Adam Sherwin, Media Correspondent
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Red tape introduced in the 2003 Licensing Act is stifling small-scale gigs and performances, a report commissioned by ministers has found.
A West Country brass band has been told that it could only play religious songs when performing for charity in a town centre – or pay for a licence that could cost more than the band would be able to raise.
A male voice choir cancelled its outdoor performances after being told by the local council to sing religious songs or pay for a “temporary event notice”.
A group of elderly men who regularly sang folk songs in a room above a pub were told that the landlady would need a variation to her premises licence if they were to continue.
The report from the Live Music Forum says that some “perfectly reasonable, harmless” events have been negatively affected by a lack of clarity in the Act.
Feargal Sharkey, the chairman of the forum, said: “Everybody just needs to stop for a second and think – are we trying to build a society where a bunch of elderly gentlemen can’t sit in a room above a pub singing songs to each other without someone telling them they shouldn’t?”
The report says that the Government must intervene to recreate the student rock gig circuit that produced bands such as Pink Floyd and the Smiths. The forum, which reports to the Department for Culture, Media and Sport, found that the most serious difficulties were being felt in the student circuit.
It said: “Since the 1950s the nationwide network of performance facilities provided on and off campus by student unions was an invaluable resource for live music and a fertile breeding ground for lots of artistic talent.” But this network was now “economically, creatively and culturally” in decline, “leaving a visible gap”. The decline that began in the 1980s was hastened by the rise of dance music, which led student unions to replace bands with lucrative DJ club nights.
However, fears that the number of concerts would be halved under the new regime proved unfounded. Overall, the forum found that the Licensing Act has had a “neutral effect” on the live music scene. The new laws have delivered benefits, such as the removal of a separate fee for live music and the need to renew licences annually.

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This government is deservedly in a pit of unpopularity. The imposition of a mass of petty legislation, vindictively applied, will cause its downfall as surely as the more high profile legislative and administrative idiocy that has dominated recent headlines.
BP, Somerton, Somerset, UK
Brian Parker, Somerton, Somerset
Recent legislation introduced by this Government means that a licensee who allows their customers to smoke will now face a £2,000 fine.
When a licensee who allows a customer to sing without Entertainment Permission could still face a £20, 000 fine or six months in prison.
Roger Gall, Portland , Dorset
My Council's officers have advised that customers making acoustic music in a pub for their own enjoyment can only be legal with entertainment permission.
They insist that the exemption provided in the new law for live music that is incidental will not apply in this case. They insist that in order to qualify, the live music cannot have any audience, cannot be advertised, cannot take place on a regular basis and cannot be amplified.
All of which these unelected employees are simply making up. As the example of incidental live music provided in the Act's Guidance - that of music used in a performance of stand-up comedy - would be made illegal in Weymouth and Portland by this interpretation.
Even if it were true that the Act has had a largely nuetral affect - this was not what was promised. Which was an explosion of live music.
The question is not if but when, all the recommendations made by the body set up by this Government, will be implemented by this Government.
Roger Gall, Portland , Dorset
I'm a few miles over the border in Scotland, and I've helped run a Friday night pub session for 10 years. It's moved from pub to pub, been traditional, gone electronic, helped youngsters hone skills to take them on to university folk music degrees and professional careers. Right now live, acoustic or 'personally amplified' music is more popular than ever here. A second pub session has started, a couple of dozen good musicians and singers have emerged, local organisations call us to perform at functions, every town festival features local live music - and it's all done without red tape.
Of course the English/Welsh leglislation would never be possible in Scotland as every piped-in haggis would need a licence. Gordon Brown will know that well enough! We should stop propagating stereotypes, too - 'elderly men' are not the only ones who sing familiar old songs in pubs. We've got elderly men who do Nirvana covers and teenagers who do 17th century ballads. Blame internet for that.
David Kilpatrick, Kelso, Scotland
The kind of government that takes no notice of what people suggested to them.
The government has just issued its third set of guidelines to the Act. These do not have any validity in law - it is what the act says that matters. They have never define incidental music (i.e. music that is incidental the main activity being carried on at the time.
If the main activity of the pub is selling beer and someone comes in and playing a guitar the only way to see if this is incidental is to go to court.
What a load of round spherical objects.
Rober Carlisle, Sheffield, UK
i agree with Gill how is this worth any attention. Why cant the government and local authorities just mind their own business. Still at least they can hire some more 'inspectors'.
chris, Wirral,
Some years ago I found myself in a pub on Anglesey on a Sunday evening. A group of men gathered around the piano and started to sing hymns in Welsh, and some of us who knew the English equivalents joined in.
Under the 2003 Licensing Act, this would presumably now be a criminal event. What kind of government could frame such indefensible legislation, or work so hard at creating crimes where no-one has done anything wrong?
Gill, Southampton, UK