Mark Morris

The second programme from the Mark Morris Dance Group is as magical and amazing as the first because every aspect works so harmoniously

Diary: Mark Baldwin, artistic director of Rambert Dance Company

On flirting, birds and the tango

Mark Morris Dance Group

There are no sets because none is needed: this is dance that totally — gloriously — speaks for itself

Shobana Jeyasingh

Jeyasingh’s choreography is nervy yet more consciously stylish than her previous work, almost as if she is staging her own rave

The Sleeping Beauty

The Royal Ballet’s three-year-old Sleeping Beauty staging may be the most sumptuous fairytale you have ever seen

Morphoses

If it hadn’t been for Alexei Ratmansky’s Bolero, the evening would have been a letdown

Hydra

Although beautifully staged and danced, the piece was perhaps too muted in its intentions to make a completely satisfying impression

Martin Creed

Part dance, part rock gig, part film installation and stand-up, this had the rambling ambience of an improvisatory performance

Reinterpretations of Ballets Russes

An intriguing tribute to Diaghilev at Sadler's Wells was let down by Javier de Frutos's ghastly orgy

In the Spirit of Diaghilev

Three homages and a blasphemy make up the four world premieres on display at Sadler’s Wells

If We Go On

An abrasive performance by Vincent’s dancers and musicians poses questions relating, on the surface, to creative despair

Vincent Mantsoe

Mantsoe is a tremendously powerful presence, capable of exuding an electrifying energy both scary and rapturous

Buckingham Palace to host Bollywood show

Nutkhut troupe impressed by royal bling as they prepare to perform at a reception before Indian President's state visit

Cloud Gate Dance Theatre and Scottish Ballet

David Dougill sees a moody Cloud Gate Dance Theatre with their 2006 production Wind Shadow and a rejuvenated Scottish Ballet

Mayerling

Kenneth MacMillan’s genius for pumping raw emotion through the veins of dance is at its most effulgent

Wind Shadow

The final scene, with its searching green laser beam, is an extraordinary evocation of apocalypse

Scattered

The quicksilver cast assembled here almost never stops moving; the performance is practically jet-propelled

Scottish Ballet

Toasting a ruby anniversary in light and shadow with a bill of abstract ballets that stretch the company’s boundaries