire to avenge. He may well win a posthumous Oscar for his performance. He certainly makes Jack Nicholson’s Joker in Batman (1989) look like a badly drawn cartoon.
That’s the horror and thrill of this film. You know the story: Gotham City has grudgingly shifted into the 21st century. The usual crooks are still trying to bankrupt the world. Bruce Wayne, aka Batman, aka Christian Bale, thunders around in his bullet-proof costumes and fancy cars but people have stopped believing in superheroes.
Thrillseekers won’t be disappointed – there are mind-boggling car chases and explosions. But in its physical and emotional scale it all feels like a Shakespearean tragedy or Greek epic rather than a film.
The Dark Knight is about grown-up Gotham. Idiots get killed impersonating freaks such as Batman. And Batman himself is full of helpless unease. There are no camp bat-cave jokes when an old flame, played by a sulky cop (Maggie Gyllenhaal), is held to ransom by the Joker. She is deeply in love with the city’s dynamic new firebrand, district attorney Harvey Dent (a magnificent Aaron Eckhart), who is the bright and eloquent future. Bale’s Batman boils with jealousy.
This emotional turmoil would mean nothing without one small and terrifically seedy scene. Batman has lost control. His fingers are wrapped around the Joker’s throat in a police cell after another terrorist insult, and the evil-doer is willing the caped crusader to beat him to a pulp. You can’t slide a cigarette paper between the two damaged characters.
The Joker’s request is frighteningly simple. All that stands between chaos and order, and between the Joker and Batman, is for the latter to pull off his mask and reveal himself. This seems to be the Joker’s entire raison d’être, and the existential crisis at the heart of the film. Batman’s vanity results in inexplicable horror. This is where Ledger takes control of the film.
“What doesn’t kill you makes you stranger” is a line muttered near the beginning of the film that suddenly comes alive. The chill realisation that Ledger has calmly laid ethical mind-traps under every gothic frame is what makes Christopher Nolan’s film, and the actor’s performance, so powerful. The parameters of the comic book blockbuster have shifted forever.
12A, 152 minutes

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This film is an unbelievable masterpiece and i'm pretty sure, it's miles better then the Spiderman or Superman films.
Heith Ledger's performance is sensational and without no question, derserves an ocsar.
One of my favourite films of all time
10/10
Go see it!
Nathan, Liverpool, England
Too long, and overhyped. If Ledger hadn't died, there would have been far less fuss about his performance. He seemed ok, and sticking out a tongue and slapping on makeup did suit a comic book movie well. I felt the editing/camerawork detracted from the performance of the actors at times.
Dave, Seoul,
I could not believe Heath Ledger's performance,Incredible.He MUST get Oscar,such a shame he died.A great film.
Trevor, Lymington,
I loved this movie. It was awesome and thrilling. Great movie, everyone should see it!!
Sara, Georgia, USA
It's overall a good movie but it would have been better with a skilled editor. The Hong Kong sequence could have been left on the cutting room floor and the movie would have been better for it. Heath is quite good, Jack was over the top. Not an Oscar film but fun nevertheless...
Burke, Encinitas, States
The last watchable Hollywood film was On The Waterfront yeh...a long time ago.How can you have a great film or great acting when everything is set to a formuala?Tired cliches,boring dialogues,stock charecters,predictableplots.Violence,nihilism,cynicism,sick humour .Relentlessly boring and insane.
AJAY, CHANDIGARH, INDIA
Reading through these comments I can only conclude: for some people even the best is not good enough.
Ed Zuiderwijk, Cambridge, UK
I was shocked that the film classification was 12A. It was supposed to contain "moderate Violence" Once again the censors have pandered to the film makers. I found some of the scenes disturbing, my wife left the cinema and the group of 16-19year old males I was with had to admit it was heavy going.
TONY HORNBY, CAMBRIDGE, UK
I saw TDK on Friday and was very disappointed. No significant plot, no great acting, let alone Oscar winning and it's too long (but feels even longer). There's too much violence, too little humour and no real substance to the movie. Other than that I suppose it's ok for the kids, knives excepted.
Stuart, Sutton Coldfield, UK
Gary Oldman. All others are caroons.
M Khan, Peterborough, UK
The dark knight was the best film i ever saw.
Would like to see it a thousand times.
alasdair lindsay, fraserburgh, scotland
how anybody can say that heath ledger is a good joker is unbeleivable, all he does is lick his lips and carry around a potato peeler, I am so dissapointed at this remake - Jack Nichelson was far far better, far more dark and far more believable. Bring Back Jack
nick bacon, london,
Great film! Heath leadgers proformance is Oscar winning, But in my opinion it is a very dark movie for under ten's, the film is very dark,depressing and somtimes very violent. especially in the first five minuits in the bank raid scene. But, it's a wonderful film.
Andrew, Newcastle, UK
Wonderful, but, everything in the film played second fiddle to an astonishing performance from Heath Ledger. If he'd given this performances in an obscure Scandanavian satire they'd write books about it. Let's hope that "bob, New Jersey" & his ilk do not prevail & the actor is rewarded & remembered.
Paul S Rowlston, Bristol, UK
The film is good, the performances excellent, but it is not without its flaws, mainly involving Two-Face. Eckhart plays the role well but the makeup strays too far from the realism Nolan strives for, and the Dent-Joker-Batman interplay makes the film 30 mins too long for the darker film it is.
Robert Bush, Cambridge, UK
I'm glad the Times have given TDK the score it deserves but as with so many of the broadsheet critics you've done little more than describe the plot and a few scenes. As you rightly mentioned, comic book movies have moved on and I'm afraid so must the critics who review them.
Him, Everywhere,
It's not a kid's film. Not from the bleak characterisation to the dark set pieces. There are many moments that make you gasp not because you have never seen anything of their ilk before but because you never seen anything like it in a supposed child friendly summer blockbuster.
George Verghese, Sutton, United Kingdom
Can't believe all the intellectual posing around what is essentially a cartoon film with some explosions for its core audience of adolescent boys.....Keith ledger, Oscar? do me a favour
bob, New Jersey, USA
I hope when people consider Heath's Joker, they think back to another astonishing, inspired performance in the Bat movies.... Michelle Pfieffer's Catwoman.
Are people so willing to forget that Heath is not to first to transcend the genre?
Alex Green, Northants, England
Burton's films were NOT intended to be camp - people forget that they were shocking in '89 (Look at the cover of Empire #1)...all we had then was 60's Batman.
They look camp now but at the time they most definitely were not - they invented the "12" certificate for it!
J.Wilkes, Gloucestre,
I really wish the comparisons with Jack Nicholson's Joker would stop! The Tim Burton-directed movies were intended to be camp - they are classics in their own right. This is the Batman for today and it's genius...but the Christopher Nolan movies should not be compared to a great movie from 1989.
Melissa, Montgomery, Ala., USA
I have read more than one reviewer who believes that the Joker's scars came from his father. But there is no real evidence of this in the film. He tells different origin stories depending on the moment. The Joker's madness is stronger for us because we don't know where it really comes from.
Fletcher, New York, US