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Untitled 1960 is typical of Rothko’s signature paintings of the 1950s and 1960s, with its symmetrical blocks of contrasting yet simultaneously complementary colors.

The move from the early bright vibrant reds and yellows to darker greens and blues has been seen by some as a reflection of the artist's darkening personal mood. In common with fellow Abstract Expressionists, his work is sometimes considered to have spiritual aspirations.

Rothko himself refused to explain his work. "Silence is so accurate," he said, believing that words would restrict the viewer's imaginative response to the paintings.

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