Adam Sherwin, Media Correspondent
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It was supposed to be Amy Winehouse’s night, but the Mercury Music Prize produced a surprise winner when the “nu rave” band Klaxons took the Album of the Year award.
The audience had been enraptured by an acoustic performance from Winehouse, returning to the stage after lurid allegations of drug abuse. But her million-selling Back to Black album lost out to the London group who are influenced by the sci-fi author, J. G. Ballard, and mix highenergy rock, indie and dance music.
The judges hailed their debut album Myths of the Near Future, saying: “Rock meets pop meets dance — the Klaxons take us on an ecstatic musical adventure.” The album reached number two in the UK charts and produced the hit singles Golden Skans and It’s Not Over Yet.
Fans turn up at Klaxons gigs wearing neon T-shirts and waving glo sticks. They have only been together for two years after meeting at the Glastonbury Festival.
James Righton, the keyboard player, whooped with joy when he accepted the award, which caused gasps among the industry crowd. He said: “This means so much to us. Last year we were recording the album and watched Arctic Monkeys take this award. We are the band pushing music’s foundations.
“I think the front cover best describes the record. It’s a collage of different ideas squeezed into 37 minutes. It’s a weird pop record that’s not about a place or a girl or a nine-to-five job. We just write escapist, melodic pop about the things which aren’t usually seen in the pop genre.”
Conor McNicholas, NME Editor and Mercury judge, said: “It is an album that could only have been made in the UK and could only have been made this year. But it is a record which will stand the test of time.
“It is a pop record with wide influences from science fiction to literature. There were passionate discussions in the judges’ room but this was a unanimous choice.”
The NME has seized on the “nu rave” theme, which has brought a new audience of teenage concertgoers to gigs. Klaxons are heavily influenced by the early Nineties rave theme and have adopted its multi-coloured dress and pounding electronic rhythms.
The judges decided to recognise an album that had been critically acclaimed rather than add another prize to Amy Winehouse’s straining mantelpiece.
The Nationwide Mercury prize is worth £20,000 to the winner but will generate greater value in album sales for the surprise winners.

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I love the Klaxons and Amy Winehouse would be better if she didn't sing in that faux American accent. Also the Mercury prize people pride themselves on going for the unexpected winner. The Arctic Monkeys were the exception to the rule.
B.A Blake, Leeds,
Amy is, without doubt, the most talented person in music today! Her performance at the ceremony established this further. However, the prize is awarded on the merit of the album alone and not the artist's ability. In The Klaxons' words, she has made a retrospective album using Northern Soul and Blues as a basis and The Klaxons have pushed the envelope with 'Myths..'. Amy's album 'Frank' is a far superior record to 'Back To Black' and should have won in 2004 over Franz Ferdinand, and will definitely stand the test of time as a stunning debut!
Bat For Lashes is a good album, but wears it's influences too much on it's sleeve. Dizzee and Arctics haven't done anything new from their last entries. I personally think Jamie T made the most forward thinking and cohesive album of the selection and should have won.
Daniel, Hornchurch, UK
Travesty...musically they were the least engaging of the 12 finalists.
M McGregor, Tunbridge Wells, Kent
someone call the police, bat for lashes've been roobed
paul, maidenhead,
Amy Winehouse should have got the prize. The Klaxon's? Dear, dear, I smell a compromise winner.
Kevin, Belfast,
The klaxons are not really in the same league as Amy, I don't think we need to even vote about that. The judges should be sacked; or was there another reason for selecting klaxons? And why did Jules push Amy off stage before she had a chance to say anything?
James, Penzance, UK
âIt is a pop record with wide influences from science fiction to literature."
So aren't science fiction and literature the same things anymore then?
Bianca Summons, Maidenhead,