Stefanie Marsh
Attend an evening with Andre Agassi

What is he doing here, an intelligent and thoughtful man, giving airtime to a family of white supremacists, or refereeing two violent midgets as they slug it out over a woman, or nodding sympathetically as a bride-to-be breaks the news to her fiancé on their wedding night that she is pregnant by her brother? Jerry Springer, who in the back of his mind was going to become president one day, somehow got sidetracked on to these shows, not really forcibly but not entirely willingly either.
“These are jobs that were given to me and I don’t mind doing them but it’s not ever anything I pursued,” he says, jaded, affable, as casual as a man can be in a suit. We’re at the Dorchester: me; a press officer; a photographer; Bob the UK bodyguard – a hangover from when Springer was filming his show here, in case an aggrieved member of the studio audience pounced – and a producer who wishes that Jerry would just get to the point and start promoting his new programme. But Springer exhibits no particular urge to do that.
“I was assigned to do The Jerry Springer Show. ‘You’re going to host the show’. I did it. I never had any great desire to be a talk-show host. It’s fun to do, it’s not a passion. I always say I never watch the show but I realise people do.”
He sounds faintly depressed. How did a man fascinated with politics since childhood end up, if I’ve understood rightly, coasting? When you see him on TV, he seems lightly detached. He’ll go so far as to wind up every show with a soliloquy, what-can-we-learn-from-this stuff. But you won’t catch him barking “You’re a whore!” at his pregnant teenage guests, as did Jeremy Kyle. Or, at the other extreme, high on personal growth like Oprah. Jerry is not involved. He likes to think of himself as one of life’s bystanders – innocent – while, night after night, a maelstrom of Sodom and Gomorrah breaks out all around him.
A typical Jerry summation: “So, your cousin comes to you in need of a place to stay and you refuse to take her in unless she allows you to hide under the bed when she is having sex with her lesbian lover?”
A typical guest’s reply: “Yup.”
Is there inside this man’s 63-year-old body a fixer? Does he want to make the world a better place? I’m glad I asked because finally he sparks into life: “That,” he says vehemently, “is where television crosses the line. Where you get a TV personality who says what you ought to do and pretend that you are taking this person and fixing their life. How arrogant to believe that a one-hour television show can fix a person. I’m not advising them, I’m not qualified to do that. I’m a TV guy, a lawyer, I’m not a psychiatrist or a psychologist and I think it is wrong for television to pretend.”
Perhaps it’s also wrong, or disingenuous, to pretend as a TV presenter that the medium in which you operate has nothing to do with you. That’s the impression you get with Springer. As if television happened to him, like a bad dream or an unexpected downpour. Lest he should forget, this cloud has a $4 million (£2 million) a year silver lining. Peanuts compared with Oprah’s $250 million annual earnings, but still.
When the show started in the early 1990s it was common for high-mind-ed people in the media to condemn it as sleazy, vulgar and exploitative. What they meant was that the people on the show were vulgar, and they were being exploited by Springer, who they considered sleazy, and this he considers the height of snobbery and hypocrisy: “Television is a mirror of society. It’s just that I was raised in an era when television was exclusively upper middle-class and white. You look at popular shows like Friends or Seinfeld. Some people live like that. But most people have to work for a living and are not standing around their living rooms in their beautiful apartments making jokes. So what was new about our show is not that the public was shocked that people like that exist – all you have to do is walk down any street and you see it. It’s that we’d never see them on TV before.”
He doesn’t think that guests on talk shows are victims because “I don’t think people walk the streets at night thinking ‘I can’t sleep at night, I’ve been exploited’. You could get philosophical and say if people get the chance to get something off their chest it’s probably the only time in years anyone’s listened to them.” Then he interrupts himself and says: “But this is getting way too deep. It’s only television.”
I tell him what I found most striking about the show was just how much rage these confrontations between mother and son; man and wife; she-man and pimp, provoke. The guests are ready to kill each other, and if they’re not kept away from each other afterwards they will. In 2002 a man killed his ex-wife after they both appeared on the show. Springer, ever the champion of the working class, says: “I think as a general rule people of a lower income are more authentic than people who are wealthy because in our education and socialisation process we learn how to hide, we learn to be not authentic, we learn how to be polite even when we think the person we are talking to is a son of a bitch.” Springer, presumably then one of the “inauthentic”, lost his temper only once. You can watch it on YouTube, how an antiSemitic preacher tells Springer, who is Jewish, that he’s dumped Springer’s mother’s body in the boot of his car and that he can’t seem to get hold of those lampshades they made during the Holocaust. Springer gets very angry. Why then?
“I shouldn’t have lost my temper,” he says. “But when somebody goes after your mother . . .” The mother is significant. Earlier he has let slip: “Oh I wouldn’t be doing the show if my mom was alive.”
He would have found it embarrassing? “Sure.”
Why, because it’s trashy? “No, that’s the wrong word to use because it assumes people are trash. Hitler was trash. They may not be rich, they may not live in the best neighbourhoods, they may be angry, they may use an f-word but that’s not trash. They hurt like everybody else.”
So why be embarrassed? “Oh, because my mom was very proper and I just know my reaction in front of my mom. There are things you don’t say in front of your mother, there are things . . . I’m old-fashioned in that way. So I just know I never would have started the show. I would have said, oh, I can’t do that if Mom is watching.”
It’s all very vague, this. Can he be more specific? Was it the lewdness? The swear words?
“No. After you live through the Holocaust what the hell is a TV show? I’m just saying you behave in a certain way when you’re in front of your parents, you behave in a certain way when you go to your church or temple. In other words you act differently when you are in a nightclub with your friends.”
I don’t think what Springer is saying is that his world has become a nightclub since he got into the media business. What he seems to be talking about is the clash between his parents’ vicarious aspirations and how his life actually has panned out. “I think they assumed I was going to be either a doctor or a lawyer.” Springer did become a lawyer. He became a politician and a news anchor too, but his mother didn’t live to see his next incarnation.
We talk a little about his upbringing. Margot and Richard Springer were Jewish refugees from Germany. They moved to London, where he was born, and, when he was 5, to Queens in New York. He has clear and fond memories of childhood: “Always at dinner, every night, my sister and I would have to talk about one thing we had read in the paper that day. And, of course, I was a little boy, so I would talk about sports most of the time but they would encourage me to pick another story and then I became very interested in presidential elections and things like that.
“I didn’t view that as an assignment; it was kind of fun,” but it may have left a mark, a feeling that he should have made it in politics. Hence his claim that television just happened to him. Could there be an element of shame there?
Back to the air of sleaze that clings to Springer. We can trace his own moral fall, and his rise in TV, back to 1974 – four years after running for Congress – when he was forced to resign from Cincinnati City Council after admitting that he’d hired a prostitute. The crucial evidence appeared in the form of a cheque found by police during a raid on a brothel. It had been signed by Springer.
“That’s 35 years ago,” he says, displeased with the choice of subject matter. Did it affect his career?
“No.” But I think it has affected his career. Indeed, the cheque is pivotal. Springer decided to admit everything and the voters admired his honesty. A year later he won back his seat. A not dissimilar incident occurred in 1998. It was rumoured that his wife, Micki, left him after he slept with a US porn star the day before she appeared on his show to discuss her forthcoming attempt to beat the world sex marathon record. It is a redtop news story that he will neither confirm nor deny, although Springer is now separated from his wife. The great irony is that when, five years later [in 2003], Springer backed out of running for the Senate, he did so not because of the cheque or the porn star or anything to do with his life behind closed doors, but because of negative associations with The Jerry Springer Show. Politics, he says, is “honestly what I spend more time doing each day than anything else. I raise money and give political speeches. That’s my passion. I’m not into television.” Well, maybe. At the time of our interview he was busy wading through Robert Novak’s biography. So if it’s true that all his life he’s wanted to throw himself whole-heartedly into politics, why can’t Jerry Springer, a man who majored in political science at university, went on to become Robert F. Kennedy’s campaign aide, then messed it all up with a lie, subsequently staged a successful comeback, a man who is passionate about politics and is supposedly indifferent to his day job, a man whose political career depends on his giving up that day job, why can’t this man give up television?
“It has to be the proper convergence of stars,” he replies unconvincingly. “It has to be an office you want to run for. There’s no driving issue right now.” He sounds like a teenage drifter making excuses for not finding a job. It’s true he’s fascinated by what’s going on in America. He’s appalled by the yawning wealth gap, the idea that “this is the first generation in America where parents cannot look at the their kids and say, ‘Son, you’re going to have a better life than I had’ ”. But I suspect that he needs TV as an outlet for his twinkly cynicism. It suits his character. What is so approachable about Springer is precisely this twinkle, the feeling that he wouldn’t go berserk if you lit up a cigarette in a no-smoking area. One doesn’t imagine he’s a man too fond of rules. Or of po-faced serious-ness. I heard you met the Pope, I say. “Yes,” Springer says. “Boy, was he excited.”
The cheque hasn’t done his television career any harm. In fact it gave him Trust-me-I’ve-Been-There credibility. Alongside the JSS he’s been presenting America’s Got Talent. His new programme in the UK, the show his producer wants him to plug, is called Nothing But the Truth: in which contestants are asked various probing questions while attached to a lie-detector. In part because of that cheque, Springer is the ideal presenter.
On the subject of morality, I found him revealing. “What are the big moral questions?” he asked no one in particular. “Immorality is usually defined as ‘those things we would never do’. And those things we ‘kind of do’ are OK and we rationalise them. So someone who never slept with a person outside marriage would consider sex the basis of morality, and yet that same person could go into business and try and screw the other person, try to pay a working-class person as little as possible. It’s interesting what people get upset about. Usually they get upset about things they would never do, so they can feel better about themselves.”
Is he talking about himself: the person who has gone outside marriage but remains the champion of the little guy? Or is he talking about all those potential voters who couldn’t take him seriously as a heavyweight political candidate because he presents shows in which the guests seem to exist in a morality-free zone?
“If I was hired to do a show about death row, everyone I would be talking to is a murderer. Does that mean we endorse murder? Does that mean murder is good for society? No, the show is about murder. So if the show is about outrageousness, of course the people on the show are going to be outrageous.” Unfortunately for Springer, there’s a large section of the American public that doesn’t see it that way.
He’s not given up his political ambitions but don’t hold your breath. There’s no sign as yet that he’s going to be able to wean himself off that show. Now 63, “the living is good,” he says in that affable way of his, “I have decided I’m not going to be an astronaut”. For a moment he allows himself to ruminate on religion. He goes to synagogue regularly now: “My daughter’s just gotten married. I think as you get older you think how all this makes sense, if it does. Why are we here and what is this about?” Again he interrupts himself, before it all gets too deep, presumably. “Hey, who am I kidding – we can’t pretend to figure all this out.”
Nothing But the Truth starts on October 28 at 9pm on Sky One
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