Lisa Verrico at Brixton Academy
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As a curly-haired Mike D recalled – to cheers from kids too young to know if he was telling the truth – Beastie Boys first played Brixton Academy 21 years ago, alongside Run DMC. “Go on, Google it,” he shouted. Back then, the New York trio were despised by the tabloids for bringing bikini-clad babes in cages on stage. They were scary to parents for their party-minded propaganda and fun enough to convince fans that middle-class white boys could rap.
Now in their forties and, in the case of MCA, aka Adam Yauch, entirely grey-haired, the Beasties have hung on to their cred, but reached a crossroads. Their latest album, The Mix-Up, is comprised of funky, dub-heavy instrumentals that, live, did little more than give the band a chance to catch their breath and fans a break to make it to the bar without missing a hit. All three played instruments during half the tracks, but even that often felt like an excuse to avoid having to jump around for too long. Clearly, it was the classics the crowd had come to hear and the result was that Beastie Boys felt like a band past their peak.
Dressed in smart, sharp suits, white shirts and skinny ties, with all but MCA sporting shades, the bratty gang had become the Blues Brothers, albeit still with teenage waistlines. But their sense of fun remained intact, and when they delved into their old-school hip-hop heyday for songs such as Brass Monkey, Body Movin’, Super Disco Breakin’ and The Skills To Pay the Bills, Mike D and Adrock, aka Adam Horowitz, bounced around like boys squaring up for a brawl. Yet the chaos of their old shows had been replaced by a tight band, including the DJ Mix Master Mike, and too many rehearsals.
Whereas once Sure Shot fizzed from the feeling that it might fall apart, now it was delivered with ruthless efficiency. Even sporadic dips into the band’s hardcore past were well orchestrated.
Thankfully, Beastie Boys had enough hits to keep the crowd happy, and their innovative visuals – triangular screens hung above them like a space-age cot mobile – offered some distraction. A break and reunion would probably serve them better, though.
Beastie Boys play Roundhouse, NW1, tonight and headline Bestival on Saturday
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I saw them in 1994 and they were playing instrumentals; so, doubt they're doing so now in order to "catch their breath." They're 40-something not 60-something -- and even if they were 60-something I bet they'd be bringing something to the party.
tim, nyc,
Ummmmmmm - they were really good on Wednesday. Critics are - at best - useless. 3 MCs and 1 DJ was an astonishing display of verbal and turntabuulous trickery, Sabotage was incredible (best live version I've heard) and the visuals were psychedlic heaven. The Mix Up tunes were great and I bought the album post gig. That's my review - and I'm sticking to it. A definite improvement on the Awesome.....I shot that tour. Mainly because they did Gratitude on this one.
Ash Akhtar, London,
I agree completely with the last comments.
There were momentary dips in adrenaline levels but this is part of any gig and especially a part of the Beasties eccelectic funk punk rap style.
It was a truely awesome gig and the trios trickery is still entirely entact. They rocked the place!
Dillon Burns, London, G London
I went to see the show last night, I have seen the Beastie Boys three times in England first time in 1999 at Wembey Arena and there again in 2004.
I saw the show last night and I thought that was the best show out of the three, they are amazing live and I love the fact they mix up the classics with some of the mellower tracks from the in sound from way out and the latest tracks they have done.
The beasties are still as energetic as they always have been and always put on a superb show, last night's gig was awsome just good to see such a great band still going strong.
Simtana, Andover, England
last night was truly awful
hmw, southampton,
what a load of rubbihs. whoever wrote this obviously wasn't up front with the real fans, probably sat up at the top nodding his head. it was a great gig and they still have it
Joe Otley, Newcastle, UK