Dalya Alberge, Arts Correspondent
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It’s the latest controversial artwork from Antony Gormley, the Turner prizewinner.
People who aspire to high art need only climb on a Trafalgar Square plinth and pose as a sculpture. They will take it in turns for an hour, to do, literally, whatever takes their fancy. He gets the £300,000 fee from the public purse for their 60 minutes of fame.
The artist, who specialises in taking moulds from his body, was confirmed this morning as the next recipient of the commission to fill the empty 1840s plinth in London’s historic square.
Gormley’s winning ’work’ called “One and Other” will offer ordinary members of the public more than their 15 minutes of fame, transforming the plinth into living art.
The plinth will be occupied for 100 days, 24 hours a day, by anyone volunteering to stand on it for an hour at a time.
Some 2,400 people – whether a businessman, a car-mechanic or a body-builder, the artist suggests – will participate.
Gormley considers that each will become “an image of themselves”. One of his critics was less than impressed this morning, saying: “The empty plinth is to be filled with empty ideas.” The commission is part of a series of changing displays for the plinth, one of four in the pedestrianised square, the others bearing statues of Nelson, General Charles Napier and Major-General Sir Henry Havelock and George IV.
After Gormley’s 100 days, Shonibare will present “Nelson’s Ship in a Bottle”, a scale replica of HMS Victory, in a giant glass bottle. Its sails will be made of patterned textiles commonly associated with Africa and bought from the ethnic Brixton market. Shonibare describes it as celebrating “London’s immense ethnic wealth”.
The plinth had stood bare for 158 years until the previous chairman of the
Royal Society for the Encouragement of Arts, Prue Leith, came up with the idea of using it as a showcase for modern work.
Although the public had wanted to see statues of Nelson Mandela, Shakespeare or even a British bulldog, a changing programme of temporary sculptures was introduced instead.
Each one remains on the plinth for 18 months, as part of a 20-year series.
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Only Joseph Bazalgette and John Snow are worthy of a place in the Square. They LITERALLY saved London by conquering cholera via recognition of its waterborne nature and by the immense construction of sewers and embankments to avoid this. I bang on about this year in year out-maybe Boris will listen
Allan, Cowling. W Yorks, UK
To answer Steve Tea's point: the Royal Society for the Encouragement of the Arts is rather older than the Labour government - it's been around for 250+ years - and it gets no subsidy from the taxpayer, so its not a quango either.
Penny Pritchard, Brampton, Cumbria
Its the same idea as watching a street artist on the South Bank or Covent Garden. We see dozens of tourists and Londoners gaping at on a Sunday afternoon - now it's their turn to do the same. How utterly banal!! Ok, it's art... but i'd rather see public money go on a 'proper' sculpture.
Andy Sturt, Brighton,
Anna, Kendal,
I think the phrase 'value for money' is fundamentally at odds with the concept of art - money isn't really the point is it?
Ella, London,
Royal Society for the Encouragement of Arts - Quango. Another classic example of Waste under LABOUR.
steve tea, manchester, cheshire
This is a great opportunity to show that we Brits have not lost our sense of humour, eccentricity or creativity. Here's hoping that those on the plinth will prove Adrian Gormley right.
Sarah Hague, Montpellier, France
Its a brilliant idea. I'd love to see who goes up there and hear why they want to do it. Anyone can make a statement and 'belong' just by being there. Free and harmless, great. I want a go.
Mary, Coventry,
What scares me is that we have to pay for another one of these in 100 days, and again, and again, for 20 years. Surely just one permanent monumental work of art would be better value for money. Modern art yes, but not at this price.
Anna, kendal , UK
Le Tundoir, Liverpool
I'd pay £300K to see you standing on a street corner with "a small plague" in front of you! Great concept!
Anna, kendal , UK
Its not the inane nature of the 'piece' that I find offensive - a lot of 'modern' art is a total waste of time. It is instead the fact that he gets paid £300k of my money! In what world is it just to give a bloke 18 times the average sallary for the idea of letting a bunch of geese stand on a rock?
Ricardo, Cambridge,
Hey! I've just had an idea!
I'm going to stand on a street corner for an hour with a small plague in front of me that reads "talentless".
Where's my £300k???
Le Tundoir, Liverpool, England!
We pay £300,00 for nothing, very New Labour!
Dean, Southampton, England
He should donate all 300000pounds to charity or some college of art!
Edwin Heng, Singapore, Singapore
This man gets £300,000 from the public purse for putting up an empty plinth?
This world has truly gone mad.
John F, London,
"the body becomes a metaphor, a symbol and allows us to reflect on the diversity, vulnerability and particularity of the individual in contemporary society". Pompous, statist drivel. Luckily we still have Gilbert and George 'Living Sculpture" 1972 (now on youtube) if we want the real thing.
Roger, Southwark,