Simon Price
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On Saturday, July 7, central Minneapolis was thrown into chaos. A Prince concert at the 19,000-seat Target Centre was due to start at 8.30pm, but something was wrong. At the appointed hour the doors to the venue remained locked, resulting in thousands of confused fans milling around and spilling across First Avenue North, forcing police to set up a roadblock. It wouldn’t be the only time that night that Prince and the police would interact.
The patience of ticket-holders was rewarded, though. Finally taking the stage at 10pm, the local hero – reunited with his Revolution bandmates Wendy Melvoin and Sheila E – played an epic set that didn’t end till half past midnight, whereupon he decamped to the First Avenue nightclub (location of the live scenes in his film Purple Rain) and played one of his famous after-hours shows.
At 2.45am, 70 minutes into a planned 24-song set, Prince announced: “The authorities say we gotta go,” having received word from the police – who were by now massed outside on horseback – that he really had to wrap things up. “We always listen to the authorities,” he said with a sarcastic smile. “I promise I’ll be back.”
Of course one might expect a show from the Midwest city’s most famous son to cause a degree of excitement. What one might not expect is for the return of an artist whose commercial peak was more than 20 years ago to be causing a similar buzz halfway around the world in London (where he is about to begin a 21-date residency at the 0 Arena). But then, Prince Rogers Nelson has always been a bit different.
When Lenny Waronker, of Warner Brothers, signed the prodigiously talented teenager in 1977, Prince’s difference wasn’t immediately apparent. The doe-eyed youth’s 1978 debut For You, and its 1979 follow-up Prince, were dominated by standard soul balladry and lightweight pop-funk (with the prophetic exception of Bambi, a frazzled rock-out in which he pleads with a lesbian that “It’s better with a man”). During the last days of disco the sanity of investing in what appeared to be just another Rick James must have appeared highly questionable. But as the 1980s arrived, Warners’ faith was repaid.
On the Dirty Mind album in 1980 he stepped out from the shadows of his predecessors and emerged with a distinct persona: a sexually ambiguous Casanova in a Napoleonic trenchcoat and a pencil moustache, who lusted after everyone, including his own sister. Crucially, his influences were now coming from outside black music, and the subsequent albums Controversy and 1999 mixed funk with elements of new wave and synthpop to increasingly popular effect. The skinny kid with the high voice, it became clear, possessed a chameleon-like charisma and a mercurial musical genius.
It was the release of the quasi-biopic Purple Rain in 1984, and the record-breaking soundtrack album, that really catapulted Prince into the big league. Now dressing as a Regency dandy, the 25-year-old star completed his fusion of rock and funk: he was equal parts Jimi and Joni, Bowie and Brown.
This was when Britain first took notice. Hearing When Doves Cry on the radio for the first time was my personal JFK moment: I can remember exactly where I was standing. It sounded like nothing I’d heard before, music from a different universe (he achieved that other-worldly effect with the masterstroke of taking off the bassline). From that moment I was obsessed, and started dressing in musketeer shirts and jewellery, refusing to accept the reality that I was a freckly Welsh teenager with a Young Person’s Railcard, not a supercool African/Italian guy with a purple motorbike.
By now, Prince had created a sphinx-like mystique, refusing all interviews. It was a textbook example of enigma-building: the more he kept the public at bay, the more he fascinated us. That said, his appearance at the 1985 Brit Awards, when he was escorted to the stage by his bodyguard Chick Huntsberry and shyly mumbled “God loves you” before disappearing, caused more titters than ticker-tape.
Prince became – alongside Madonna and Michael Jackson – one of the decade’s triumvirate of titans. Unlike the other two, however, he was a genuine auteur: every word and note was written and, rumour has it, played, by him. But it didn’t take long for Prince’s now-famous perversity to become evident. His follow-up album Around the World in a Daywas a whimsical psychedelic folly, and in relative terms it bombed. However, he had smartly invested the Purple Rain millions in his own studio complex, Paisley Park. Increasingly, Prince was an autonomous entity.
For his next trick he made another, far less successful movie, Under the Cherry Moon (in which he played a gigolo on the Côte d’Azur), but the accompanying album, Parade, was buoyed by the extraordinary single Kiss, an effortlessly infectious slice of funk-pop with a bizarre falsetto vocal.
Nevertheless, Warners were worried. When he told them that he was ditching the name Prince and had recorded a whole album under the androgynous identity of “Camille”, a representative visited Paisley Park to tell him in no uncertain terms to snap out of it and deliver a proper Prince record.
The result was Prince’s masterpiece, Sign o’ the Times in 1987. For the next few years, he obediently played by the book, with the patchy-but-popular Batman soundtrack, the utopian Lovesexy, a third movie/ album Graffiti Bridge (his first real turkey) and the super-saucy Diamonds and Pearls.
It was on the legendary Lovesexy tour that I first saw him live, in the round at Wembley, and at the top of his game, arriving on a hydraulic Cadillac, playing guitar on a child’s swing, and shooting a basketball through a hoop first time. Was there anything Prince couldn’t do?
As his record sales tailed off, his popularity as a live performer never did. You learned the drill: turn up to the big arena show, but keep your ear to the ground and listen out for the afterparty. Across town in a club or a theatre or a warehouse, Prince would saunter onstage at stupid o’clock and play an informal, secret show for the hard core. He’s still doing it: I recently saw him at Koko in Camden, dragging fans onstage and diving into the crowd, belying his image as a stand-offish superstar.
In 1995, however, something snapped. Partly to spite the record company and partly in honour of his amorphous, quasi-religious personal philosophy, he ditched his name and replaced it with a logo (a baroque blend of the male and female symbols), although the media settled on The Artist Formerly Known As Prince. Throughout the 1990s, as his popularity plummeted, Prince’s relationship with his label became increasingly strained, and he was frequently seen with the word “slave” eyelinered on his cheek (or, on a French television show, “evals”, until he noticed his mistake and stomped off after one song).
Eventually wriggling free from Warner, he released records direct to fans via his own NPG label, making use of the internet years before the industry had recognised its potential. In 1996 he married the backing singer Mayte Garcia. The couple’s first child died shortly after birth from the rare Pfeiffer syndrome, and Prince understandably withdrew even further from the public eye. The public eye, in any case, was looking elsewhere. The 1990s was the decade of Britpop roundheads. An unrepentant cavalier such as Prince – flamboyant, not remotely down-to-earth – was out of step with the times.
Meanwhile, the religious undercurrent came to the fore as he became a Jehovah’s Witness, and paced the streets of Minnesota with his bassist (and Sly & the Family Stone legend) Larry Graham, knocking on doors. One can only imagine the expressions on the faces of homeowners on seeing an Eighties pop icon on their doorstep, copies of Watchtower under his arm.
His decade in the wilderness came to an end in 2002, when – under the name Prince once more – he played a series of shows entitled One Night Alone, reminding the world that he’s a master showman who, even in his late forties, can carry off splits, slides and pirouettes that would trouble a 20-year-old.
Simultaneously, the tide of fashion has turned in Prince’s direction. Flamboyance is no longer a crime, and his sound has dated extremely well. Pharrell Williams, the falsetto-voiced N*E*R*D leader, has proclaimed Prince a genius, Andre 3000 of Outkast, who have achieved the Princelike feat of making groundbreaking, original music immensely popular, agrees, and Noughties acts such as Hot Chip and Justin Timberlake have all paid him the sincerest form of flattery.
And suddenly, in 2007, Prince is big news again. The momentum behind his latest comeback started with a blistering half-time show at the Superbowl. An entire nation who had forgotten what a star they had under their noses, remembered. A few also noticed, and complained about, a “rude looking-shadow” cast by Prince and his custom-made guitar.Then, having announced his unprecedented London residency, he first promised to include a copy of his new album Planet Earth in the £31.21 ticket price, then gave it away with a national newspaper, causing a furore among retailers and record labels, who threatened that he would now become “the artist formerly stocked in our shops”.
As if he should care: a millionaire many times over, he is a smart businessman. He even has his own perfume. One hopes it will fare better than the ill-fated New Power Generation shop he opened in Camden, where I was enough of a sucker to buy overpriced candle holders and earrings, but few others were.
In any case, while Prince can be accused of many things, diminishing the value of music is not one of them. We should enjoy him while we can. At the press conference for 21 Nights in London, the diminutive deity announced that he intended to take time off from music to concentrate on studying “the prophets in the Bible” (raising titters from the press pack, and prompting him to cut short the Q&A in irritation).
The 21 Nights will, we are told, be the last time he performs his hits live, and as every Prince fan – hard-core or dilettante – knows, a pure hits show would be incendiary.
That’s got to be worth a few road-blocks.
— Prince plays the 02 Arena from Wed until Sep 21. www.3121.com

The Prince of cool
Dirty Mind Never mind the funktastic tunes or pervy lyrics. Just clock the cover!
Purple Rain Making a biopic when most of the world hasn’t heard of you takes balls.
Kiss He twirls like Travolta, squeals like a girl, and somehow still sounds cool.
Gett Off Filth has never sounded so funky

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oh my god i waited 21 years to se him!!!! fantastic!!!! he rocks my world, when i could eventually stop crying it was th emost over whelming thing i have ever seen!!!!! went the aftershow party got to the front of the stage for my personal use took some videos of him, oh my he touches my phone!!!! i love him so much!!!!! he is the master of funk!!!!! he changed my life!!!!1 both nights i want he performed as if it was is last!!!!!!!!! i love you P !!!!! xxxxx
danielle, liverpool,
he is still the king of my npg!thanx!measrtro!ikeep one faling in love whit his music!
nickie, gouda, netherlends
Loved sat night's concert, and the vibe in the audience was infectious even before it started!! My 2nd Prince concert, and he is one hell of a showman/ musician, even if you can't appreciate his music.
Pity about the so-called "dancers", the twins- they really showed up against the professionalism and class of the band. Do they really think the splits and a few backbends make a dancer?
susanne Bentley, Brussels,
i have an obsession with this man!!
kate, oxford, uk
I went to 7th August show, i thought it was fanatastic but i'm a hrad-core prince fam, i've seen him twice before i thought he was brilliant!!!
He played nearly one song from his released albums over the years!!! Managed to get aftershow tickets as well, and the gut told us there was NO guarentee he would show up but 4 £25 i'd rather take that chance!!!
Anyway 5 songs into this cool band playing, he walked on stage and was in such a great mood had us all jumping up, clapping it was great!! I even touched his hand TWICE!!! Still on my prince high I loved every minute of it, especially the aftershow, but his aftershows are more famous than his main shows anyway!!!!
Jenny, Wigan, UK
The August 11 show at the O2 was my first ever Prince live show and it definitely was not a disappointment despite the bad sound on the arena floor (the sound fas far better during the O2 opening night's Bon Jovi gig). Although I can't call myself a hard-core Prince fan (addmittedly, I didn't know about half of the songs he played), the energy the band and Prince put into the show was undoubtedly infectious. Perhaps the only damper on the night was the encore set that came after prolonged stomping and screaming by the audience and consisted of short "preview" snippets of Prince's hit songs. I ended up feeling a bit like a kid who's teased with candy but is not given any in the end. The show lacked a closure, but maybe leaving it with a kind of "to be continued..." instead of a full-stop is just another cliff-hanger a la Prince. After all, there are still more gigs to be played at O2. All in all, it was a good time worth the 31.21 ticket price for seats within 10 strides from the stage.
Jade, Luxembourg, Luxembourg
We were there on Saturday the 11th and were vastly disappointed. The sound system was terrible but I won't try and pin that one on Prince.
What I wil pin on him is playing 30 second samples of songs, if that's what I wanted I would have stayed at home and had a quick browse through the itunes music store. Maceo might be a decent saxophonist but he isn't Prince and it's Prince we went to see.
At the end of evening two things struck me, one was the fact that he thought that the audinece would find entertainment in being driven to booing a guy they had spent a lot of time and money on whether it be playful booing or not as was the case with us and plenty of people around us. The second was the hundreds of people who, like us, decided to leave early.
And this from a guy who even bought the Batman album!
Alan Chambers, Brighton, East Sussex
The US were reminded at the Superbowl whilst the UK had the unforgettable 'blow everyone else into oblivion' at The Brits in Feb 06. Excitement was high for the first night on Aug 1 and if you were thinking that 12 minutes was all that he was likely to be that good for, think again. Two and a half hours of absolute perfection. Start off with a ten minute Purple Rain with a guitar solo to match the world's greats and then five minutes later have the whole 20000 arena acting as if they are all 20 again in the Ministry of Sound. It can't get any better than this and then it does on numerous occasions. Everything in time with the beat and then houselights on ( not sure if by mistake ) and he's back striding through the crowd for another 15 mins.
Reports coming in a few days later that he plays piano like Mozart (as if guitar like Hendrix wasn't enough) and then where is he at one of the aftershows.............behind the drum kit of course!
Having seen some legends, NO ONE CAN TOUCH HIM.
Phil, BRISTOL, UK
Prince is the best in music history..... There is NO other artist like him. I have seen about 5 shows,as an adult. My very first show was in Washington DC @ The Capitol Ballroom with my husband who liked Prince but, not like me. After that show he knew that Prince is and always will be the greatest artist every. Keep doing what your doing... We love you in DC
maria, leesburg, VA
I saw Prince in 1990 and 17 years later was lucky enough to see his opening nite at the O2.Wow what a brilliant performance yet again and he doesn't look a day older!! I was thrilled he began his set with the awesome "Purple Rain" and was so glad i didn't leave when all the band had gone and the lights came on cos he suddenley appeared from nowhere and took to the stage alone to play "little red corvette" and "sometimes it snows in april".Only wish i could go to all 21 nights he is a true genius.Prince all i can say is "Nothing Compares To U"!!!
tracey, Littlehampton, west sussex
Forget what the media would have us believe about Prince. He is possibly the most talented showman of this century. Forget all the hype... just listen to the music. I saw the movie Purple Rain at 15 years old and have been captivated ever since, thats 21 years ago and i've never been disappointed with a new Prince release. Even the lesser known such as 'Rave unto the Joy Fantastic' all have his dinstinctive sound that cannot be replicated or faked.
The fact he keeps his concert ticket prices at an affordable price shows he does actually care that the people who have supported him, his fans, can still get to see him perform live.
I for 1 will be there in London on Saturday and in awe of his talent as always!!
Lynda Eckersley, Loughborough, UK
Prince is unparalleled in his all-around talent of musician, lyricist , vocalist. There may be some talents that equal his one of the areas, but nowhere does it arrive at such a confluence as it does in Prince. One of the comments put Michael Jackson on equal footing, au contraire. Another comment attempted to marginalize hm by "just attribute it to an atavism that we have come to expect from certain White music writers" and "your article was a pretty OK appreciation of a great R and B talent". He can't be mimimized. He is the Best.
Gerry M. , Chicago,
Peter, thank you for your 'pretty-OK' reply, but put your hands down. I do not underrate the first two Prince albums. They contain some glorious moments (in particular, "I Wanna Be Your Lover", "I Feel For You", "Bambi", hmmm, all on the second album). But they are decent genre albums, nothing more, nothing less, and if he'd continued in that vein, he would be remembered as a mere genre artist, a johnny-come-lately, a footnote to history. I think the greatest proof of my argument is that Prince himself clearly agreed, because he did what he did from Dirty Mind onwards. He is now as likely to namecheck Gustav Mahler as James Brown, as likely to draw upon Joni Mitchell as Sly And The Family Stone, which is why he is so often able to come up with the mindblowing and the utterly unexpected. He's a lateral, unconventional thinker, which is a major constituent of genius. (Oh, and you say "snigger and condescend", I say "have a sense of humour", let's call the whole thing off.) Yours, Simon
Simon Price, London,
Your observation that Prince's artistic flowering was only possible after he "crucially" became influenced by elements "outside Black music" is factually wrong- indeed, it is wrong in so many ways that I must throw my hands up ("774 characters left") and just attribute it to an atavism that we have come to expect from certain White music writers. And you undervalue his first two albums. Lightweight pop- funk, indeed: How about "Sexy Dancer", and his Herbie- Hancock influenced piano solo, or "I Wanna Be Your Lover", and its classic guitar solo? And the hard grooves throughout those earlier albums? Thank God "new- wave" and "synth pop" came along to save him...
Still, your article was a pretty OK appreciation of a great R and B talent, even if you could not resist the temptation to snigger and condescend. London is fortunate to have him; enjoy.
peter, new york, new york
what an awesome
psyvie, seoul, skorea
Businessman my ass: the regular ticket sale started May 11th. Tickets were sold by Ticketmaster as âbest availableâ on a first come first served basis. Ticketmaster claimed a sell out in the media soon after but went on selling considerable amounts of tickets bit by bit for several of the 21 London concerts which often turned out to be better than the tickets sold at the start of the sale cumulating in a widespread notice that new tickets for the concerts would go on sale on Sunday July 15th. Ticketmaster sold ânewâ tickets for all concerts from that day on. The seats were much better than many fans and regular concert goers had been buying earlier as âbest availableâ. On the 20th of July Princeâs official website made it possible to obtain tickets at Ticketmaster even closer to the stage, also for the regular price, after registering at his site for free. Many fans bought new tickets for the 2nd or 3rd time. See: http://www.prince.org/msg/12/236224
Bob, Voorschoten, Netherlands
Prince is a genius, and I can't wait to see him in concert next month, as I grew up with his music in the 1980.
But I have to say, this 1980's Prince, Michael Jackson & Madonna triumvirate is rubbish. For a start, although not every song on Michael Jackson's albums are written by him, half or most of them are.
Most of MJ's classic songs are written by him without collaboration, and he co-produces and produces nearly everyone all of the songs he writes. This makes Michael Jackson just as much an auteur as Prince. Madonna's not a genius, she has no raw natural talent is isn't in the same league as Michael Jackson and Prince. Also growing up in the 1980's no one was anywhere bear as big as Michael Jackson.
I'm so happy Prince is playing the O2, and it will teach people what really talent is after the media hype up an average talent like Justin Timberlake. No new artists will ever fill the void of Michael Jackson & Prince. And Madonna is just their support act !!!
Ben Scarr, London, UK
How refreshing, in a world full of Pop Idol this- X-Factor that, to see once again the real, true talent of a musical genius like Prince.
His enthusiasm is infectious, his musical genre appealingly varied, and to watch his live performance is what the word awesome was made for.
Wannabe celebrities and gossip mags prick up your ears - this is REAL entertainment!
Anney Sparkle, Manchester, UK
Prince is an enigmatic and eclectic person. He is very religious and he's a vegetarian for moral reasons. He's a dynamic guitarist and his music combines funk, r&b, soul, rock, pop and hip-hop. My favorite CD was the three disc "Emancipation" released in 1997. Like David Bowie, Prince has a vast vocal range (high to very low).
Brien Comerford, Glenview, United States
Most lyric writers, music writers, musicians, singers, dancers are blown out of the water by this man.
Dont forget he has a heck of a sense of humour going on also. Ive seen him live many times, the best of which are unforgettable, the worst, er , dont remember.
Hope he paints teh town purple. I couldnt get a ticket. too bad.
A Woodentop, london, Uk
Great article Simon, perfect set piece for the forthcoming 21 nights. No doubt we'll see you at some of the shows.. here's to re-living the feeling of every live Prince performance: the Ultimate Live Experience!
Omar, London, UK
Your observation that Prince's artistic flowering was only possible after he "crucially" became influenced by elements "outside Black music" is factually wrong- indeed, it is wrong in so many ways that I must throw my hands up ("774 characters left") and just attribute it to an atavism that we have come to expect from certain White music writers. And you undervalue his first two albums. Lightweight pop- funk, indeed: How about "Sexy Dancer", and his Herbie- Hancock influenced piano solo, or "I Wanna Be Your Lover", and its classic guitar solo? And the hard grooves throughout those earlier albums? Thank God "new- wave" and "synth pop" came along to save him...
Still, your article was a pretty OK appreciation of a great R and B talent, even if you could not resist the temptation to snigger and condescend. London is fortunate to have him; enjoy.
butchbond, new york, new york
Yes, the press would titter at mention of religion or spiritual aspirations, wouldn't they?
Such a pity some of them aren't joining Prince in his future studies, it might make them less bigoted.
Anthony of Brougham St, Sydney,
Well, then you also forgotten the hypnotic beat and lyrics of ''Baby I'm a Star'' with the fantabulous line, ''take a picture honey, I ain't got time to wait''
Loved it.
Colin Bowley, London, UK