Lisa Verrico
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If the concept of Chinese hip-hop wasn't odd enough, the Beijing- based rappers Dragon Tongue Squad made their British debut in a sterile, seated theatre in the Royal Opera House. Part of a lottery- funded arts exchange inspired by the forthcoming Olympic Games, the event was well-intentioned but ill-conceived. Rather than lift the lid on Chinese youth culture, a preposterous performance proved why most hip-hop consumed in that country is - and probably always will be - American.
That Chinese hip-hop has so far failed to catch on is due partly to strict censorship - lyrics are vetted, so the usual staples of violence, drugs and guns are out - and that, well, drugs, guns and big-breasted gold-diggers in bikinis aren't pressing local problems. Judging by Dragon Tongue Squad, however, the biggest stumbling block may be their amateurish output.
As soon as the band bounded on stage, the crowd struggled to stifle their giggles. “Yo! What's up London?” shouted J-Fever, the trilby-sporting tallest of the trio. Besides braiding his hair, the crew member Crazy Chef had hung assorted accessories such as a disused leather purse, sun visor and jewellery on his low-slung trousers, doubtless to disguise the fact that, by day, he's just “chef”. But all eyes were on the pint-sized rapper Carbo Lee, who cut a ludicrous dash in neon green, backwards baseball cap with the price tag still attached, pink sunglasses and a gigantic pendant on a chain thick enough to moor a small boat. Mid-set, he pulled up his T-shirt to show off the gaudily-patterned pants peeking high above his trousers. Picture Little Britain doing a hip-hop parody.
The music, sadly, was much less memorable. Despite being backed by a dextrous scratch DJ - a Brit, DJ Phat, who was also their support act - Dragon Tongue Squad offered flat raps over anaemic beats. Mostly, they sang in Mandarin, although even they have admitted the language doesn't lend itself well to flowing rhymes. Handily, translated lyrics were circulated, so we knew that Dragon Tongue-ism contained the couplet “Learn how to be good at learning skills/ Learn how to communicate smoothly”. Only once did they shine, and for all the wrong reasons. Chinese Food was a comic masterpiece - “Thai, Thai! Why, why?” went the chorus, possibly, while the verses listed authentic takeaway dishes.
If it's fame they're after, a sketch show rather than the pop charts looks more likely.
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If my experience of how mainland officials to do anything, it was probably decided by a few guys in a suit in a smoky board room "we need to show the world something young", got their secretary to 'research' for the 'hottest thing'. Then decided to have it in the royal opera house to pad the expenses in order to get some fat kickback from their agents and organisers etc. If they ever heard or been to a real concert they would have at least picked a suitable venue, which then at least they would have had a chance.
Jason, Hong Kong, China
I have to say, i really enjoyed their show. Dragon tongue did a good performance, i love them. one thing they should improve is their english.hope to see them next time.
marisa, london,
Looking at China's rap scene through the music of DTS is like picking out Vanilla Ice and calling him the archetype of the genre.
In my view, the archetype of China's rap scene is under ground, with a vivacious scene that puts music ahead of widespread commercialism --a spirit not unlike Calif.'s in the 80s. If rap liberates music further by placing emphasis on the voice's punching energy and on the spoken word, then this emphasis is aloud and abound in China's rap scene.
True, while rap in China is not predominantly a vehicle to express angst or anger towards the establishment, it nevertheless expresses frustration with wealth gap, materialism, and, among others, a steady encroachment of the traditional Chinese intellect. These are serious topics worthy of rap's musical devices; and the final output, while neither necessarily as commercially viable as a travel act in London nor as kosher as a censored/clean store product, isn't any less inspiring than its parental tradition.
SMOTE, Beijing, China
Looking at China's rap scene through the music of DTS is like picking out Vanilla Ice and calling him the archetype of the genre.
In my view, the archetype of China's rap scene is under ground, with a vivacious scene that puts music ahead of widespread commercialism --a spirit that, in my view, is not unlike Calif.'s in the 80s. If rap liberates music further by placing emphasis on the voice's punching energy and on the spoken word, then this emphasis is aloud and abound in China's rap scene.
True, while rap in China is not predominantly a vehicle to express angst or anger towards the establishment, it nevertheless expresses frustration with wealth gap, materialism, a steady encroachment of the traditional Chinese intellect etc. These are serious topics worthy of rap's musical devices; and the final output, while neither necessarily as commercially viable as a travel act in London nor as kosher as censored/clean store products, isn't any less inspiring than its parental tradition.
SMOTE, Beijing, China
''so the usual staples of violence, drugs and guns are out - and that, well, drugs, guns and big-breasted gold-diggers in bikinis aren't pressing local problems......''
another stereotypical resresentation of hip hop-how well do you know about this genre of music?-there's A LOT of rap out there which typically steers clear of this stereotype but you obviously arent interested in more than giving us a dose of your narrow impression....
Jay Reid, Camden, UK
can't believe how they can arrive Britain and show their music; thin Hip-pop atmosphere in china, we even haven't heard them. To be honest, Jay Chou and his musical style are more popular recently in china. He mixed classical musical elements into his pop-music. really cool.
Aaron, Shanghai, china
Any Chinese would know that "rap" was invented in CHina thousands of years ago. The "rappers" then were ordinary people rapping, sometimes by hitting a tiny wooden box to keep beat, about the woes and joys of life.
DRagon TOngue is emblematic of CHina's youth today in embracing western culture wholesale without having lived the culture (like the overseas-born CHinese; or W.O.G. Western Oriented Gentlemen/Guys).
CHina is like a 5,000 year old child locked inside a sprawling toys-r-us store - there is no option but to buy.
S K LIN, HOng KOng, CHina
To Ian, Boston, USA, USA, ex UK
The 'Beastie Boys' can rap!!
chris evans, bristol, uk
Chniese hiphop why why? that country is big enough and sophisticated enough to come with something more original. Leave the hiphop to the Americans. I'm sure there are hiphop acts there but its far removed from its true real origins.
MC Hammer Li, Hammersmith, uk
The 'Beastie Boys' are a reminder to all that White Men Can't Rap. Perhaps this observation also extends to other racial groups too.
Ian, Boston, USA, USA, ex UK
Yes, lovely. Number one in the world. Nothing wrong there.
In fact, China has no impressive musical heritage. Ever listened to chinese opera?
Jerry Winslow, Westram, uk
Oh that's a shame.. its sounds like the Dragon Tongue Squad were set up to fail.. a complete and utter culture clash.
Liz, Shanghai,
So without hip hoppers being able to talk about drugs, guns and big-breasted gold-diggers in bikinis, Chinese youth are missing out on the right to express themselves about the rich and meaningful wonders and joys that there are in life?
D whitts, Sheffield,
lovely people, the Chinese. i should know i lived there for 7 years but they really don't do cool well. especially not western parodies of cool. i only wish i could have seen the show.
CS, Sydney, Oz