Ben Hoyle, Arts Reporter
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An expectant hum filled the Brighton Dome as the thousand-strong audience took their seats for the world premiere of A British Symphony.
They had travelled from all over the country in the hope of hearing something extraordinary from Andrew Gant, the respected composer who is also the Queen’s choirmaster. Instead, they heard it from Barry Wordsworth, the conductor of the Brighton Philharmonic Orchestra (BPO).
Moments before the afternoon’s performance was due to begin he announced that he “did not believe” in the work and it would therefore be hypocritical to perform it. Gant’s patriotic homage to the British Isles had been replaced by Mendelssohn’s Italian Symphony.
Nearly two weeks on from the concert, on February 25, Mr Gant is still mystified by the sudden change of plan. “I haven’t heard a single word from anybody at the orchestra to explain why it was done or offer an apology,” he said yesterday. “I am genuinely baffled.”
Mr Gant has composed numerous orchestral and choral works and is also the organist, choirmaster and composer at the Chapel Royal in London. He was commissioned to write A British Symphony by Rodney Atkinson, the businessman brother of the comedian Rowan Atkinson. At a meeting with Mr Wordsworth in November he played the conductor a piano version of the score and made, he thought, a warm impression. “He said it was extremely exciting and beautiful,” he recalled.
But Mr Wordsworth, who is also the musical director of the BPO, the conductor laureate of the BBC Concert Orchestra and a former musical director of the Royal Ballet, remembers their meeting differently. “I had concerns from the start,” he said. “I thought it was a thoroughly professional job but with no inspiration. I really believe conducting is more than getting the notes in the right order. You have to believe in the work — and I didn’t.”
He discussed his feelings with Ivan Rockey, the general manager of the BPO and Jackie Lythell, the orchestra’s chair, and Mr Gant was informed of the decision to drop his premiere on the Saturday afternoon. By that time, Mr Atkinson and his 20 strong party of guests were already in transit from Northumberland and other parts of the country.
On the day, the decision was greeted with a round of applause, but many of the audience were unhappy. Ann Haig-McVity, a regular at the BPO’s Sunday concerts, said: “This is quite disgraceful.”. The Brighton Philharmonic Orchestra confirmed that a small number of the audience had complained and had the cost of their tickets refunded.

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I'm curious as to why the audience applauded when Wordsworth announced his decision. Do the people in Brighton hate new music that much? Or love Mendelssohn so passionately that another run-through of the Italian gives them shivers? Or perhaps they are un-British! If Wordsworth had just gone ahead and performed the piece it might have vanished without a trace. Now, thanks to Wordsworth's questionable decision, Gant's piece will become a cause celebre and will receive much more attention. So who wins in the end?
Larry Shackley, Columbia, USA / SC
'Integrity ' in this case would have been withdrawing from the performance on first receiving the score. To refuse to play it at the last minute is not integrity, it is ill-mannered in the extreme. To give such a sweeping condemnation of an unheard work, as Madeleine Warren does, is unfair. As with music from any other period, modern music includes both good and bad works. We do not now know into which category Gant's Symphony fits.
FS., Consett, England
If the CEO of a large bank made a decision not to invest in a particular venture on the grounds of integrity, would anyone bat an eyelid, No. We would probably be pleasantly surprised. In this particular case, the music however dreadful will now be aired because of this saga, and no doubt we will turn and thank Mr Wordsworth (a fine English conductor, who has conducted around the world) for his strong decision. I further doubt that Mr Wordsworth promised to play the work. The article implies the whole audience came from far and wide to hear this work, in fact it was only twenty people, the rest of the audience clapped the cancellation announcement and I imagine the orchestra were rather pleased too.
Madeleine Warren, London,
The more I think about this the more unhappy I become.
Reading Andrew Gants own description of his symphony in the programme, it sounds something I would like to have heard. I really cannot imagine how it could be so awful that a last minute cancellation could even be considered.
I believe that the outcome for the BHPS will be very sad. It condemns us to a future of safe works. After all, no composer will trust us with a premiere of his work again!
This is a great shame after the obvious work Ivan has put into securing this premiere for us. This should have been a coup for the society, and a high point of the season, instead it has turned into a farce that will inevitably damage the BHPS.
Mr Wordsworths cry of artistic integrity doesn't run true when you consider that in his role as conductor of the BBC Concert Orchestra he must have been asked to conduct many uninspiring works, but then the BBC probably wouldnt tolerate him throwing his toys out of the pram.
BHPS Friend, Brighton, UK
Contrary to most opinions expressed here, Barry Wordsworth is a very fine conductor, who has often given premieres of new works, and I'm sure the decision was not taken lightly. What is damaging for all concerned is that the decision was not taken much earlier on in the process. The piece must have been available for at least a few weeks prior to the event. Having said that, any piece of music, commisionned by a businessman in 2007 which calls itself "A British Symphony" makes me for one feel slightly ill - even having never heard a note of the piece itself. It might have been fun in 1900 but do any serious composers still write pieces like that?
JW, London,
Barry Wordsworth is like the politicians who only surface to resign. Nobody knew who he was until March 10th. He'll enjoy brief celebrity and then sink back into the anonymity of the Brighton Phil - an orchestra unknown outside of Brighton and largely unknown in it. Here today - gone tomorrow. And to replace anything with Mendelssohn,that most uninspired and banal of composers, sums up the conductors qulaities as well as anything.
eric, Harrogate, uk
Barry Wordsworth talks about his 'artistic integrity'. This is really too precious. It is possible that a work called a 'British Symphony' might be jingoistic but I feel that, having promised to perform it, Wordsworth should have swallowed his artistic integrity for half an hour or so and just got on with it. Writing a symphony is no joke and normally takes 1-2 years, so this would have meant a lot to Gant. Wordsworth may have his artistic integrity intact but he has proved himself to be unprofessional and has treated a fellow musician with nothing less than cruelty.
As for the audience, most of them deserve a good kicking for their support of the bad manners of the conductor.
I heard Mr Rockey speak on Front Row (Radio 4) and his attitude to Mr Gant was one of cold indifference. I could hardly believe my ears.
Gavin Bullock, Winchester, UK
As a conductor and music director I would never reneg on a promise to perform a new work especially on the day of a performance. A committment was made and the work programmed. The audience had paid their money. Even when conducting a work that one may not completely believe in, a conductor still has the obligation to give it his/her best effort. What the conductor may not believe in may turn out to be something that the audience does believe in.
Constantine Kitsopoulos, Chatham, NJ
What is hypocrisy? A third-rate conductor and fourth-rate orchestra refusing to perform second-rate music.
T. Beecham, St Helens,
If I had been in the audience and had gone to the concert specifically to hear the premiere, I'd be considering suing Mr Wordsworth for three hours of my life back.
dw, California,
A disgraceful performance or non-performance. The work was programmed and Wordsworth was programmed to conduct it. His reason for not performing makes no sense. What would have happened when conducting for the Royal ballet if he had decided, for example, that Minkus lacked inspiration and he did not believe in ihis work? Apart from the lack of professionalism and the unkindness to composer, it gives the impression that any safe classic is to be preferred to a new work. It was on the programme until the last moment; let the audience decide. They may well have applauded.
Alexander Bruce, Brighton, East Sussex