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A crack in the floor which forms Tate Modern's latest installation has claimed its first casualties.
Three visitors lost their footing and fell into the gap made by Doris Salcedo's art work.
They were among more than 12,000 people who viewed the installation, which runs the full 167 metres (548 feet) of the Turbine Hall.
The Tate said the trio did not sustain serious injuries.
"We can confirm that three visitors missed their footing and tripped in the Turbine Hall at the opening event.
"They were attended to immediately by Tate security staff trained in first aid but there have been no serious injuries. Twelve thousand people visited the installation on the first day and there have been no further incidents," a spokeswoman said.
"Tate staff are monitoring the space carefully to ensure the safety of our visitors.
"Tate has a lot of experience handling complex installations and visitor safety. We have thought carefully about visitor safety, working closely with Southwark Council and there are measures in place. There are no plans to barrier off the work at this stage."
Tate staff are on hand with leaflets warning about the dangers of getting too close to the piece.
Gallery attendants have also been instructed to give verbal advice to visitors.
Brazilian sculptor Salcedo says the work, entitled Shibboleth, symbolises racial division.
The crack represents the gap between white Europeans and the rest of the world's population.
According to Salcedo, the fissure is "bottomless... as deep as humanity".
However, it appears to be around three feet at its deepest point.

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This is art with meaning and moral purpose. Racial division, religious schism, and the increasing gap between rich and poor alarms all of us, and this installation represents that concern. It's a great piece of work.
Ian Smith, Westbury, Wiltshire
The meaning - I didn't get that at all, but it's great fun watching all the people crowding round it and behaving differently - some walking slowly along and staring in, people jumping over it, shoving their umbrellas down it, kids running around... that's the real beauty of it, the way it makes everyone behave so funny...
Jenny, New Cross,
its crap
when i visited this there were gallery guards with their hand down the crack because someone had dropped their tissue into the "art work"
the meaning is pointless
and how will they fill the crack in the floor for a new exibition
i cud hav done that
there were visitors looking at other cracks in the floor, that werent supposed to be there, going "oow", "wow" and "thats amazing"
those were just small cracks on the other side of the hall that werent supposed to be there
Bob, Manchester,
the crack is brilliant but the meaning is crap
Ken Battye, Wimborne, Dorset
I was quite affected by the work, very awe-inspiring- until I found out the artists mission statement,which I thought was a far stretch and detracted from the evocative quality of the piece on its own.
Sarah Rogers, Melbourne, Australia
I was actually fascinated with the skill of execution of the crack itself. It doesn't look fabricated. the only "oddity" is the inclusion of chain link fencing within the crack itself (which might be construed as part of the foundation, but which I had read was added by the artist).
The verbiage that was handed out at the exhibition was indeed the height of art pomp - but do we blame the artist herself for that? I wish it had been toned down, so the art could be left to speak for itself.
Dave, Barrington, RI, USA
Unbelievable!!! You wrote that Doris Salcedo is Brazilian. What a mistake. She is Colombian.
Paola VillamarÃn, Bogotá, Colombia
This installation is likely to be considered as 'a load of rubbish' for people who ignore the point the artist is trying to put across. Usually this people ignore their lack of tolerance for difference.
M, London, UK
Canyon is spelled with a Y even if you are British. The installation is great, very indicitive of the Tate Modern. I love that they are willing to show art that they know won't necessarily please people. People should relax and just enjoy the fact that someone in the world gets to do something they love every day when they wake up, such as create a giant crack in the floor.
Kathryn, Cincinnati, Ohio
The £300,000 spent on this artwork is a small price to pay for raising awareness on how Europeans fritter away their money on such useless things.
Bill Buchanan, London, UK
The piece looks to be visually interesting (from the photos I've seen) But the concept is preposterous. Over burdened with meaning. A not-to-uncommon trend amongst current popular artists.
sionnan, san francisco,
Can't believe people who went to look at a crack in the floor, and presumably therefore knew it was there, went on to fall into it. Numpties!
Good job they didn't go to look at the Grand Canion!!
Jon, Ware, Herts, UK
A load of rubbish
N Honeyball, Newhaven, England
Hahaha
Yet another art-related injury....
Watch where you are going in a gallery!
Pamela, Saskatoon,