Michael Moran
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Singer Ana Matronic, of the massively popular American art-school disco group Scissor Sisters, has joined the Arts Council’s arts debate campaign in order to raise awareness of the importance of the arts in everyday life. Matronic (born Anna Lynch) has recorded a special video message for users of the Arts Council website exhorting them to get involved in the campaign and inviting them to have their say about what "art" means to them - from opera to hip-hop and ballet to break dance and beyond. Questions under discussion include 'what do you value about the arts'? And 'when should an artist receive public money'?
Between 2006 and 2008, the Arts Council will invest £1.1 billion of public money from government and the National Lottery in supporting the arts and the Arts Debate is designed to give members of the public the unprecedented opportunity to direct the flow of this funding to the types of project that mean the most to ordinary people. In the video, Ms.Matronic talks about what has inspired her as a performer, saying that at times music and art has "literally saved my life". The musician talks about her artistic background, her mother is a painter and her father is a photographer and a sculptor, and talks about the pivotal effect this environment has had on her career. The video can be seen from today on the Arts Council website here .
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I am thrilled that the Arts Council is to give the arts such a massive shot in the arm right at the moment Tessa Jowell is channelling lottery funds away from them to feed the Olympics. And as a clued-up cultural commentator as well as a member of one of the decade's coolest bands, Matronic is a welcome addition to arts campaigning. What I am hoping is that local arts scenes aren't lost in the shuffle. London's Waltham Forest council, for instance, is currently engaging in a cynical cost-cutting exercise in which, despite huge public outcry, it has halved hours and dismissed curatorial staff at the William Morris Gallery and the borough's local history museum. The money 'saved' is a pittance--£56,000. In a community subjected to incremental cultural desertification, can campaigners look to the Arts Council to help save their last arts oases? I hope so. Morris remains one of the great exemplars of what the Arts Council is highlighting here: the importance of the arts in daily life.
barbkay, Walthamstow, UK