HOWZAT

12 The Killers: Day & Age (Mercury) Ignore Brandon Flowers’s protestations about superstar ambivalence: on this third album of immaculate, radio-conquering pop, the front man and his Las Vegas colleagues sound not just hungry for the next, stadium-filling stage of success, but gagging for it.

13 Little Jackie: The Stoop (S-Curve) Imani Coppola reinvents herself as the missing link between Macy Gray and Lily Allen, with a sassy mix of pop, R&B, hip-hop and smart lyrics, including the You’re So Vain complexity of “I liked you better before you knew me” and the admirable honesty of “The world should revolve around me”.

14 Sigur Ros: Med Sud I Eyrum Vid Spilum Endalaust (EMI) A blissful, devastating album from the Icelandic ambient-rockers, full of sonic sorcery and glacial expanses, and containing, in Inni Mer Syngur Vitleysingur, 2009’s most euphoric pop moment.

15 Elbow: The Seldom Seen Kid (Fiction) To be honest, it’s no better than their earlier albums, but — for whatever reason — this was the year when Elbow’s thoroughly human take on rock finally reached the tipping point and deservedly turned them from “criminally underrated” to “much loved”.

16 The Dears: Missiles (Dangerbird) Stripped down to just a husband-and-wife duo, the Canadians came up with their best album to date, using Pink Floyd, Radiohead and pre-Midge Ure Ultravox references as a springboard to a sublime example of ethereal indie.

17 Emiliana Torrini: Me and Armini (Rough Trade) The Icelandic singer — whose CV includes writing for Kylie — created a perky pop album that joins the dots between Björk and Nancy Sinatra.

18 Roots Manuva: Slime & Reason (Big Dada) Rodney Smith’s sixth studio album found the preacher’s son ducking and diving through alternately self-lacerating and dextrously witty wordplay, to a musical backdrop so mongrel that it defied categorisation — and was all the more absorbing and riveting for that.

19 Peter Broderick: Home (Bella Union) Best known for his work with the intriguing Danish outfit Efterklang, Broderick this year revealed himself as a songwriter of beguiling depth. Home’s layered vocals and finger-picked guitar create a quiet, yearning world that lives up to the warmth and comfort suggested by the album’s title.

20 Lindsey Buckingham: Gift of Screws (Reprise) If this were by Fleetwood Mac, people would have gone: “A classic Mac mix of soft rock and experimental excursions.” As it was by the man chiefly responsible for that mix, not the band, it was largely ignored. Mad, mad world.

Mark Edwards and Dan Cairns

New Artists

1 Laura Marling: Alas, I Cannot Swim (Virgin) Under cover of musical lightness, the teenager crept up on listeners with a nu-folk masterpiece that, amid the sing-alongs, tackled love, death and depression with startling candour.

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