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A new Bruce Springsteen album is always an event, and Magic, his first with the E Street Band since The Rising, is no exception. It’s not, of course, the kind of event that you would dress up for: best instead you pull on something checked and work-worn and listen to songs that ring with a hard-earned truth.
After We Shall Overcome: The Seeger Sessions and The Rising’s meditations on 9/11, if Springsteen was any more elder statesmanlike he would be off signing the Treaty of Versailles. Admittedly, Magic can be a little obvious: diner waitresses, long journeys home by the glow of the radio’s dial and men called Sal all appear. Yet there is a grandeur and intensity here that strikes home immediately, Springsteen’s lyrics carried along by the tidal instincts of musicians who have worked together for decades. Springsteen could make a drive to the dry cleaners sound like the Great American Roadtrip. Sure enough, Magic begins with Radio Nowhere and a man lost in the dark of the “American night”. “Driving through the misty rain/ Searchin’ for a mystery train/ Tryin’ to make a connection to you,” he sings, and Magic is all about these missed connections and missed chances, the sense of dislocation that comes when love and morality spin out of control.
His manager, Jon Landau, has said that this is not a political record – aside from Devil’s Arcade, a lament from a soldier’s wife – but Springsteen is drawn to express the heart’s turmoil in terms of global chaos. Last to Die uses the fiery language of regime change to discuss domestic meltdown; Long Walk Home, fuelled by Clarence Clemons’s saxophone, sounds like classic small-town angst, but there is an odd ambiguity to the courthouse flag and the neighbours on the street. Elsewhere, Girls in Their Summer Clothes is a masterpiece of regret, while I’ll Work For Your Love mixes the sacred and profane like a whiskey sour.
You could bite these songs as though you were testing a coin – not one feels counterfeit. As he sings on Radio Nowhere, he is “spinning round a dead dial, just searching for a world with some soul”. It is a lot to ask but once again, Springsteen does his best to fill that void.
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You can argue whether it is the best album since The River or Born in the USA but there is no doubting this is a return to the greatness that we saw in the 1970's. As The Who so memorably sang " Meet the New Boss, same as the Old Boss"
Ian, London, England
For me outstanding. Reminiscent of the earlier albums in the way that it grows addictively on you.
Bruce's recent albums have been good in their own way, but I'm back to the River for an album to match this.
This is E Street at their best. Lets have more Bruce...and more live shows in the UK.
Ian Brandwood, Huddersfield, UK
Magic is like visiting an old friend that you have not seen for several years, but have spoke to since your last meeting. Yeah, we heard him and the E Street Band in 'The Rising', which is an amazing album, but it did not have that 'wall of sound' approach. That album was great for what it meant for the aftermath of 911 and yet it had a different sound. This album has a sound from Bruce and the E Street Band that really hasn't been heard since 'Born in the USA'. I am not knocking any of his later albums. They were all great, but I'm talking about Bruce and the E Street Band. Magic is reminiscent of 'Darkness on the Edge of Town', 'Born to Run' and 'The Wild, the Innocent, and the E Street Shuffle'. But, as similar as they are, the sound is different. It is more mature. But, it still has the same romanticism and defeating realism that is found in 'Darkness' and 'Born to Run'. Hearing him and the E Street Band rocking that 'wall of sound' is a welcome sound to these ears.
Robert, Austin,
I can only tell you that Magic is much like most other Springsteen records. You have to listen to it often to truely appreiciate it. This one will turn out to be one of his finest. I did not like The Rising at first, and had to gain an appriciation of it over time. Magic makes a much quicker impression. I believe it wil prove to be one of Springsteen's finest records, probably ranking after BTR, Darkness, The River, and Nebraska. Not bad company. Maybe Bruce will finally get the grammy for album of the year.
JZ, raleigh, nc
As a long term Springsteen fan I was disappointed with 'Magic'. I couldn't help feeling that it was 're-cycled Springsteen lite'. Lots of musical reminders of other tracks, without that heart lifting shock at the grandeur and truth of lyrics and music. No 'Born to Run', no 'Ghost of Tom Joad' no, 'Nebraska'. But it is light years away from the happy clappy nonsense of the 'Seeger' album. I returned that one! 'Sickness and health', 'Til death do us part'? Nope! you've got to press the buttons, Bruce. I look forward to the next - narrative, acoustic? - album.
John Hudson, Middlesbrough, England
A review itself well coined. I find myself, initially anyway, seeking and not finding enough of the ghost of Tom Joad in "Magic"-- it's hard to lose so much of Woody Springsteen after "We Shall Overcome"--but Bruce is, as you say, always eventful and always edifying.
Paul Vincent, Auckland, New Zealand