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The latest in an extraordinary run of quality films from Romania, Cristian Mungiu’s outstanding 4 Months, 3 Weeks & 2 Days won the Palme d’Or at Cannes earlier this year. It was the first Palme winner for as long as I can remember to have been greeted with universal approval from the critics, and it’s not hard to see why: this is an exceptional, masterful piece of film-making that combines social realism, political comment and nail-biting tension.
Set in 1987, at the tail end of the Ceausescu regime, the story plays out in a sullen grey-tinged half-light. Complexions are stripped of any hint of health by the sallow glare of sodium lights. The state’s suffocating hold on every aspect of the lives of its populace has resulted in a thriving black market.
Everything is available if you know where to look: soap, shampoo, contraceptive pills, Kent cigarettes (themselves a form of currency) are all dispensed by shady-looking men with holdalls who loiter in foyers and corridors. And, as the pregnant Gabita (played by Laura Vasiliu) and her friend Otilia (Anamaria Marinca) are discovering, there is a black market for abortion as well.
We join the girls in the room they share in a student dormitory. A pair of goldfish float listlessly in a small tank on the table, desultory snowflakes drift past the window. The friends’ preparations for the day include procuring cash and booking a hotel room, but it is not until the film is well underway that we learn what these arrangements are for.
By this point, it has also become clear that it is not sullen, pretty Gabita who is the heart of this film but her smart, unflappable friend Otilia.
It is Otilia who has to coax a room from an openly hostile hotel receptionist, Otilia who has to meet with Mr Bebe, the man who claims that he might be able to "help" her friend. And it is to Otilia’s face that the camera repeatedly returns as the gravity of the deal that Gabita is forced to strike dawns on them both. The repellent Mr Bebe lays out the stark facts along with his makeshift medical equipment. The stakes are high – all three face prison if caught; the risks to Gabita are far worse. The cost of the treatment, says Mr Bebe, secure in the knowledge that the girls have no choice, is more than just money.
The cinematographer Oleg Mutu favours long shots and the kind of framing that places a consumptive-looking vase of artificial flowers in centre shot while the action takes place elsewhere. His instinctive, hand-held camerawork complements the naturalistic performances perfectly. His restraint – particularly in an extraordinary dinner party scene in which a quietly desperate Otilia is clearly fearing the worst for Gabita – is perhaps his greatest talent.
But of all the tools that Cristian Mungui has to work with, it is Marinca’s Otilia who is the most valuable. She’s an incredible young actress who effortlessly carries this remarkable film.
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I think 432 is an excellent film. I remained very impressed by Marincaâs Otilia performance. Congratulations to everybody involved!
Andreas, Bucharest, Romania
At the end of the film, Otilia, a student, has the flick knife and the identity card of a man called "Bebe" who can be both cruel and violent, and yet can speak kindly. She also knows where he lives. 2 years before the revolution, will Bebe meet a violent end too?
RV, Hove, UK
Hope it will win the Oscar for foreign movie.
Gafitescu Daniel, Iasi, Romania
432 isn't the average sunday afternoon type of movie, that you see with your friends while eating popcorn and drinking soda. it is pretty hard to understand what the movie is all about if you haven't experienced life in the pre '89 Romania. i am now 18 years old, and many of the things i have seen in the movie seem strange and distant to me. the world presented in the movie is the perfect illustration of what a comunist regime can do to society. i don't think that the movie is meant to shock, or scare people, but to make them realise the privileges they have, and the better world they live in. it should give each and every one of us a second thought! watch the movie, and think about it!
Mircea, Brasov, Romania
The movie is very well presented by the Times. It is one of the best movies I have ever seen. The coincidence is that I am coming from the same generation with Mr. Mungiu, and I lived the same times in Romania. The movie is a stunning picture of those times. It drags you into the the inside the story and makes you feel the same feelings the main characters had. It dragged me back in time and reminded me about the tension we lived until 1990. After the movie ended, I kept staying and said nothing for couple of minutes. I am not sure how much people who did not live those times in Romania could understand and feel the movie. I do not want to comment the previous opinions.
Horia, Bucharest, Romania
Definitely one of the best movies in Romanian cinema after '89!
432 is realistic, a main differentiation point from all Hollywoodian special-effects box office "masterpieces" :)
People would definitely remain shocked and horrified after seeing it because the drama is not neccessarly about abortion but, it is about the way life can be lived in fear. FEAR of a "greater power", without having an ideea of what FREE is supposed to mean!!!
Moreover, is also about friendship and staying together for better and worse. Lastly it is about confronting your own mistakes and dealing with them..about what maturity means.
432 can be seen as a lesson (and contra-argument) for all those who still believe that totalitarian regimes (especially Comunism) are "good in theory" but people have mistakenly "put them into practice". For those who consider it mediocre I would strongly suggest to think/see it again. Nobody can watch this movie without having cold shivers over her/his spine...I wonder why?
Oana, Cluj-Napoca, Romania
Oh My God! How can you say something like this? People, you are from Romania!
This film is great. The best romanian film i have ever seen. It is very shocking as well...
But...i guess those people from Cannes were wrong, right?
Sunrise, Bucharest, Romania
it's not a movie about abortion...in romania is hardly misunderstood. It's about the process of dehumanisation, it's about the Fear. It's a movie which shows you what a totalitarian regime thinks about a human being. It's a journey of a ordinary woman to hell (and we should not judge, like vatican did, the love of life! and try first to understand ...)
Dan, london, uk
OMG. Please excuse my English from the start.
I am from Romania and the people here don't think at this film like it's a masterpiece.
Come on, everything that's hapening in this movie it's normal and boring (what can be more boring than a girl that it is filmed making an abortion for about the entire film, aprox 80 minutes ) but to the US citizens this look like a SF.
You people are just fascinated because you are impressed by the actions that hapened in 1989 (revolution) and you think that is something incredible, interesting, sad or whatever u think but is not like that.
NORMAL THINGS FOR THE 3rd WORLD = SF for the civilizated countries.
Now Romania is a modern country, not like in '89.
Danutz, Iasi, Romania
this movie is overrated. just try to see beyond the foggy "period piece" mise-en-scene, and you'll have nothing but a drama about mediocre people. not ordinary people. just mediocre. the kind that actually nobody cares about, even if they experience dramas. this is not cinema. before you care about the poor little girls, try to imagine them as your friends. and only then you'll get the idea: they are simply hypocritical mediocre people
cinema, transylvania, transylvania
does anyone know where i could pick this movie up?
MS, sheffield,