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THE behind-the-scenes feuding and backbiting of the Booker prize — involving
former judges such as Joanna Lumley, Malcolm Muggeridge and Philip Larkin —
is to be laid bare with the opening of the literary contest’s official
archive.
More than 30 years of letters and minutes of judges’ meetings reveal rows such
as when Larkin turned down chairmanship of the 1977 Booker panel because he
did not want to wear the obligatory black tie for the presentation. He
relented when it was agreed he could wear a green dinner jacket instead.
The archive, which has been handed to Oxford Brookes University for opening
next year, also tells the story of the infighting behind awards such as the
prize to Keri Hulme for The Bone People, condemned by Lumley, one of the
judges, as “quite indefensible”.
It also discloses details of famous spats and moments of high dudgeon
involving authors such as Salman Rushdie and Anthony Burgess. The Booker —
this year’s will be awarded on Tuesday — is noted not just for being the
country’s most prestigious literary prize, but also the one that has
produced the most rows.
In the prize’s third year in 1971, when V S Naipaul won, Muggeridge was one of
the judges. The author and journalist stood down because none of the 50
contending books appealed. His resignation letter says: “It will be a long
time before I open another contemporary novel, if I ever do. But I am
grateful for having been forced to take account of these samples of today’s
fiction.”
Lumley, best known as Patsy in Absolutely Fabulous, could not be present at
the final judging meeting in 1985 which chose Hulme, a New Zealander.
Instead, she sent a note to the chairman, Norman St John- Stevas, who served
as the Tory arts minister from 1979-81, about The Bone People.
“This is over my dead body stuff,” wrote Lumley. “I cannot bring myself to
applaud any of it. It’s poetry and whimsical. Its subject matter is quite
indefensible. We cannot have a book on child battering carrying off the
gold.”
St John-Stevas, now a peer, also thought that the book was “rubbish” and even
threatened not to read it.
Other judges to resign have included Nicholas Mosley, the author and son of
the Fascist leader Oswald. He pulled out when he failed to have Alan
Massie’s novel The Sins of the Father included on the shortlist of six in
1991.
Three years later Rabbi Julia Neuberger wished she had resigned before the
choice of James Kelman’s How Late It Was, How Late, as winner. She said how
“annoyed she was that that crap won”.
Minutes for that year also show the dithering of the chairman, Professor John
Bayley. Just 15 minutes before the judges were due to arrive at the Booker
dinner, there was a consensus that Alan Hollinghurst had won for The Folding
Star. Bayley then said he wanted another vote, which went to a different
author.
Just a couple of minutes before the final deadline, Bayley called for another
vote, which chose Kelman.
The minutes show how Michael Foot, chairman in 1988, was accused of backing
Salman Rushdie’s Satanic Verses because he was a Labour member. Rushdie
lost.
The archives also relate the prima donna-ish behaviour of Anthony Burgess in
1980, who said he would only attend the Booker dinner if told in advance he
had won. He waited at the Savoy hotel in London for the call of
congratulation.
It never came. William Golding won for Rites of Passage.
The bookies’ favourite for Tuesday is Monica Ali’s Brick Lane. After the
result it will probably be said that the judges had been unanimous. Yet when
the papers for Booker 2003 eventually go to the Oxford Brookes archive, they
may tell a different story.
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