Hannah Strange
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An octogenarian and her son were jailed today after perpetrating an £850,000 conspiracy to defraud art institutions with fake antiquities and artworks produced in their Bolton council house and garden shed.
Olive Greenhalgh, 82, received a 12 month sentence suspended for two years for her role in the scam, while her son Shaun Greenhalgh, 47, was jailed for four years and eight months.
Mrs Greenhalgh’s husband George, 84, who attended Bolton Crown Court in a wheelchair, will be sentenced at a later date over his involvement in the fraud to give the judge time to consider whether his frail condition would allow him to serve a custodial sentence.
In what Judge Morris described as an “ambitious conspiracy” conducted with no resources, the family operated a major cottage industry from their three bedroom home, producing up to 120 fakes including Henry Moore statues, Roman plates and copies of paintings by LS Lowry.
In their greatest coup, Shaun Greenhalgh “knocked up” a fake Egyptian statue in just three weeks in his garden shed, a piece which, astonishingly, was authenticated by the British Museum and valued by the Egyptology Department at Christie’s at £500,000. The Princess Amarna statuette was snapped up by Bolton Museum for the sum of £440,000 in 2002 and displayed until the plot was uncovered in 2006.
The court heard that the mastermind behind the forgeries was Shaun Greenhalgh, who displayed remarkable artistic talent. However his elderly parents also played crucial roles in establishing fraudulent histories for the pieces and selling them to galleries and collectors.
George Greenhalgh, a former technical drawing teacher, was the frontman who would turn up in his wheelchair to ask experts to identify his “discoveries”, while his wife once claimed a forged LS Lowry had been given to her as a 21st birthday present by her father.
Detective Constable Ian Lawson, of Scotland Yard’s arts and antiques unit, said Shaun Greenhalgh was not motivated by greed, but by a desire to embarrass the art world. Despite their profits being estimated by the judge at £850,000, the court heard that they continued to live a basic lifestyle.
He said: “He thought he was having it over a lot of people that should have known better. It is more of a resentment of the art world - to prove that they could do it.”
After his arrest the creator boasted to detectives that he could produce Thomas Moran landscape, worth up to £10,000, in just 30 minutes.
Other British artists he imitated included Samuel Peploe and the sculptor Barbara Hepworth.
The family also created astonishingly convincing works that purported to be thousands of years old, but it was this aspect of the venture that ultimately led to their downfall.
The Greenhalghs had already sold one Roman plate to the British Museum as an 18th or 19th century replica, but when they turned up with three Assyrian reliefs in 2005, the museum’s experts were unconvinced. After spotting a spelling mistake in the text and noticing that ancient horses were wearing modern equipment, the police were called in and their plot began to unravel.
When the family home was searched in March 2006, detectives were stunned to discover that the modest home concealed an elaborate forgery factory well-stocked with raw materials such as Roman glass and silver coins. Watercolours were hidden in wardrobes, half-finished statues dotted the kitchen and a furnace for melting precious metals was on top of the fridge.
Detective Sergeant Vernon Rapley said it was possible that the full extent of the family’s prodigious output had yet to be uncovered, because as many as 100 forged pieces could still be in circulation.
Expressing detectives’ shock at the audacity of the plot, he added: “It does show a real skill with no resources and no real facilities behind you to produce things like this.”
Outside court, Stephanie Crossley, assistant director of adult services at Bolton council, said the whole incident had been “regrettable but the council carefully followed established practice in the purchase of the statue”.
She said: “We welcome the judge’s comments. He said that we were victims of the ’most clever deception’. The museum did not rely on its own judgment. He said that he could see no criticism of Bolton Museum in what it had done and no criticism of any individual.
“Our staff acted entirely correctly following best practice and procedures as laid down in the Museums, Libraries and Archives Council guidelines and the statue was evaluated in accordance with museum practice and the demands of the funding bodies."
It is understood a confiscation and forfeiture hearing related to the case will take place at Bolton Crown Court on January 25 next year.

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They all got away with it because of other peoples greed. They were caught because of their own greed
Andrew, Milford, Derbyshire
When Shuan Greenhalgh comes out of prison (and soon I hope) he should have a healthy market for his own work under his own signature. Obviously a very talented man, why wasnt he already recognized for his skills?
NR, Bristol, UK
Doesn't this all say something about our society and the values we put on possessions. For goodness sake, so they conned a few so-called experts! So what! Who cares! When you look at some of the rubbish produced for the Turner Prize you wonder who should actually be in jail. Congratulations to these three, and well done!
Roy, Trowbridge, Wiltshire
This is wonderful! Like another commentator, it gives me a smile to read of such antics. I still have to hide my smiles when I walk around art galleries and hear the critics analysing childish scrawl on the walls, or sit in restaurants watching people sampling their "fine wines".
Makes one question the authenticity of anything, really.
Paul S. Webb, Alicante, Spain
The question is who was Shaun Greenhalgh working for beforehand. Where did he get his experience? I don t myself need an answer to that question, though I wouldn t particularly know who it might have been.
Henry Percy, London, UK
This is a very amusing story. I don't think this incident really merits a jail sentence. I this this artist shows skill as he clomost certainly had less equipment than the artists who's work he forged. Why are the police spending their time on something as petty and completely harmless act?
G Handy, Newbury, Berkshire, UK,
Bolton council and the British Museum should get over themselves and instead the council with British Museum help should recognise this obvious local talent and set up a Museum of Forgeries. Might be a valuable tourist attraction for the Town!
P.S. They should also quickly get the film rights too, wonderful story
Roger Blinko, Auckland, New Zealand
I am impressed by this story: as much as i hate to say it, because i appreciate art and i don't really care about names, this guy deserves his sentence.
on a side note, way to go british museum, next time spend that money on police and you will kill two birds in one shot
Bruno Figares, montevideo, Uruguay
4 years and eight months is a rather harsh sentence for this sort of crime, most violent criminals and drug dealers don´t get that sort of sentence nowadays. Its just another indication of the ridiculous society we now live in.
P Jessop, London,
Excellent - it simply shows what a bogus set of values the British Museum and others espouse. I wonder how many people in Bolton facing vandalism and loutish behaviour when they phone the Police are told there is nobody available to come out. They simply do not have the money to cope with the crime - if they spent less on buying dodgy works of art in the back streets of Bolton perhaps they would have the money. What to buy a Rembrant guv I know just the man in Pemberton guv, knock you of half dozen cheap - what colour do you want em mate. Ready for Saturday no problem.
MJC, Pas de Calais,
Infact, if their work[s] is as good as the original artists why should it be worth less? Are people paying for the quality of work or the artists name? Imo, their (fakers) works should be valued more because they created it with no resources and in record time. This alone is a special talent. They have certainly gained my respect.
Mohammed, London, UK
Last summer I had a good clearout of my attic and found an old tent.
Recently I found a side of lamb at the bottom of my freezer.
Should I destroy these items as quickly as possible before the arts and antiques unit of Scotland Yard charge me with 'faking' works of art by Tracey Emin and Damien Hirst?
G J BUNTON, SLOUGH, BERKSHIRE
It seems crime does pay, £850k divided by a realistically maximum of two years in jail! I wonder how they will pay off the legal costs, perhaps like a certain other art forgery case the Judge will pay the forger to "knock up" something for him.
Robert, Goodrich, Herefordshire
Free the Greenhalgh three, they should all be appointed diectors of the Bolton art gallery. Think of how much they could save the council tax payers.
K Greenhalgh, Beauly, Inverness-shire
There is something rather quaint about knocking up an Egyptian statue in your garden shed then selling it to the local council. The mangled stream of corporate double speak issued by the council official as an excuse for having being fooled rather reinforces the view that these officials are buffoons of the first order. Good luck to the Greenhaighs. Excellent stunt .
Simon , Chatham, kent
These type of stories always make me smile. All those extremely clever pompous know alls and art experts taken for a ride by ordinary people with a talent for making authentic look alikes in the garden shed
The same thing happens with all those wine tasters who are supposed to know all about fine wines at fifty quid a bottle and can't recognise a bottle of wine from Tesco's for £3.50 !.
Serves 'em right, they've got more money than brains.
Phil de Buquet, Newport, England
This guy is hardly a criminal and should be hailed as a great artist and not sent to prison. He should be released immediately!
Ian, Station Town, UK
It is a pity that they did not send all the money to the poor and hungry Africans. Later on, it would be a phantasmagorical scene watching fat English investigators searching for the evidence among the emaciated people who have more important things to think about then the West's obsession with arts and status.
Bess, Uppsala, Sweden
Well that's got to be the final straw! Buyer beware!!!
While the Greenhalghs have shown talent for copying, so have those purchasing with 'whoever's' money have shown their downright basic ignorance of qualification. However that is not so much my point as is the complete waste of the police and criminal justice systems time!
While this con & greed investigation has been going on, costing god knows how much, millions of real victims of crime have gone ignored with the most basic of offences being left undetected.
I'm afraid the general public don't care much that these copy artists will have made hundreds of thousands of pounds because it doesn't affect them like low life thieving, robbing, violent scum that crawl our streets daily and take from people what is important.
No doubt the proud detectives in the fancy art & whatever squad can pat themselves on the back for a job well done. Get out and investigate some real crime that isn't funded by pompous pretentious art luvies.
SC, South Shields, Tyne and Wear
Good luck to them.I applaud their activities
Howard, Hounslow, UK