John Peter
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Courtyard, Stratford-upon-Avon

Tim Carroll opens the RSC’s new season with the dreariest and most sloppily directed account of this play I’ve ever seen. His modern-dress production has neither atmosphere nor style. The young dandies of Venice are charmless blokes in cheap suits, churning out their lines like low-ranking officials at a press conference. Bassanio (Jack Laskey) is a dim minor-public schoolboy who behaves like a down-market estate agent. Antonio (James Garnon) is like a scruffier estate agent.
He is not sad, as he claims, only grumpy; the idea that these two scruffs had an emotional relationship seems laughable. Angus Wright’s Shylock drones his lines with no sense of passion, cunning or anger. Portia (Georgina Rich) is like a pedantic office manager, humourless, graceless and gawky. Nobody seems aware that they’re speaking poetry: the voices are monotonous, poorly projected and have little or no sense of character or feeling. Laura Hopkins’s set is ugly and impractical. The women’s clothes are ghastly and badly cut. Can this be the RSC? Are them that Carroll couldn’t bebothered to bring out? Somebody with authority should have watched a run-through and said this simply would not do.
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Absolutely abysmal - the worst MoV I've ever seen. I couldn't wait for the interval to make my escape!
Julia, York,
I have been attending RSC productions for forty years and I am sorry to say this is simply the most dreadful production I have ever seen. The Merchant of Venice well acted is a painful play to watch in an exquisite way, this was just plain painful and disgraced the stage of the Courtyard.
Maggie Lowth, Aslockton, Nottinghamshire
I have been attending shows at the RSC for many years and this was by far the worst. As an actor, recently out of drama school I found it infuriating to watch these actors with no intention, no passion and lacking connection with other actors. It is impossible to get an audition at RSC. Why!!
Rich, West Midlands,
Sadly, this review is spot on. The blokes in suits kept shoving hands into pockets for want of any idea of what attitude to strike, and Wright kept buttoning and unbuttoning his jacket. In a pre-show director's talk, Carroll maintained that he resisted imposing a view of the play, but the performance suggested he just didn't have one, and the cast were left floundering.
Alison Stewart, Jersey,
I could not agree more. We were terribly disappointed with this production. The set, the costumes and the performances were all poor. On top of this the interpretation of the play was superficial with a lopsided emphasis on the world of Belmont while the contrasting world of Venice was all but lost. It was presented as a straight comedy without passion, anger or pathos and this only encouraged the audience to laugh, inappropriately, at moments of great anguish, like the forced conversion of Shylock. This is a production we might expect to see at local amateur dramatic society but not on the stage at Stratford.
Neil Staunton, Walsall, West Midlands