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Throughout this precisely orchestrated mayhem Craig Edwards (as Phileas Fogg) never loses his air of suave assurance
Since her debut with 007, Gemma Arterton has resisted the starlet trap and opted for surprisingly gritty roles
Christmas Past is an irksomely perky young girl and Christmas Yet to Come, in a weird PVC get-up, looks positively silly
The fighting is well done and the nastiness of the pirates vigorously brought out, but the gaps in the story are a puzzle
A new Lear, a Phantom follow up and Dame Judi back on the stage
A potent potion dreamed up by Roald Dahl makes a fizzing stage show. Just don’t try this at home on your own grandmother
On with the show, out with the show tunes: a messy rom-com with lo-fi music has proved a big success, finds Brian Logan
Their affair scandalised 1970s society, but the details stayed private — until now. The late playwright's wife reveals all
Three of the world’s finest directors are bringing work to London in 2010: Luc Bondy, Peter Brook and Declan Donnellan
At only just over two hours, this is a rare example of a panto that doesn’t overrun. But nor does it gel or charm
Husband and wife team have become the most powerful people in British theatre 17 years after starting a shopping centre
The Hollywood veteran appears bewildered, as well he might, given the references to everything from Katie Price to the MK Dons
There are bigger and brasher Aladdins around in London this year, but here’s one that is as good as you could wish for
It may not have the vitality of a great panto but there is an off-kilter sensibility that might fire a young imagination
If the buzz is right, the TV actress is set to be a sensation in the musical Legally Blonde, a stage version of the film
There are almost-excellent performances in Gregory Doran's production but it sometimes succumbs to RSC vices
A glance around at the rows of children, their eyes truly shining, illustrates the delight that pantomime still provides
Phil Porter’s jubilantly dotty creation delicately dips the toe of its sparkling slipper into murky emotional waters
“The Decade From Hell” proclaimed a recent Time magazine. Not for the British theatre
More a play than a panto, this version suggests that Cinderella’s stepsisters are more stupid than bad
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