Michael Bracewell
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From their earliest moments of public recognition, Roxy Music stood for an assertion of exclusivity – a conjuring of la vie deluxe, inculcated by a bravura use of style. Achieving fame within the pop mainstream almost immediately, Roxy Music became, as the band’s creator Bryan Ferry would observe in 1975, “above all… a state of mind”.
This was a dream which had begun for Ferry during his earliest adolescence, and which would possess him throughout his career as a student of fine art at Newcastle University. On moving to London in 1969, Ferry would spend his first night in the capital sleeping on the floor of David Hockney’s studio in Notting Hill – a temporary abode which neatly summarised his determination to combine his passion for art with his equal obsession with pop music.
For the son of a former colliery worker from the small mining town of Washington, County Durham, the creation of Roxy Music – that most glamorous of groups – would be an astonishing achievement. But the attainment of Ferry’s dream would also describe, as fable almost, the epic subcultural journey from England’s austerity years of the Fifties (in all their rationed, damp, colourless depression) to the extravagant nostalgia for the elegance of the Twenties that would become a high-fashion cult during the early Seventies.
Bryan Ferry: “When my parents were first married they lived in a farmhouse; and there was a hill nearby called Penshaw Hill. On top of the hill was a local landmark – a Greek monument built for the first Earl of Durham. This was where my father was brought up; and his family had farmed on the sides of the hill. Years later, when I showed this place to Antony Price [the legendary fashion designer who would style much of Roxy Music’s glamorous image], he said, ‘Now I know why you’re so interested in visual things: it’s because of that monument.’
“And it seemed to me like a symbol, that monument – representing art, and another life, away from the coal fields and the hard Northeastern environment; it seemed to represent something from another civilization, that was much finer...
“My childhood took place in Washington, which at the time was a small pit village in County Durham. It stands about five miles from Sunderland, and five miles from Newcastle, and a few miles from Durham as well – so it’s in the triangle between those three cities. It was a typical pit village, in as much as there was a small pocket of quite heavy industry surrounded by very rich farmland; and then there’d be another village which had its own pit, and maybe a factory – and then more farmland. So it was quite strange, with the combination of being close to the countryside, yet in this very tough working environment as well.
“When I was a boy, I had a paper round, and so I used to read The Melody Maker before I put it through someone’s letterbox. I dragged my uncle Bryan off to see the Chris Barber Band at Newcastle City Hall; and then, when I got a little braver, I started to go into town to see concerts on my own. I would be dressed in a white trenchcoat – at the age of 12. I would probably have seen the adverts for Strand cigarettes; I was very interested in style...
“My sisters and I would sit in the cinema and watch any old rubbish. I started going to the pictures early on – even when I was at junior school. My dad had an allotment where he grew his vegetables, and that was right next door to the cinema – the Carlton. It was a local flea-pit really, but it was my Cinema Paradiso from a very early age, because my mother used to make tea for the projectionist – cakes and scones and sandwiches. So he got these free teas, and we got free tickets. There were wooden benches that you sat on...
“Of course, when you got old enough to have a girlfriend, or to go on a date, the only thing you did was take her to the pictures. But that was in the high street of Washington, where there were two cinemas – which were bigger, and had proper velveteen seats rather than benches. One was called the Regal, and the other the Ritz. None of them are there now. When I went to university I would go to the cinema club, which is where I became aware of cinema classics and film-as-art – all that kind of thing. Up until then it was film-as-entertainment. That was all you did – you didn’t have television. We got one in 1955 when Newcastle were in the Cup, but so did everyone in Newcastle. We were very poor, you see... So I think it’s fair to say that Roxy Music, from my point of view, would be the reverse of this background.”
In 1953, the artist Richard Hamilton – now widely credited with conceiving Pop Art – was appointed to the post of “teacher of basic design”, at what was then known, confusingly, as the King Edward VII School of Art, within King’s College, University of Durham at Newcastle-upon-Tyne. His arrival would mark the beginning of an era, inaugurating a chain of events and a gathering of participants that would include, 20 years and many fortuitous encounters later, the creation by Bryan Ferry – who would study fine art at Newcastle between 1964 and 1968 – of Roxy Music.
The line connecting Richard Hamilton’s appointment to Newcastle and Ferry’s realisation of his own pop vision is drawn between a complex but distinct configuration of points. What emerges from its tracery are various semi-casual cenacles, comprising networks of art-student friendships forged across the Sixties. The tenets of these would splice artistic enquiry with bedsit Bohemianism, and a devotion to the shrines of pop music and personal style. And one defining consequence of such a lifestyle – however buoyed up by more traditional undergraduate pursuits – would be an inclination to balance the creative possibilities opened up by an education in fine art, against the conscious honing of a pose.

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...and Bryan Ferry er, danced what was left of the night away. A remarkable gig at a fabulous club that gave me 11 years of free access to the best bands in the world...including Derek & The Dominoes.
Matt Watkinson, Scarborough, UK
I was at Scarbrough Tech from 1970- 72. Saw many great bands at the Penthouse, but seeing Bryan Ferry and the then fledgling Roxy Music has stuck in my mind forever where the memories of others (Nazareth, Yes, Urian Heep et al) have faded the Roxy has remained strong. Stylish and accomplished they were fantastic that night, the memory is amazingly clear even now. Wouldn't have missed it for the world we knew we were listening and seeing something fantastic, as has been proved by the longevity of the music.
Sylvie Buckinghamshire UK
Sylvia Smith, Amersham, Buckinghamshire
with a lot mmmh millons of fans out there thankyou roxy 4 the music is there a film maker out there hello wouldnt it be a great move of mr (sir)ferry if someone made a movie of his life mind u it would b a classic the title would be called ' the teacher 2 roxymania'the greatest years doez any one agree with me give me feed backs thank u roxys no 1 scottish fan allways
doddy, perth aussie, w.a
I believe that Roxy's original bassist was Mike Figgis, the filmmaker.
John Lee, Los Angeles, USA
The most influential band from England ever!
I am 46 and often have the chance at parties and so on to play some Roxy for younger people. They can never quite believe that some of the early Roxy stuff is actually from the seventies.
The eighties albums have'nt aged either. Like most Roxy fans
I have lost count of the number of bands over the years and some still around today where you can here the Roxy influence.
I am eagerly anticipating a new album. I have seen Roxy live in the seventies eighties and in 2001. I have also seen Bryan Ferry's solo tours on 6 occasions. The guy just keeps getting better. I hope I look that good at 52 never mind 62. Keep on going Bryan the most stylish man in the world!!
Steve, Bristol.
Stephen Bamber, Bristol, England
I have been a massive fan of Roxy since 1972 and my teenage years were influenced by their music and style .I rate the first four albums as their best. What intrigued me about them initially was having an oboeist/ saxophonist in the line-up which was unheard of in those days. As a classical percussionist myself, I really liked the intricate layers of harmony and tone colour in their music which made it totally different to anything else at the time.
I have been fortunate to see the band live many times along with Bryan's solo tours and the 801 tour. I have met Bryan ( twice this year alone ) and Phil and Paul. They are all absolutely charming.
I agree with other comment above that they have been overlooked in the history of pop music but the fact that they are still making music 35 years on is testimony to their artistry and talent.
Can't wait for the new album !!
Sue Whitling, Newbury,
I first heard of them in either '71 or '72 when a friend and myself were in a boarding house in Scarborough.We got talking to the daughter of the owners who said she had just seen a band called Roxy Music at Scarborough Penthouse,and she was very impressed.
Steve, Varna,
Most people know Roxy in the 80`s but I think their most original work was in the 70`s . Remake Remodel is still an amazing pop song .
Andrew, Paris, France
Please let Bryan Ferry know that I have one of his paintings he did as an
art student at Newcastle Fine Art Dept, and when he is next in Paris
I would be glad to show it to him.... I was given the painting by his
tutor Martin Bedford.....I described the painting to Moira Kelly who was in the same year as him and she said that it fitted the description of the type of paintings he did....
G.H. Paris
G. Hubp, Paris , France
So very under-rated!First band I ever saw;fabulous...and they rocked,big-time.Everyone should own those first four albums.
neale floyd, Darlington, England
Style leaders extrodanaire. Seen them every tour they have done. The early stuff is still the best for me. "For Your Pleasure" is an immense album.
My early love life in the 70's owed a lot to them.
Chris, Swindon, England
I was touched by Roxy music in the mid 80's, by their style, their dress, thier music, of which their later music gave a suave, sophisticated back drop to my nights out and of course dating.
Their music and later Bryan's (solo career), still pushes all the right buttons today. I have only seen him once in concerts a few years ago in Oxford, but it was only for 15 mins as he went of stage sick!.
Mike, Oxford
mike, oxford, U.K
I have always admired the group of men called Roxy Music, their music and the style with which they deliver. Makes the world a more beautiful place. Not enough true beauty around and Roxy Music are still the suave leaders. Greatly anticipating the new work, and looking forward to seeing Bryan Ferry in concert in Australia. Roxy Music ROCK, and will always do it for me.
Carla, Geelong, Australia
The first Roxy record I bought was "Dance Away" in 1979, I was 11 years old. It had a profound affect on me and over the years I've collected the entire Ferry/Roxy catalogue. Strangely, the importance of Ferry's contribution to pop culture is relatively understated. I love Ferry and Roxy Music dearly, and I was fortunate to meet Bryan in 1999 buying some Billie Holiday discs in a record shop I worked in at the time.
He was gracious, very pleasant, totally unpretentious and as always impeccably dressed and stylish. After asking me where I was from (Abergele- Nth Wales) He told me that the cover for "Siren" was shot in Holyhead, North Wales........who knew?
Thankyou for the music Bryan.
Dean Davies, Port Colborne, Ontario, Canada
I have been a huge fan of Bryan Ferry &Roxy Music for 28 years they have inpired those that have followed them as fans and those as pop artists /bands who took insiration throught out the years from their music they have gone strength to strenght in the music business even thought they have their own solo careers they still remain very popular to their fans . and hopefiiy they will do a tour in the near future i am looking forward to the next lot of new material
ROCK ON Roxy Music We Are Looking Forward to an other album and tour .
the sound the songs every thing they deserve to get all the rewardsthat come their way if you want Bryan Ferry to get Hall of fame award
heres the address http:/petitions.pm.gov.uk/bryanferry knigh hood
theres only 2 and a half months to do it or go to www.vivaroxymusic,com the petition will be on that this petition needs over 2oo signitures for it to go to 10 Downing Street
SiobhanGreaney, Galway, Ireland
I am happy to say that my halcyon years coincided with the glory years of Roxy, and what heady times they were! Roxy hit all my buttons and it never occured to me that I would not always be so excited by music. Most of the music I remember from my youth was utter drivel, but class endures and I never tire of ROXY.
Jack, Wolverhampton, West Midlands
I was just the 'right age' for Roxy Music and I have to say I always HATED them. Perhaps they were just a bit too sexually ambivalent at a time when it wasn't acceptable. With 20 / 20 hindsight I'm happy to admit I was wrong. Along with a very select group of others their music sounds as good today as it did then and one 'Greatest Hits' or another is always on the car stereo. Cold and calculated the procedure may have been but the music is superb.
Paolo Bagarino, Roma, Italia