In music, as elsewhere, the talk is of convergence, and Africa appears to be where pop stars are converging in early 2008. From American hopefuls (Vampire Weekend, Yeasayer) to the British old guard (Damon Albarn’s Africa Express project, Mick Jones collaborating with Rachid Taha), it seems the sound of the djembe has never been cooler, nor the trip from Upper West Side to downtown Lagos easier.

The current enthusiasm for emo-afrobeat (Nigeriana or whatever the NME christens it) might not even see us through the spring, but this compilation, subtitled Modern Highlife, Afro-Sounds & Nigerian Blues 1970-6, arrives seven days after Vampire Weekend’s debut, so perhaps it is forgivable to wonder if there is something in the air that signifies more than a fad on the rise.

The dawning of the 1970s saw a Year Zero for Lagos’s artists: musicians (mainly Igbo from the east) had gone home to support the secession in Biafra, Fela Kuti had returned from America bearing funk, and other progressive minds were enviously looking to rock for inspiration. Highlife (the sprightly, guitar-led and Caribbean-influenced pop of West Africa) had to modernise to survive.

What happened next was an explosion of the imagination as the Nigerians appropriated everything they could, Africanised it and released it into a fertile marketplace. The highlife got a whole lot higher.

Although they are classics of Nigeriana, it’s difficult to imagine anything more Cuban than Opotopo’s 1976 album cut Belema, which features the guitarist Fatai Rolling Dollar, who lost everything he owned when the Nigerian Army attacked Kuti’s compound a year later. Actually, the salsa quotient is increased by the rhythms of The Semi Colon, but somehow both sit perfectly alongside I Want a Break Thru by The Hykkers, a heavy rock jam with unfettered use of the guitar FX pedals, or the reggae within Leo Fadaka’s Blak Sound.

Eye-opening as these 26 tracks are, however, there are apparently tonnes of old vinyl still waiting to be discovered: Soundway promise volumes of disco funk and psychedelic afro-rock either side of Easter. Converge this way, there is definitely something in the air.

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